Shin Masked Rider

Produced to celebrate the 50th anniversary of Kamen Rider and the fourth and final film? In Hideaki Anno's Shin Japan Heroes Universe.

Epic Kamen Rider adaptation with stellar cast and production quality. The questionable campy style, pacing and editing confused me a lot. The story didn't had any anchor or fleshed out characters for emotional weight. Also the ending was sad and depressing and thus disappointing for my personal taste.

Produced to celebrate the 50th anniversary of Kamen Rider and the fourth and final film? In Hideaki Anno's Shin Japan Heroes Universe.

Epic Kamen Rider adaptation with stellar cast and production quality. The questionable campy style, pacing and editing confused me a lot. The story didn't had any anchor or fleshed out characters for emotional weight. Also the ending was sad and depressing and thus disappointing for my personal taste.

This is coming from a non-fan, better known as normie: I think it's pretty enjoyable to watch from start to finish because the movie almost didn't give me room to breath like, dude it's full of action from the Toho logo to credits! Since I'm a non-fan, the things that bother the original fans so much pass me by like wind through canyons, so hey feel free to roast me if you want. CGI didn't bother me that much like in Anno's previous two shins, I mean I could still catch what's going on. Practical effect done rightfully even brutal in some parts, like blood splattering all over the place. I wonder if Anno already had plan to make another shin series of another Japanese IP after this. Shin-Super Sentai anyone?

7.5/10.

Shin Kamen Rider is a fun kitschy throwback to the1970s style tokusatsu genre, a meta re-telling of the Kamen Rider origin story, as part of his Shin Japan Heroes Universe tribute series.

Shin Kamen Rider is a silly piece of nostalgic cheese that might not be for everyone. Hideaki Anno's straight-faced direction will come off as a quirky spin exclusively for fans who grew up on the old Kamen Rider shows. However, first-timers may feel completely alienated trying to get in on the joke.

At its two-hour runtime, the script is episodic, equivalent to roughly four 30-minute episodes on TV, each complete with its villain.

The deadpan acting style that Hideaki Anno has maintained through these 3 Shin films remains an odd choice; the actors seem to be performing experimental theater or in a Yorgo Lanthimos film.

Every feeling the characters have is blatantly stated out loud, and as a result, the film feels more told than shown, focused on the plot, not the characters. I don't recall the acting in old Tokusatsu shows being this way, so it's not a matter of tribute. It's as if Anno is stripping these established cultural icons to their bare skeleton and just presenting them through chilled museum glass.

This cold bland performance style does work better here for Kamen Rider than in Godzilla or Ultraman. Anno builds in quiet meditative moments of the Kamen Rider contemplating his power and responsibilities that worked well. If deconstruction was indeed Hideaki Anno's goal, this is the closest he's achieved it.

The magic kicks in during the action sequences. The old-school special effects, monster makeup, and the theme song all work together and in these short moments, I was whisked away back to my childhood. It was a simpler time when watching actors don silly masks and fight stuntmen dressed in rubber monster costumes on TV was sufficient entertainment.

Once it gets going, it doesn't matter that it's cheesy, the effects are shoddy, or that Kamen Rider uses the same technique to finish off the monsters every time. Those moments are quite fun.

Everything else in between, however, is quite the endurance test.

Shin Kamen Rider (2023) is a movie that I recently watched on Prime. The storyline follows a motorcycle racer who is kidnapped by a man who wants to take over the world. The motorcycle racer escapes but not before getting infected and turned into a super hero mutant driver. With his new powers he will try to stop his kidnapper from taking over the world.

This movie is directed by Hideaki Anno (Shin Godzilla) and stars Sôsuke Ikematsu (The Last Samurai), Minami Hamabe (Let Me Eat Your Pancreas), Tasuku Emoto (And Your Bird Can Sing) and Shin'ya Tsukamoto (Tokyo Fist).

The characters and universe for this picture are perfectly set up. The action scenes initially are great with fantastic kill scenes, gore, flying body parts, everything you'd want from a Kamen Rider picture. The villain had potential too. Unfortunately the content gets a bit too over the top, a bit too over done, and ran out of gas for me. I did enjoy watching it unfold, but it didn't have the same magic as Shin Godzilla.

Overall, this movie had enough worthwhile elements to make it worth a watch but isn't as good as Shin Godzilla. I would score this a 6/10 and recommend watching it once.

The movie starts pretty strong, with a good fighting scene and the introduction of the Shin Kamen Rider who basically pays homage to the original Kamen Rider from 1971. Sadly, after the strong start, things started to go downhill slowly. The plot became cringy and the fan favorite Kamen Rider was more of a secondary character since they were focusing a lot on someone else.

When it comes to the fighting scenes, they weren't good, it's like they were inspired by animes like Dragon Ball Z and Nartuto, it doesn't sound too bad, but the CGI felt like I was playing a few years old PC game. Was it really that hard to make good fighting scenes like in the other Kamen Rider movies and shows?

The cast, the acting, the costumes, the bikes and the music were great, and the kid from The Last Samurai is actually our Kamen Rider.

Unfortunately, I wish I did something better with my time, compared to Shin Godzilla, the movie is a huge letdown. I'm giving it 5 stars because of the nostalgia factor and the positive things i mentioned above. It really pains to give such a low score to a Kamen Rider movie.