Adicionar um enredo no seu idiomaReal estate agent Jenna Anderson is crippled by guilt from the violent and sudden death of her daughter. With nothing to lose, she walks away from society to live a life rough on the streets... Ler tudoReal estate agent Jenna Anderson is crippled by guilt from the violent and sudden death of her daughter. With nothing to lose, she walks away from society to live a life rough on the streets of Sin City, Las Vegas.Real estate agent Jenna Anderson is crippled by guilt from the violent and sudden death of her daughter. With nothing to lose, she walks away from society to live a life rough on the streets of Sin City, Las Vegas.
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Writer and director Deborah Richards has created an interesting character in Jenna Anderson, played by Cat Lellie. The story is an interesting tale of a woman who chooses to be unhoused. Jenna's overwhelming grief leads her to leave her home and job as she is no longer able to stand living inside. She crosses paths with many likable and unlikable characters who teach her important lessons about how to survive in her chosen lifestyle.
Lellie is able to hold her own as the lead, with many scenes that depend on her acting skill to explore the circumstances the character is placed. She is a strong female lead who carries this movie.
Richards previews enough of the story in the beginning to pique the viewer's interest and curiosity. While the sorry is somewhat predictable, there is a positive feel and a good message.
As an independent film, Richards was able to use her skills behind the camera to make scenes work to make the story believable.
Lellie is able to hold her own as the lead, with many scenes that depend on her acting skill to explore the circumstances the character is placed. She is a strong female lead who carries this movie.
Richards previews enough of the story in the beginning to pique the viewer's interest and curiosity. While the sorry is somewhat predictable, there is a positive feel and a good message.
As an independent film, Richards was able to use her skills behind the camera to make scenes work to make the story believable.
The opening alone is enough to hook you. Some really stunning imagery, especially for an indie film. The story is told very well and doesn't pull punches on the emotional trauma of such an event that the main characters Jenna, endures. I enjoyed the gritty feel of the film and the way in which the filmmaker decided to tell the story. The use of drone shots and gimbals always helps to elevate an independent film, so I appreciated them incorporating those to help show the scale of Vegas but how small Jenna feels within it and within her emotions. Really enjoyed this. I highly recommend giving this a watch.
Following Jenna, the lead character after her daughter's accidental death it is pretty easy to root for and develop empathy for her journey into homelessness. I found Jenna's character very believable having worked around homeless ministries in the past and her gradual descent isn't overall graphic or overtly trying to showcase every single trait or obstacle that homeless people (or "street friends" as we know them) face on a daily basis.
A few background characters could have done with less wooden performances but otherwise the cast were solid and engaging throughout the film. Pacing was good and it didn't seem to drop any of its rhythm despite jumping back and forth between the pre-Jenna story and the homeless Jenna.
The cinematography is with out a doubt a high point with good artistic choices in locations, lighting and colour, and while there is a fair amount of narration from Jenna, its hard to be distracted by any of it.
Overall 'Move Me No Mountain" is a very engaging film, which compelled me to want to see both a redemptive ending for Jenna as a character and a climax to the overall story. Definitely worth watching.
A few background characters could have done with less wooden performances but otherwise the cast were solid and engaging throughout the film. Pacing was good and it didn't seem to drop any of its rhythm despite jumping back and forth between the pre-Jenna story and the homeless Jenna.
The cinematography is with out a doubt a high point with good artistic choices in locations, lighting and colour, and while there is a fair amount of narration from Jenna, its hard to be distracted by any of it.
Overall 'Move Me No Mountain" is a very engaging film, which compelled me to want to see both a redemptive ending for Jenna as a character and a climax to the overall story. Definitely worth watching.
Man, let me tell you 'bout this flick, Move No Mountain (2023), a debut masterpiece from the visionary Deborah Richards. It's a gut-wrenching ride, man, takin' us deep into the heart of human despair and desolation.
We meet Jenna Anderson, a real estate agent weighed down by guilt, her soul crushed by the loss of her own daughter. And she does somethin' crazy, somethin' daring, man-she walks away from her cozy life, venturin' into the mean streets of Las Legas. There, among the harsh realities of homelessness and strugglin', Jenna goes on an emotional odyssey, man, a journey that'll shake ya to the core.
Deborah Richards, she's got that touch, that rawness that makes you feel every twist and turn in the story, man. It's like she's diggin' deep into the soul, layin' bare all the pain and hope we carry inside. And Jenna, played by an amazing cast, is a vessel for all of it, man, carryin' the weight of her sorrow and findin' her way through the darkness.
In the alleys and corners of Las Legas, Jenna meets a colorful crew of souls, each with their own story to tell, man. It's like a mosaic of humanity, showin' us the depths of human connections and the struggles we all face. These encounters, they teach Jenna-and us-about empathy, about the strength of the human spirit.
The cinematography, man, it captures the grit and glamour of Las Legas, juxtaposin' the glitter with the shadows. It's like the lens is showin' us the truth, revealin' the beauty and the ugliness side by side. And the music, man, it's like the soundtrack of our souls, resonatin' with every beat of the story.
Move No Mountain, it's a powerful testament to the resilience of the human spirit, man. It's makin' us question ourselves, our choices, and how we relate to others. Deborah Richards, she's got this gift of makin' us look deeper, man, askin' us to see the hope even in the darkest moments.
This flick, man, it's like a trip, an emotional journey that'll leave ya spellbound. Deborah Richards, with her debut, she's showin' us she's got somethin' special, man. It's a flick that sticks with ya, makin' ya ponder life and the people we meet along the way.
In the end, Move No Mountain is an emotional whirlwind, man, a flick ya don't wanna miss. So buckle up, get ready for a ride that'll touch ya deep in your soul, and remind ya of the beauty that lies even in the most desolate corners of our existence.
We meet Jenna Anderson, a real estate agent weighed down by guilt, her soul crushed by the loss of her own daughter. And she does somethin' crazy, somethin' daring, man-she walks away from her cozy life, venturin' into the mean streets of Las Legas. There, among the harsh realities of homelessness and strugglin', Jenna goes on an emotional odyssey, man, a journey that'll shake ya to the core.
Deborah Richards, she's got that touch, that rawness that makes you feel every twist and turn in the story, man. It's like she's diggin' deep into the soul, layin' bare all the pain and hope we carry inside. And Jenna, played by an amazing cast, is a vessel for all of it, man, carryin' the weight of her sorrow and findin' her way through the darkness.
In the alleys and corners of Las Legas, Jenna meets a colorful crew of souls, each with their own story to tell, man. It's like a mosaic of humanity, showin' us the depths of human connections and the struggles we all face. These encounters, they teach Jenna-and us-about empathy, about the strength of the human spirit.
The cinematography, man, it captures the grit and glamour of Las Legas, juxtaposin' the glitter with the shadows. It's like the lens is showin' us the truth, revealin' the beauty and the ugliness side by side. And the music, man, it's like the soundtrack of our souls, resonatin' with every beat of the story.
Move No Mountain, it's a powerful testament to the resilience of the human spirit, man. It's makin' us question ourselves, our choices, and how we relate to others. Deborah Richards, she's got this gift of makin' us look deeper, man, askin' us to see the hope even in the darkest moments.
This flick, man, it's like a trip, an emotional journey that'll leave ya spellbound. Deborah Richards, with her debut, she's showin' us she's got somethin' special, man. It's a flick that sticks with ya, makin' ya ponder life and the people we meet along the way.
In the end, Move No Mountain is an emotional whirlwind, man, a flick ya don't wanna miss. So buckle up, get ready for a ride that'll touch ya deep in your soul, and remind ya of the beauty that lies even in the most desolate corners of our existence.
Move Me No Mountain is a completely unique and original movie. A realtor wrestles with the guilt over her daughter's death and falls into a downward spiral in Las Vegas. The film focuses on themes of loss, depression, fear, and survival. The acting was excellent throughout, including some really memorable performances by a couple of the minor characters. Personally, I really enjoy movies that are character studies and this one is fascinating. I think the thing that impressed me the most though, was the direction by Deborah Richards. I really liked the shot composition and the camera angles throughout the entire film. The images felt very fresh and cinematic. I think that for a film which is a character study...to also have shots that are so cinematic, is exceedingly rare, and deserves recognition. Give this movie a watch!
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- Tempo de duração1 hora 24 minutos
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