AVALIAÇÃO DA IMDb
6,3/10
7,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.An identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.An identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.
- Prêmios
- 1 vitória e 2 indicações no total
James Krishna Floyd
- Gary Page
- (as James Floyd)
Ravin J. Ganatra
- Fahad
- (as Ravin Ganatra)
Chris Wilson
- Security Guard
- (as Karl Wilson)
Avaliações em destaque
There's no denying that "The Infidel" treads tough ground, one that doesn't need much reminding in this day and age. And to be fair, "The Infidel" is one of the more amusing films centred around Muslim/Jewish hostilities in years. Anchored by a hearty performance by stand-up Omid Djalili, who's made funny, incisive observations in his act about his culture and background in relation to English society and also, about the way they talk and behave and what tends to go unsaid in his presence. He has a fun time filling in the nuances of his role here with this keen understanding and terrific comic timing.
Djalili plays Mahmud Nasir, a moderate Muslim father and business-owner in England who finds out that he was born Solomon (Solly) Shimshillewitz and was adopted by Muslim parents. Understandably upset by the threat this weight of truth might bring to his normalcy, Mahmud hides the truth from his impossibly attractive wife (Archie Punjabi), a young daughter who spouts insanely ridiculous stereotypes and from a son who's about to marry the step-daughter of a radical Pakistani cleric. Rocked with an identity crisis, Mahmud enlists the help of a grumpy native New York Jew, Lenny Goldberg played with quick-fire efficiency by Emmy-winner Richard Schiff.
Djalili and Schiff pair well together. Frequently, the best scenes in the film coalesce around them as they traverse new ground – as Mahmud discovers a heritage he never knew and Lenny finds respect for a culture he's spent valuable time opposing. The moral of the story is clear: We're all the same. It's a trite notion but delivered with enough heart and equal opportunity offending on both sides.
This is a high-concept comedy with middle-brow ambitions, setting up substantial questions on ethnicity and religion but leave them hanging. It wants to co-opt the serious issues at play but not address them. At first glance, it's got a premise that brings humour right to the table but even with the best Djalili's got to give, the film lumbers along until a final third that just breaks down in hysterics and plain narrative tedium.
Djalili plays Mahmud Nasir, a moderate Muslim father and business-owner in England who finds out that he was born Solomon (Solly) Shimshillewitz and was adopted by Muslim parents. Understandably upset by the threat this weight of truth might bring to his normalcy, Mahmud hides the truth from his impossibly attractive wife (Archie Punjabi), a young daughter who spouts insanely ridiculous stereotypes and from a son who's about to marry the step-daughter of a radical Pakistani cleric. Rocked with an identity crisis, Mahmud enlists the help of a grumpy native New York Jew, Lenny Goldberg played with quick-fire efficiency by Emmy-winner Richard Schiff.
Djalili and Schiff pair well together. Frequently, the best scenes in the film coalesce around them as they traverse new ground – as Mahmud discovers a heritage he never knew and Lenny finds respect for a culture he's spent valuable time opposing. The moral of the story is clear: We're all the same. It's a trite notion but delivered with enough heart and equal opportunity offending on both sides.
This is a high-concept comedy with middle-brow ambitions, setting up substantial questions on ethnicity and religion but leave them hanging. It wants to co-opt the serious issues at play but not address them. At first glance, it's got a premise that brings humour right to the table but even with the best Djalili's got to give, the film lumbers along until a final third that just breaks down in hysterics and plain narrative tedium.
- www.moviexclusive.com
While I did laugh and smirk at this film a few times, it is far from the best comedy I've seen in movies. The interplay between the characters is often well written and there are really some inspired moments (the young daughter's jihaddist language was hilarious!) But the humor sometimes asks you to stretch your suspension of disbelief a little too much.
What I thought was really worthwhile in this film was the portrayal of some modern Muslims and their families and community. We see a tabloid-reading woman in a full burqah with a wonderful east-end/Scottish/cockney accent, an engaging imam who has a ready interpretation of how the modern faithful may deal with homosexuality, and the prevalent use of the internet as a means for modern Muslims to keep current and in-touch. This film deals with issues that are very very important and shows how everyday people respond to them in a very open way.
And I think comedy, if it's done properly, is really the best way to approach these issues in media. This movie does break down some barriers, by showing that, yes, we have some very definite cultural heritages that don't always get along, but we're all just people and we have to share this world for better or for worse.
I would definitely recommend this for any audience. Parents will want to know there is adult subject matter and a lot of adult language. The racist language is an integral part of the story and adds, rather than detracts from the work.
You don't have to be any certain faith to laugh or cry. The Infidel shows this.
What I thought was really worthwhile in this film was the portrayal of some modern Muslims and their families and community. We see a tabloid-reading woman in a full burqah with a wonderful east-end/Scottish/cockney accent, an engaging imam who has a ready interpretation of how the modern faithful may deal with homosexuality, and the prevalent use of the internet as a means for modern Muslims to keep current and in-touch. This film deals with issues that are very very important and shows how everyday people respond to them in a very open way.
And I think comedy, if it's done properly, is really the best way to approach these issues in media. This movie does break down some barriers, by showing that, yes, we have some very definite cultural heritages that don't always get along, but we're all just people and we have to share this world for better or for worse.
I would definitely recommend this for any audience. Parents will want to know there is adult subject matter and a lot of adult language. The racist language is an integral part of the story and adds, rather than detracts from the work.
You don't have to be any certain faith to laugh or cry. The Infidel shows this.
Having not heard very much at all about this film I was still cautiously optimistic about the prospect of it. The film centres around casual Muslim Mahmud Nasir (Omid Djalili) who by chance finds out he was adopted and born a Jew with his real name being Solly Schimshillewitz. He opts to get the advice of American taxi driver Lenny in how to be Jewish so he can see his biological father before he dies. All the while his son is wishing to marry the stepdaughter of a Muslim cleric whom Mahmud must gain blessing from. The premise sounds reasonable doesn't it?
However the problem in my eyes is that it is not really suited to a 1 hour 45 minute film and more like a TV series where it would not be as rushed in terms of plot and character development. (although admittedly I would be a little sceptical at a TV series to be honest). Another (albeit minor) problem is Djalili himself where I think he doesn't lead a film as well as he does fit into smaller roles. Don't get me wrong I am a fan and I think he is hilarious in his stand up role but I feel he just wasn't perfect in this. In spite of these negatives the film itself is still decent and while it doesn't produce any genuine laugh out loud moments it is still quite funny.
In my mind undoubtedly Richard Schiff stole the show where his screen time with Djalili was pretty funny. Of course their best interaction comes in the form of a montage, the most predictable method. I bring back the TV series factor here where I really think their interaction would have been best utilised. To conclude the film is reasonably funny but it would really give you anything more than a few laughs at awkward situations. That said if you get an opportunity check it out there's much worse out there.
However the problem in my eyes is that it is not really suited to a 1 hour 45 minute film and more like a TV series where it would not be as rushed in terms of plot and character development. (although admittedly I would be a little sceptical at a TV series to be honest). Another (albeit minor) problem is Djalili himself where I think he doesn't lead a film as well as he does fit into smaller roles. Don't get me wrong I am a fan and I think he is hilarious in his stand up role but I feel he just wasn't perfect in this. In spite of these negatives the film itself is still decent and while it doesn't produce any genuine laugh out loud moments it is still quite funny.
In my mind undoubtedly Richard Schiff stole the show where his screen time with Djalili was pretty funny. Of course their best interaction comes in the form of a montage, the most predictable method. I bring back the TV series factor here where I really think their interaction would have been best utilised. To conclude the film is reasonably funny but it would really give you anything more than a few laughs at awkward situations. That said if you get an opportunity check it out there's much worse out there.
10anam006
This movie had me laughing right from the start! It's set around a Muslim man who doesn't care too much about religion until he finds out he's adopted.. and Jewish.
Omid Djalili gave an unsurprising great comedic delivery. He was so convincing as the typical Muslim man who doesn't pray all the time, fast every single day of Ramadan, or always abstain from alcohol. Yet he finds a reason to form a closeness with religion after he finds out shocking and upsetting news that he was born Jewish.
Every single scene in this movie will have you laughing in tears at the ridiculousness of the culture people have created in regards to religion. The plot is a little bit more complex but I don't want to give away too much. If you're Muslim or Jewish, you should definitely watch this movie because I know you'll love this film and want to recommend it to all your friends and family.
Omid Djalili gave an unsurprising great comedic delivery. He was so convincing as the typical Muslim man who doesn't pray all the time, fast every single day of Ramadan, or always abstain from alcohol. Yet he finds a reason to form a closeness with religion after he finds out shocking and upsetting news that he was born Jewish.
Every single scene in this movie will have you laughing in tears at the ridiculousness of the culture people have created in regards to religion. The plot is a little bit more complex but I don't want to give away too much. If you're Muslim or Jewish, you should definitely watch this movie because I know you'll love this film and want to recommend it to all your friends and family.
"The Infidel" has a funny premise, but the film also treads on many serious topics--straddling the fine line between social satire and social commentary. While it's not a brilliant film, I really respect the filmmakers for making it--and it's good for a laugh.
Omid Djalili plays a Muslim Brit. While not exactly religious, he is anti-Jewish and tries to fit in to his local Muslim community. However, his entire world is turned upside down when he learns that he was adopted...and his birth parents were Jews! He doesn't know what to do--should he try to find his birth parents? Should he ignore all this? Should he perhaps become a Jew or tell his friends and family about this? In addition to answering these questions, the film gets very serious when the man's son falls in love with a lady---and her father is a rabid anti-Semite and jihadist. What's poor Omid to do?!
As I said, the film talks about a lot of VERY sensitive and serious issues and is sure to infuriate the more close-minded viewers--though I doubt if they'd see the film in the first place. But, it also manages to be very silly at times--keeping a light mood when treading on tough topics. I appreciate this very much--it took some guts to make the film. My only complaints are that occasionally the film looked a bit rushed--such as the very contrived ending. It was fun--but not the most inspired portion of the film. Still, you could do a lot worse than watch this film! By the way, this film would make a WONDERFUL addition to watching "West Bank Story"--another film which treads the same territory but manages to do it even better. In fact, "West Bank Story" received (deservedly) the Oscar for Best Short Subject Film--it's that good.
By the way, the film has some very crude language--so hold on tight and don't show it to your mother-in-law!
Omid Djalili plays a Muslim Brit. While not exactly religious, he is anti-Jewish and tries to fit in to his local Muslim community. However, his entire world is turned upside down when he learns that he was adopted...and his birth parents were Jews! He doesn't know what to do--should he try to find his birth parents? Should he ignore all this? Should he perhaps become a Jew or tell his friends and family about this? In addition to answering these questions, the film gets very serious when the man's son falls in love with a lady---and her father is a rabid anti-Semite and jihadist. What's poor Omid to do?!
As I said, the film talks about a lot of VERY sensitive and serious issues and is sure to infuriate the more close-minded viewers--though I doubt if they'd see the film in the first place. But, it also manages to be very silly at times--keeping a light mood when treading on tough topics. I appreciate this very much--it took some guts to make the film. My only complaints are that occasionally the film looked a bit rushed--such as the very contrived ending. It was fun--but not the most inspired portion of the film. Still, you could do a lot worse than watch this film! By the way, this film would make a WONDERFUL addition to watching "West Bank Story"--another film which treads the same territory but manages to do it even better. In fact, "West Bank Story" received (deservedly) the Oscar for Best Short Subject Film--it's that good.
By the way, the film has some very crude language--so hold on tight and don't show it to your mother-in-law!
Você sabia?
- CuriosidadesDavid Baddiel: The movie's writer can be seen on the TV show The Wright Stuff (2000), which Mahmud watches.
- Erros de gravaçãoAfter Mahmud sees that Lenny has parked his taxi cab on his parking cones, he begins to walk over to Lenny's house to confront him about it. On the way, he walks past a car and the camera crew is reflected in its side.
- Citações
[Mahmud tells Lenny his real name]
Lenny Goldberg: Solly Shimshillewitz? Why didn't they just call you "Jewe-jew-jew-jew-jew" and be done with it?
- Versões alternativasMahmud's road-rage scene from the outset has been sound-dubbed for strong language (UK video version), with the C-word being uttered only once. In the UK cinema print, Mahmud shouts the C-word many times towards the taxi driver.
- ConexõesFeatured in Breakfast: Episode dated 6 April 2010 (2010)
- Trilhas sonorasClose Your Eyes
Performed by Joel Freedman
Written by David Gavurin & Harriet Wheeler
Produced by Howie B.
Engineered by Ben Thackeray'
Published by Warner Chappell Music Limited
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- The Infidel
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- Faturamento bruto mundial
- US$ 2.817.080
- Tempo de duração
- 1 h 45 min(105 min)
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- Proporção
- 1.85 : 1
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