AVALIAÇÃO DA IMDb
5,6/10
40 mil
SUA AVALIAÇÃO
O novo funcionário de uma empresa está ocupando o escritório em um canto, mas a um preço perigoso: você deve espionar o antigo mentor de seu chefe para garantir uma vantagem multimilionária.O novo funcionário de uma empresa está ocupando o escritório em um canto, mas a um preço perigoso: você deve espionar o antigo mentor de seu chefe para garantir uma vantagem multimilionária.O novo funcionário de uma empresa está ocupando o escritório em um canto, mas a um preço perigoso: você deve espionar o antigo mentor de seu chefe para garantir uma vantagem multimilionária.
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Will Peltz
- Morgan
- (as William Peltz)
- Direção
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Avaliações em destaque
A thriller about the dark world of tech business giants, with big shot start like Gary Oldman and Harrison Ford, what could go wrong, right? Well, with this movie, almost everything did. It's slow, boring, repetitive and overall just disappointing.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
If you watch this movie because it has Gary Oldman or Harrison Ford, you won't be alone, but you may be in for a disappointment, I'm sorry to say. Firstly they don't have much screen time and the time they do have seems to have been filmed in a hurry with little effort put into it by anyone.
The main character is that of Liam Hemsworth, who plays Adam Cassidy; the best he has going for him is that he a good looking guy. I didn't find the character very convincing, unlike the part of his dad played by Richard Dreyfuss, but his lines might as well have been written on a napkin. What a waste of talent by writer and director here.
What you might like are the fancy cars and great settings as well as the secondary roles of Kevin and Allison, played respectively by Lucas Till and Angela Sarafyan. It's all so sad that a plot, especially the ending, could have been so much more, I could see the possibilities I did not see on screen.
The main character is that of Liam Hemsworth, who plays Adam Cassidy; the best he has going for him is that he a good looking guy. I didn't find the character very convincing, unlike the part of his dad played by Richard Dreyfuss, but his lines might as well have been written on a napkin. What a waste of talent by writer and director here.
What you might like are the fancy cars and great settings as well as the secondary roles of Kevin and Allison, played respectively by Lucas Till and Angela Sarafyan. It's all so sad that a plot, especially the ending, could have been so much more, I could see the possibilities I did not see on screen.
"The lights always look brighter across the river." After saying the wrong things, Adam (Hemsworth) an up-and-coming employee at a powerful corporation finds himself and his friends out of a job. After the owner Nicolas Wyatt (Oldman) recruits him to spy on rival Jock Goddard (Ford) to find out what his company is coming up with Adam finds himself stuck in the middle of a dangerous game. When he wants out he realizes that it's not just his life is threatened unless he completes his task. I was looking forward to watching this for two reasons. Harrison Ford and Gary Oldman, also Richard Dreyfuss is in this but in a lesser role. I cannot recall a movie they have been in that has been bad (Kingdom of the Crystal Skull was bad but its still Indiana Jones so I can't hate it and I blame Lucas for that anyway). I did find out how to mess up a movie with those two legendary actors...add baby Thor (Liam Hemsworth). I'm not saying he was a bad actor in this because it wasn't terrible but when you have those two in a movie and you make baby Thor the main focus you have screwed up somewhere. I'd compare this to the movie Son Of No One in the way that you have Ray Liotta and Al Pacino and you make Channing Tatum the focus. Nothing personal against Hemsworth or Tatum but when you have such high caliber actors why waste them? As far as this movie goes the scenes with Oldman and Ford are amazing as expected, as far as the rest goes it was slow, a little boring and not exciting at all. With the plot being about the seedy underworld of the cellphone app industry though you don't have much to work with. Overall, a movie that could have been so much better but ended up being almost not worth seeing. It pains me to do this but I give it a C.
Cassidy and his friends work for Wyatt mobile and are pitching a new idea to the boss. He doesn't care for it and Cassidy gets arrogant. They're fired but for some reason he still has an active expense account credit card and they party that night. He also meets the pretty Emma.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
Você sabia?
- CuriosidadesKevin Spacey turned down the role of Nicholas Wyatt.
- Erros de gravaçãoWhen Adam Cassidy is playing chess with Wyatt, there is no way he can make a checkmate without making check with his queen.
- Citações
Jock Goddard: Privacy. Absolute myth. There's no such thing.
- ConexõesFeatured in Chelsea Lately: Episode #7.121 (2013)
- Trilhas sonorasAlive (Zedd Remix)
Performed by Empire of the Sun
Composed by Nick Littlemore (as Nicholas Littlemore), Peter Mayes, Luke Steele, Jonathan Sloan, Steve Bach (as Steven Bach) and Zedd (as Anton Zaslavski)
Administered by: Universal Music Publishing Group Pty Ltd, on behalf of
Chenfeld Ltd and Solola Ltd, Sony/ATV Music Publishing (Australia) P ty Ltd.
admin by Sony/ATV Tunes LLC, Pulse Recording Songs (ASCAP) admin by
Downtown DLJ Songs (ASCAP), Bach to Bach Music (ASCAP),
Zedd Music Empire (ASCAP) admin by Kobalt Songs Music Publishing.
Courtesy of EMI Music Australia Pty Ltd./Astralwerks
under license from Universal Music Enterprises
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- How long is Paranoia?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Traición al límite
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.388.654
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.528.376
- 18 de ago. de 2013
- Faturamento bruto mundial
- US$ 17.056.265
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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