Mikhaham zende bemanam

I have enjoyed this series so far it is very easy to get interested in. There are unexplainable things happening sometimes like some guy cam out of the dead. The actor choice is spot on but whoever picked Dolatshahi to play this role should fired instantly. The acting is also solid. The second subject is still keeping the series alive. It is annoyingly slow as well.

I gave it 5 stars because of the great end music (Homayoun Shajarian) and because of the cast (Dowlatshahi, Behdad, Karim, Sharifi, and, great performance of a few other actors like the character of Amoo Aslan). Otherwise, it wouldn't get even one star, because one main element of originality is completely missing. It is a copy and not even a half-smart one! It is a blunt copy! It has quite all elements of Shahrzad series. One can find a direct mapping among the main characters of the two. In addition, beyond the love triangle, other elements like the political mafia as well as the gang of drug dealers emphasize on lack of creativity of the script writer and director. Over all, I'd say it is a waste of time, unless one wants to enjoy the actors and actresses, and maybe if one misses Iran of 1980's.

Is series is awesome The actress is very very good acting And story line is very good.

The director of this series is Shahram Shahhoseini who directed (8.5 minutes) series for TV with highest quality in scenic design.soundtrack. Cast and ... now he repeat this and direct a beautiful series.watch the 1 episod to understand.

This series is highly underrated. Perhaps because it's not your average melodrama filled with light hearted dialogues and fancy locations. On the contrary the characters are complex and have depth. The dialogues make you think and every word contributes to the unraveling plot with each episode.

The acting is to the point and fits the nostalgic setting and the brilliance of endless close ups and beautiful camera work that captures the raw emotions of the series' characters.

All in all this an outstanding piece of film making for home cinema and it was not made just to fill in your average afternoon but to capture and move it's audience.