Um americano encontra refúgio durante a invasão japonesa de Nanking, em 1937, em uma igreja com um grupo de mulheres. Apresentando-se como padre, ele tenta levar as mulheres para um lugar se... Ler tudoUm americano encontra refúgio durante a invasão japonesa de Nanking, em 1937, em uma igreja com um grupo de mulheres. Apresentando-se como padre, ele tenta levar as mulheres para um lugar seguro.Um americano encontra refúgio durante a invasão japonesa de Nanking, em 1937, em uma igreja com um grupo de mulheres. Apresentando-se como padre, ele tenta levar as mulheres para um lugar seguro.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 15 vitórias e 16 indicações no total
- Colonel Hasegawa
- (as Atsuro Watabe)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There are some very ugly scenes of the occupation. The Japanese occupation of China and Korea has never gotten the attention that the Nazi occupation of Europe has, but it was equally brutal (as was the Italian occupation of Ethiopia). The main focus here is on the events inside the church, but there is ample focus on the atrocities committed by the Japanese. The movie does a very good job in every way. It is always important to tell these stories so that they never happen again. I very much recommend the movie.
PS: Bale had previously starred in Steven Spielberg's "Empire of the Sun", about a boy who gets separated from his parents in Japanese-occupied China. I also recommend that one.
Moving, riveting, poetic, visually stunning, and dramatically gut wrenching.
Absolutely everything you could ever want a movie to be.
Poignant, poetic, full of beauty and life.
Not without moments of sentimentality, perhaps even, briefly, bordering on the saccharine. Still only those hardest of heart would be unmoved by this visual and emotional banquet.
If you are not moved by this film. You quite possibly may not be human.
An incredible mix of beauty and tension. Eye-dropping cinematography, heart pounding action. Yet full of life, humour and folly. Plays directly to your heart strings and plucks every chord with virtuosity.
In a just world this kind of film would be breaking box office records. But alas we prefer on mass to fix our eyes of adolescent spectacle. Consider how big the box office returns will be when Bale dons a bat suit this summer.
It's funny how a human interest story recreating events in history can be of so little interest to so many humans, the very ones who create history. It seems we would much rather gaze in wonder at our fantasies than contemplate our actions.
I urge anyone who loves cinema to see this film. It is a work of masterful craftsmanship.
"The Flowers of War" tells the story of a roguish American mortician John Miller (Christian Bale) who was sent to a Catholic church/convent in Nanking to prepare the body of the priest for burial, who was then under siege by the Japanese. When he gets there, he found he also needed to take care of a group of convent girls led by the spirited Shu, a young caretaker boy George, and later, a gaggle of exotic prostitutes led by the classy beauty Yu Mo (Ni Ni). Everyone will go through a touching life-changing story arc that will show how even the most unlikely of people can become heroes in extreme adversity.
Director Zhang Jimou returns to form in this movie. He was relentless in the first half we are taken through a continuous barbaric carnage perpetrated by the Japanese soldiers. These parts are reminiscent of the frankly violent blood-spurting "Saving Private Ryan" beach scene. The terror is very palpable. While the scenes of soldiers being shot and killed were hard to watch, the several minutes of violence to children was even harder to bear!
The second half is more dramatic with a some contrived cheesy moments. The character of the kind-hearted Japanese officer Hasegawa was a nice counter-balance to their other heinous acts of atrocity. I also felt the long sequence when a couple of prostitutes sneaking out to retrieve trivial things in their brothel was a rather unnecessary long detour. There will even be a scene that will remind you of Gwyneth Paltrow's body wrap scene in "Shakespeare in Love." However, when the film reaches its climax, everything falls back into place and the noble message is delivered on point. This movie may be difficult to watch because of the scenes of violence, but this is worth watching because the story of heroism and redemption was very good, well-told and well-executed.
The director Zhang YiMou told a powerful, touching and beautiful story, while delivering stunning visual effects as always. All actors from different countries did an amazing job in making so many strong characters in 3 languages, not just the American 'priest', but also those prostitutes, the boy George, all the children, Japanese officers, and the Chinese 'traitor'.
Good movie is like a mirror, some people might get upset watching it, while others see love for others, respect for life, and the human spirit of fighting for peace out of tragedy. Each audience's reaction more or less reflects his/her personal value. The storytelling is objective so you can judge for yourself. In front of a masterpiece like this, people who ranked it very low deliberately because of stereotypes against China or whatever twisted reason (I KNOW YOU EXSIT ON THIS SITE), you need to sit down and think what's wrong with yourself, no matter how open-minded you claim you are.
Some say it is a propaganda production. I have to disagree here. Almost everything in this movie is based on real history, including how Japanese tortured Chinese war victims, how prostitutes stood up to protect other women during the Rape of NanJing, as well as how some westerners resided in China at the time helped local Chinese. Anyone who can pick up a few books or do a bit of research on internet knows it.
English is not my mother language so I can't write an review with big words like those professional critics do. However, this is the first time I feel so moved by a movie that I'd write an English review online to recommend it to viewers outside of China. Simply too good to miss.
If any Chinese simply walked out of the cinema cursing Japanese, I'd say the movie failed big time. However, both times I saw people left quietly, some still sobbing, and heard them saying how lucky they are to be born in this era and how precious peace is. For that reason, I applaud this film.
It is what it is. Horrible things happened in history. Hate and anger won't do any good today. Make peace with yourself and move on. Just like what George said in the movie, life is precious, it is not ours to throw away.
Você sabia?
- CuriosidadesSteven Spielberg recommended Christian Bale for the lead role.
- Citações
John Miller: The way you are now, is what I like the best. I see you. I see everything that you've been through. And I want all of that, Mo. I want all of it. I love it. I love it all.
- Versões alternativasUnlike most versions of movies released in China but produced by other countries, which often cut scenes (usually for violence), this film was shown with additional scenes in Hong Kong and Taiwan. These chiefly pertained to the Chinese and Japanese troop battle early in the film. This Chinese-released version contains 3 minutes 46 seconds of additional footage.
- ConexõesFeatured in 2012 Golden Globe Awards (2012)
- Trilhas sonorasLove Theme 1
Performed by Joshua Bell and Yi Zhang
(Played during Opening Credits)
Composed by Qi Gang Chen
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- CN¥ 120.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 311.434
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.448
- 22 de jan. de 2012
- Faturamento bruto mundial
- US$ 2.855.644
- Tempo de duração
- 2 h 26 min(146 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1