AVALIAÇÃO DA IMDb
8,2/10
8,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA documentary on the band Pearl Jam that marks their 20th anniversary in the year 2011.A documentary on the band Pearl Jam that marks their 20th anniversary in the year 2011.A documentary on the band Pearl Jam that marks their 20th anniversary in the year 2011.
- Prêmios
- 3 indicações no total
Kenneth 'Boom' Gaspar
- Self
- (cenas de arquivo)
Jack Irons
- Self
- (cenas de arquivo)
Dave Krusen
- Self
- (cenas de arquivo)
Matt Chamberlain
- Self
- (cenas de arquivo)
Dave Abbruzzese
- Self
- (cenas de arquivo)
The U-Men
- Themselves
- (cenas de arquivo)
Susan Silver
- Self
- (cenas de arquivo)
Mother Love Bone
- Themselves
- (cenas de arquivo)
Andrew Wood
- Self
- (cenas de arquivo)
Temple of the Dog
- Themselves
- (cenas de arquivo)
Soundgarden
- Themselves
- (cenas de arquivo)
Avaliações em destaque
I have to admit I'm not what you will call a fanatical worshipper of Pearl Jam's music enough to compel me to watch what would be THE documentary this season with a single session, simultaneous screening around the world where PJ fans will likely already have made a beeline for. Instead, I'm a bigger fan of writer-director Cameron Crowe than the subject matter of his documentary (ok, so this sounds a little bit blasphemous), given that it's been years since we last saw a Cameron Crowe film hit the theatres, although that wait will soon be over by the end of this year with the release of We Bought a Zoo.
Pearl Jam 20 chronicles the beginnings of the band back in the year 1989 where Jeff Ament and Stone Gossard came together after the demise of their band Mother Love Bone, and like all successful bands that came before it, was subjected to recruiting and changing of members until the perfect chemistry was achieved, culminating with frontman Eddie Vedder, with his distinct growling voice, joining the band, and together put alternative grunge music on the radar of music everywhere. Sure there were many others in the same vein since the 90s was the era where this sound had taken the world by storm, with what would possibly be the largest rivals to Nirvana before Kurt Cobain's passing.
You can probably read a lot more details on the band from its Wikipage, and Cameron Crowe's film digs through large treasure troves of archival footage from television newsreels to more independent, off the cuff capture of the band's early years, that we get to witness the second earliest band performance ever and plenty of other home made videos that expectedly get pixelated for the big screen. Crowe's background as a music journalist being a tremendous factor in the crafting of this film, where in lesser hands would have been relegated to the standard talking heads interviews, and to stuff the film with chock full of music videos and live performances from the band's tours around the world.
Instead, Crowe provides the narration, and shares interesting nuggets of information through what would be a largely chronological format without overwhelmingly bombarding the audience with too much information. Being on close terms with all the band members and collaborators also allowed for unfettered access to more intimate and honest interview answers, with the utilizing of milestones in the band's career to timestamp the feature, including their courtroom lawsuit with Ticketmaster. But with everything crammed into two hours, expect some areas of focus to be skimmed through as Crowe paced his documentary at breakneck speed to cover as much ground as possible, mixing it up quite a bit with comedy, pathos, and allowing the many visuals both moving and static to breathe and tell a story.
It's about the capture of a phase of growing up, where looking around I see folks around my age group (or older) who had grown with the band in the 90s when we were in our teens where music played a large part in our lives, as we shift through the sands of time with the identification of many songs from the band's discography, where I didn't even realize that Daughter was supposed to be called Brother initially, and listening to Vedder actually sing it that way during a practice on the tour bus, is reason enough amongst others why fans just have to watch this, and perhaps reminisce the times where they had seen their idols perform on stage during one of the many concert tours done worldwide at the peak of their popularity.
And that is if a theatrical release gets secured soon, which I suspect would be the case given the sold out, one off screening. Watch for it!
Pearl Jam 20 chronicles the beginnings of the band back in the year 1989 where Jeff Ament and Stone Gossard came together after the demise of their band Mother Love Bone, and like all successful bands that came before it, was subjected to recruiting and changing of members until the perfect chemistry was achieved, culminating with frontman Eddie Vedder, with his distinct growling voice, joining the band, and together put alternative grunge music on the radar of music everywhere. Sure there were many others in the same vein since the 90s was the era where this sound had taken the world by storm, with what would possibly be the largest rivals to Nirvana before Kurt Cobain's passing.
You can probably read a lot more details on the band from its Wikipage, and Cameron Crowe's film digs through large treasure troves of archival footage from television newsreels to more independent, off the cuff capture of the band's early years, that we get to witness the second earliest band performance ever and plenty of other home made videos that expectedly get pixelated for the big screen. Crowe's background as a music journalist being a tremendous factor in the crafting of this film, where in lesser hands would have been relegated to the standard talking heads interviews, and to stuff the film with chock full of music videos and live performances from the band's tours around the world.
Instead, Crowe provides the narration, and shares interesting nuggets of information through what would be a largely chronological format without overwhelmingly bombarding the audience with too much information. Being on close terms with all the band members and collaborators also allowed for unfettered access to more intimate and honest interview answers, with the utilizing of milestones in the band's career to timestamp the feature, including their courtroom lawsuit with Ticketmaster. But with everything crammed into two hours, expect some areas of focus to be skimmed through as Crowe paced his documentary at breakneck speed to cover as much ground as possible, mixing it up quite a bit with comedy, pathos, and allowing the many visuals both moving and static to breathe and tell a story.
It's about the capture of a phase of growing up, where looking around I see folks around my age group (or older) who had grown with the band in the 90s when we were in our teens where music played a large part in our lives, as we shift through the sands of time with the identification of many songs from the band's discography, where I didn't even realize that Daughter was supposed to be called Brother initially, and listening to Vedder actually sing it that way during a practice on the tour bus, is reason enough amongst others why fans just have to watch this, and perhaps reminisce the times where they had seen their idols perform on stage during one of the many concert tours done worldwide at the peak of their popularity.
And that is if a theatrical release gets secured soon, which I suspect would be the case given the sold out, one off screening. Watch for it!
I have been a fan on Pearl Jam for years. I was 18 when the Seattle scene broke, so Pearl Jam became the soundtrack of my young adult years.
I was a bit leery of this movie, as it could have really have turned me off the band depending on how it all went down. I was sitting on the edge of my seat the whole movie. The crowd singing the song "Better Man", brought tears to my eyes. You really get an idea of how fast the band became huge, and the problems they had keeping their "art" rather than their business. I have gained a greater appreciation for this rock band, and it just made me a bigger fan
Simply put, Pearl Jam "10" one of the greatest rock records ever, and Pearl jam "20" one of the greatest rock movies ever
I was a bit leery of this movie, as it could have really have turned me off the band depending on how it all went down. I was sitting on the edge of my seat the whole movie. The crowd singing the song "Better Man", brought tears to my eyes. You really get an idea of how fast the band became huge, and the problems they had keeping their "art" rather than their business. I have gained a greater appreciation for this rock band, and it just made me a bigger fan
Simply put, Pearl Jam "10" one of the greatest rock records ever, and Pearl jam "20" one of the greatest rock movies ever
Great documentary. Who better to direct it than Cameron Crowe, Oscar-winning film-maker and former Rolling Stone rock journalist. Crowe also has a connection with Pearl Jam through them appearing in his second movie, Singles.
Well structured. Doesn't sit still for a moment, yet covers all the detail you will need.
Superb, and sometimes quite rare, live footage. Crowe's research is extensive, as he has unearthed behind-the-scenes footage that even the band members probably didn't realise existed.
While some rock band documentaries fall flat because they feature celebrities going on about how great the band is, this dispenses with all that empty sucking up and concentrates on the band and its music.
A definite must-see for all fans of the band.
Well structured. Doesn't sit still for a moment, yet covers all the detail you will need.
Superb, and sometimes quite rare, live footage. Crowe's research is extensive, as he has unearthed behind-the-scenes footage that even the band members probably didn't realise existed.
While some rock band documentaries fall flat because they feature celebrities going on about how great the band is, this dispenses with all that empty sucking up and concentrates on the band and its music.
A definite must-see for all fans of the band.
PJ 20 is rich, smartly edited, brings incredible footage and tells interesting stories, but it should not receive 10 out of 10 for one big reason: it promises 20 years of history but only delivers 10. Obviously the first 10 were the formative years. However a lot happened during the latter decade which is barely touched by the film.
The nuance in a lot of segments is to be loved. But it is sort of tricky that the five of them never appear together in the present time interviews. It tells a lot about how this great band works and should have been further explored.
Overall though PJ 20 is a great film, specially for the initiated.
The nuance in a lot of segments is to be loved. But it is sort of tricky that the five of them never appear together in the present time interviews. It tells a lot about how this great band works and should have been further explored.
Overall though PJ 20 is a great film, specially for the initiated.
To be fair, before seeing this film, I had grown up with Pearl Jam's music through my dad. And though I "liked," or "didn't mind," their music, I had always seen them as a "dad band." That is, until my dad and I watched this film together upon its release, and I realized for myself truly how amazing Eddie, Stone, Mike, Jeff, and Matt are. I was only 13, but the events and interviews shown in this documentary changed my opinion on the band (and possibly on music in general) forever. Since then, I have seen it countless times, and it has not loss its brilliance. I can't quite put it into words, but the way that Crowe portrays the humanity of the band and its members really makes you look at them and their music differently. It covers everything from the band Mother Love Bone, which spawned Pearl Jam (unfortunately due to the death of its lead singer), to Pearl Jam's massive popularity in the 90's, and to their continuing legacy today. This documentary/film is a must-watch for any fan of Pearl Jam, and for anyone who is at all interested in the band or likes any of their songs. I guarantee you will be a bigger fan coming out of it than you were going in.
Você sabia?
- CuriosidadesWhen asked how he felt about the film, bassist Jeff Ament claimed he felt uncomfortable with how often he used profanity on camera.
- Erros de gravaçãoEddie Vedder dedicates a performance to Kurt Cobain and the date is given as "April 8th, 1994 - The Day Kurt Died". This may appear as a goof, as in some places it is mentioned that Kurt Cobain died on April 5th 1994.
Both dates are relevant: April 8th is the day Kurt Cobain was discovered dead. The coroner established that he had died on April 5th.
- Citações
Mike McCready: [about Andrew Wood, singer of Mother Love Bone] He would do something like go to The Central Tavern when there was 25 people there. He play it like it was The Colosseum. "To all you people in the back!" And there's like... the guy at the door.
- ConexõesFeatures Loiras, Morenas e Ruivas (1963)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 471.334
- Fim de semana de estreia nos EUA e Canadá
- US$ 102.448
- 25 de set. de 2011
- Faturamento bruto mundial
- US$ 471.334
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Proporção
- 1.78 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente