O Mafioso

Review by Ruby: If you are reading this, you have probably read the background info about The Irishman Danny Greene and his Italian buddy John Nardi who worked and broke the law many times over in the streets of Cleveland throughout the 1970s. In addition to Greene and Nardi, many of the cast members were familiar "mob types," and testosterone was practically flying off the screen in the midst of bravado, fistfights, gunfire, and countless explosions. But there was an actual story to follow also, so it offered more substance than much of the drivel that manages to run in the theatres today.

Even though they were gangsters, Greene and Nardi were surprisingly likable characters—for killers, that is—mostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.

Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.

I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!

Wow..... Wow..... Wow.............

I DID NOT EXPECT THAT! I AM STUNNED!

The Hunter becomes the Hunted in KILL THE IRISHMAN. In the year 1976 in Cleveland 36 bombs went off but could they get Danny Greene?

Based on the life events of Irish American gangster Danny Greene KILL THE IRISHMAN is by far one the most involved movies I have watched of its kind. Danny Greene a gangster from Cleveland in 1970s is a man with pride and honor. Quite unusual traits for a gangster don't you think? Exactly what I did think as well until I completed the whole movie! Danny Greene's story brings to light the hardships that certain people go through to meet their ends in life. Although not most of them are legal methods, sometimes these seem to be the only way out for some of them. Most learned folk at this point would think I am a few screws lose upstairs to agree with an illegal approach to life. I sincerely believe that all humans will tread paths they never would if they too are pushed to extreme limits. This is just me, however I am sure some may feel that to die with hunger is better than steal, try it and let me know! Please note I am not promoting criminals since Danny Greene's revelation is entirely different. Danny Greene earned his bread and butter until the associations abused them and ill-treated them. Danny stood up to them and took over the associations and became a self-found businessman. However when authorities came for him few years later, he did not run, he had the courage to stand up to his faults.

Ray Stevenson, Christopher Walken, Vincent D'Onofrio and Val Kilmer bring to life the dark early 1970s of Cleveland. I am impressed of the precision performances. Especially Ray Stevenson, he is amazing and its wise choice by the casting directors to go with an unfamiliar face (although Ray Stevenson has appeared in a fair number of movies) since it's a biography of an actual person. I believe Ray Stevenson fits into the character with ease rather than to have a Hollywood regular play the protagonist. I need not speak about Christopher Walken, you put him in front of a camera and wonders emerge. Val Kilmer's weight does not stop him from slamming a great performance either. Unison is what it is with these men pulling the movie through.

A very appropriate and touching soundtrack evokes a great emotion within me. Much like BRAVE HEART or ROBIN HOOD PRINCE OF THIEVES she captures and wraps me with a strange enchantment. It's like a spell, I need to admit there were moments in the early parts of the movie where I did consider switching it off. The interest did not seem to be consistent. In my terms the attention span of the viewer is violated with Jonathan Hensleighs directorial approach. It lost me a few times, however it did not LOSE me. I am having difficulty expressing what I felt, let me try to elaborate. It's like water, tasteless, however after a long night when you wake up dehydrated after one too many drinks, and that one glass of water you have at that point of time is the perfect drink. This is the only way I can bring myself to explain the feeling of this movie.

A definite skip for those who look out for action and cleverly choreographed fight sequences. A good one for the mature audience who savor biographies and slow paced dramas.

This is how I see it, nothing more nothing less!

Title: Kill the Irishman Directed by: Jonathan Hensleigh Starring: Ray Stevenson, Vincent D'Onofrio, Val Kilmer, Robert Davi, Vinnie Jones & Christopher Walken Rated: R for strong violence and some sexual content/nudity Rating: 07/10 106 Minutes

Ray Stevenson is Danny Greene, an Irish mobster, active in the Cleveland underworld during the 1970s. Greene started as a union organizer and within a short time, won election to the presidency of the longshoreman's guild, which he ruled with an iron fist. He was eventually an FBI informant and was a Mafia enforcer at the same time.

Greene became entangled with the traditional Italian-American La Cosa Nostra with his own crew of criminals who ran gambling operations in competition with the already established gangsters. A series of bomb explosions made Cleveland one of the most violent American cities of the era.

The movie is brutal but also has great wit and Stevenson is as charming as can be as Danny Greene. The supporting cast includes Vincent D'Onofrio, Val Kilmer and Christopher Walken, and all are as good as expected. This may very well be the best unknown and unseen crime drama ever released.

The author of the book in which the movie is based has a unique insight, he's a cop, his family was part of the old "mustache pete" mafia. the book and the movie, demonstrate in realistic detail just how far the Mafia has declined in the post golden era of the 50s and 60's. One Irishman, with the help of an old Mafia associate, showed the world just how incompetent the mob had become in Cleveland and elsewhere. The movie deftly shows that level of incompetence.

Ray Stevenson does a credible job as Irish Danny Green and Vincent D'Onforio is even better as the conflicted John Nardi. Christopher Walken is barely visible as Shonder Burns. Tony Lo Bianco does a great job of a weak, indecisive mob boss who just can't get it right.

The movie is burdened with low production value, but the story is true. And the life they highlight deserves low production value. Anyone who compares this to Goodfellows or the Soprano's is out of touch.

I've been pretty excited about getting my hands on this film for some time now without knowing very much about it. But watch the trailer and if you're a fan of your 'Goodfellas,' 'Donnie Brasco's and 'Casino's then you'll probably relate.

'Kill The Irishman' has been called the best film since 'Goodfellas' as was stated on the DVD box that came in the mail today. Now all that tells a man to begin with is that the film is the best imitation of 'Goodfellas' there's been since 'Goodfellas' was introduced to cinemas and VHS tapes. Fear not, it is actually good enough to compare to the many times already aforementioned gangster classic and what comes as a surprise is pretty much everything about the film.

Firstly, a synopsis. Danny Greene's story - narrated by Val Kilmer (who lends some heavy support throughout the film) - tells of a tough Irishman working the grain silos at the Cleveland Docks whose rise to infamy begins when he goes to work for the mafia after a jail term for larceny makes headlines due to his muscling in on his former factory boss's business.

Greene is an old fashioned street fighting man who will stand up to anybody and although readily willing to commit crimes to make money, he is an honest and caring man by nature and this quickly endears us to the complex character so easily portrayed by Irish-born up and coming actor Ray Stevenson. I say up and coming but if you're British you'll already know him for television and minor film roles. If you're American you may know him for 'King Arthur', 'Outpost', 'Book of Eli' and 'Punisher: War Zone'.

As events unfold and just as Greene became unhappy with his factory boss, he sees the mafia acting unfairly, abusively and little involved. He declares that he will go into business for himself, meaning that he will inevitably have to declare war on the Italian mafia.

Naturally, what follows is the titular plot; the mafia attempting and failing over the duration of many years to hit the unflappable Irishman as he goes to great lengths to rub it in their faces and get revenge where necessary.

The film, based mostly in Cleveland throughout post-war '70's America, looks and feels authentic but it is the strong, earthy Irish charm that sets it apart from all those old classic I-tallian-American gangster films and a style of film-making that sometimes takes you back even as far as the forties for its occasionally rich film-noir texture.

What I find amazing because this is actually no huge Hollywood film is that 'Kill The Irishman' boasts a hugely classic cast including Val Kilmer (Heat), Christopher Walken (explanation???), Vincent D'Onofrio (Law & Order), Paul Sorvino (Goodfellas) and Robert Davi (Die Hard and The Goonies) to name a few. They're all very admirably cast in familiar roles, some unfamiliar which works in favour of plot tiwsts, and help to endear us towards a film that is actually very down to earth and sometimes even hilarious for a such a darkly toned crime drama.

What surprised me the most is the link I made earlier on as I looked over the cast and crew of the film. Ray Stevenson (the last man to portray killer ex-military vigilante Frank Castle AKA The Punisher) being directed as the film's lead by Jonathan Hensleigh, director of the 2004 Thomas Jane version of The Punisher. And the team works brilliantly. Hensleigh who I associated with slow and simplistic storytelling since the latter has really thrown a curveball with this one and I can't help but wonder; what if Hensleigh had directed Stevenson as the Punisher instead, what kind of comic crime caper would we have gotten then? Kill The Irishman boasts some hilariously offensive dialogue that cannot be mistaken for anything but Irish, the film to me at first glance was authentic and quite realistic and I recommend it to everyone with a fully functioning brain and heart. 'Kill The Irishman' is one of the best dramas on offer at this moment!