Relação Mortal

I only watched this movie because I noticed the director had worked on something I really enjoyed before. But this film was pretty much a disappointment. Everything in the movie seems to just be "said", not actually acted. You feel no depth in the characters, their relationships just have to be "accepted" by the viewer. It all seemed very mechanized but I was at least hoping for some sort of greater point to it all (which of course never came) There's no explanation whatsoever as to why the characters behave the way they do, no motivation for their actions. It seems more like they are robots with predefined roles, instead of actual representations of human beings. I honestly have no idea what the target audience for this was, it's not romantic, it's not horror, not much of a mystery. It's basically a lame pseudo-emotional film with hints of horror (very mild hints mind you!).

Rebecca (Sarah Bolger) is 16 year old and still haunted by her father's suicide. Her best friend is her roommate Lucy (Sarah Gadon) at her boarding school. Ernessa Block (Lily Cole) is the new girl and she befriends Lucy to the dismay of Rebecca. The mysterious new girl somehow got friend Charley (Valerie Tian) expelled. After Rebecca and Dora (Melissa Farman) witness Ernessa do something supernatural, Dora is later found dead falling off a ledge. There is also a new teacher Mr. Davies (Scott Speedman) at the school.

This could have been a creepy Gothic horror movie. Mary Harron who made 'American Psycho' still pose the same problem to me as before. Her sparse style really stripes away the tension. She doesn't elevate the material and there is some good material here. More importantly, there are some great actors here trying their best. However, the movie never takes off. There is just a lack of tension. There is a lack of visual style. This is a bland execution. The female melodrama promises something that is never emotionally delivered. It's potentially an interesting horror but Harron doesn't know how to make one. Of course, this one doesn't have Christian Bale.

Rebecca attends an all girl boarding school for tiresome adolescents in an old hotel. Through her friendship with fellow student Lucie, she has learned to re-embrace life, after the suicide of her poet father.

However, When spooky new student, Ernessa, arrives and supplants Rebecca in Lucie's affection: Rebecca becomes jealous and decides that Ernessa must be a vampire, as described by her handsome romantic fiction teacher.

Staff and students succumb to premature exits of one sort or another and Rebecca becomes more and more convinced of the malevolent and supernatural influence of Ernessa whilst desperately fighting off the urge to kill herself.

Never was the nike "just do it" campaign slogan more in my mind. This film might appeal to you if you are a teenage girl, with little imagination or cinema experience.... otherwise I would avoid it.

The Moth Diaries - CATCH IT (B-) My expectations for The Moth Diaries were higher ever since I saw its promos and surprisingly at that times I hadn't seen Mary Harron? American Psycho or even Sarah Bolger in The Tudors. Once I saw Sarah Bol ger in The Tudor as Young Bloody Mary Queen of England (A Princess at that time) I was really psyched about it. Though after watching this I got to know that its directed by American Pycho's director. The Moth diaries is a chilling story of Rebecca (Sarah Bolger), a young girl who, haunted by her father's suicide, enrolls in an elite boarding school for girls. Before long, Rebecca's friendship with the popular Lucy (Sarah Gadon) is shattered by the arrival of a dark and mysterious new student named Ernessa (Lily Cole). Rebecca, whose overtures of concern are rejected by Lucy, finds herself lost and confused. Rebecca starts to suspect that Ernessa is a vampire, but, despite the suspicious deaths that begin to occur, her fears are treated as simple girlish jealousy. As the bodies of young girls pile up and the line between reality and the supernatural starts to blur, Rebecca decides to take matters into her own hands and get rid of Ernessa. (RT) Girls or boys living in boarding schools are not a new concept for movies. The concept of the movie is interesting even the execution is but there is something lacking. I couldn't figure that out it might be the production value or just typical scare tactics or its predictable ending. Sarah Bolger is amazing as she was in the Tudors. Sarah Gadon is good. Lucy Cole was made for these kinds of creepy roles. Her face is perfect to play roles like these. Scott Speedman is good but doesn?t have many scenes. On the whole, it?s not scary or even plays with your mind like American Psycho. It turns out to be a time pass supernatural thriller.

Director Mary Harron ("American Psycho," "The Notorious Betty Page") tackles neo-Gothic horror in her latest film, an adaptation of Rachel Klein's novel "The Moth Diaries."

Set at a remote Canadian BoardingSchool for Girls, "…Diaries" is the story of Rebecca (Sarah Bolger) and Lucie (Sarah Gadon,) really, really, REALLY close roommates who are looking forward to spending their last year at school together. Enter Ernessa (Lily Cole) a suspiciously gaunt, pale, yet dark figure who quickly attaches herself to Lucie. Rebecca finds herself on the outside looking in as Ernessa and Lucie's relationship grows stronger; all the while Lucie herself appears to be getting weaker and weaker.

Hmmm… Life force ebbing… Ernessa never seen during the day… Ernessa never seen eating or drinking… Could she be a… super model? No, no, that's not it. How about a vampire? A ha! Could be. Coincidentally, one of the books being taught by the new hunky English teacher (Scott Speedman) is "Carmilla," a Gothic novel about a female vampire and her prey (that actually predates Stoker's "Dracula" by about a quarter of a century.) Is this a case of life imitating art? Or would that be art imitating life imitating art? Regardless, Rebecca can't get anyone to believe her that Ernessa is a danger to them all, even after students and staff start dropping like flies. What's a good Catholic school girl to do?

Harron does her best with the material, and the film does a good job of establishing an overall mood of dread with several effective set pieces. The ending, however, underwhelmed me. It seems rushed and incomplete, which may reflect the film's apparent low budget more than the filmmaker's intent. Harron has done much with little before, so I found myself let down with this film's conclusion. Solid performances, good location work and moody cinematography can't make up for a haphazard script and the lack of a solid ending.

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