AVALIAÇÃO DA IMDb
6,6/10
35 mil
SUA AVALIAÇÃO
Um casal que está se divorciando tenta manter sua amizade enquanto procuram outras pessoas.Um casal que está se divorciando tenta manter sua amizade enquanto procuram outras pessoas.Um casal que está se divorciando tenta manter sua amizade enquanto procuram outras pessoas.
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- 4 indicações no total
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Avaliações em destaque
From an outside observer's perspective, Celeste (Rashida Jones) and Jesse (Andy Samberg) are the perfect married couple. They have multiple inside jokes, sing along to the radio together, and have been together since high school. However, Celeste and Jesse are separated and have been for the last six months. Jesse, the less successful of the two professionally, moved out out their house but only to the guest house/studio in the back. They still have dinner with their friends together and Celeste, perhaps without realizing it, still wears a heart-shaped necklace which says "C&J 4ever".
Celeste and Jesse Forever is a first time writing credit for Rashida Jones and Will McCormack who plays Skillz, the on/off again couple's marijuana supplier and sounding board. For first time screenwriters, the screenplay is noticeably witty without tripping into slapstick or tried and true romantic comedy clichés. There are a few problems though, Celeste is a successful trend forecaster (what?) and the line "Are we really doing this?" or "Is this happening right now?" pops up in almost every situation. When Celeste calls out a coffee shop line cutter, the guys says, "Are we really going this right now?" When yoga classmate a Paul (Chris Messina) tries to ask out Celeste, she naturally responds, "Are you really doing this right now?" Yes, this is trivial, but if dialogue like this distracts the audience during the film, it is unnecessary.
Jesse wants to get back together with Celeste. Yes, they fight and he mooches off of his wife because he is an unemployed artist, but they are so good together. After getting his hopes dashed on too many times, Jesse finally screws up his nerve and moves out. This knocks the wind out of Celeste. For her, Jesse is as predictable as the morning commute. When she doesn't feel like having his company, she just sends him back outside to the studio. But now he's gone. Does Celeste even know who she is sans Jesse?
At work, Celeste works comfortably for Scott (Elijah Wood), a homosexual who makes tacky gay jokes to try and seem more gay. Aside from trend forecasting and promoting her new book 'Shitegeist' which is about the death of quality pop culture, their firm also markets and brands artists. Their new client is Riley Banks (Emma Roberts) who is written as a completely vapid imitation, or actual representation, of Ke$ha. Celeste and Riley have an uncomfortable relationship as Celeste looks down on Riley as all that is wrong with the world and Riley cannot stand Celeste's condescension. It does not help that Riley's new music single is 'Do It On My Face'.
Perhaps Celeste finds it so hard to work with Riley and competently function in day-to-day life because she is having second thoughts and regrets. Was Jesse really so bad? Now that is he is out from under her shadow, what if Jesse straightens himself out, matures, but meets someone else? These are weighty issues for a comedy which turns out to be deeper and incorporates more drama than the average rom com.
Celeste and Jesse Forever is an admirable start for two new writers, a worthy relationship study, and I recommend it for any young couple on a Friday night.
Celeste and Jesse Forever is a first time writing credit for Rashida Jones and Will McCormack who plays Skillz, the on/off again couple's marijuana supplier and sounding board. For first time screenwriters, the screenplay is noticeably witty without tripping into slapstick or tried and true romantic comedy clichés. There are a few problems though, Celeste is a successful trend forecaster (what?) and the line "Are we really doing this?" or "Is this happening right now?" pops up in almost every situation. When Celeste calls out a coffee shop line cutter, the guys says, "Are we really going this right now?" When yoga classmate a Paul (Chris Messina) tries to ask out Celeste, she naturally responds, "Are you really doing this right now?" Yes, this is trivial, but if dialogue like this distracts the audience during the film, it is unnecessary.
Jesse wants to get back together with Celeste. Yes, they fight and he mooches off of his wife because he is an unemployed artist, but they are so good together. After getting his hopes dashed on too many times, Jesse finally screws up his nerve and moves out. This knocks the wind out of Celeste. For her, Jesse is as predictable as the morning commute. When she doesn't feel like having his company, she just sends him back outside to the studio. But now he's gone. Does Celeste even know who she is sans Jesse?
At work, Celeste works comfortably for Scott (Elijah Wood), a homosexual who makes tacky gay jokes to try and seem more gay. Aside from trend forecasting and promoting her new book 'Shitegeist' which is about the death of quality pop culture, their firm also markets and brands artists. Their new client is Riley Banks (Emma Roberts) who is written as a completely vapid imitation, or actual representation, of Ke$ha. Celeste and Riley have an uncomfortable relationship as Celeste looks down on Riley as all that is wrong with the world and Riley cannot stand Celeste's condescension. It does not help that Riley's new music single is 'Do It On My Face'.
Perhaps Celeste finds it so hard to work with Riley and competently function in day-to-day life because she is having second thoughts and regrets. Was Jesse really so bad? Now that is he is out from under her shadow, what if Jesse straightens himself out, matures, but meets someone else? These are weighty issues for a comedy which turns out to be deeper and incorporates more drama than the average rom com.
Celeste and Jesse Forever is an admirable start for two new writers, a worthy relationship study, and I recommend it for any young couple on a Friday night.
I can't understand for the life of me why this movie has such a low rating! I went into this movie not expecting too much.. I don't mind Andy Samberg and Rashida Jones so I thought I'd give it a try. First off, don't watch this movie if you're looking for something full of laughs. It's not supposed to be something that has you in stitches. I thought it was a beautiful, well acted story of love and friendship. At times it was frustrating, heartbreaking, amusing and heartwarming. It made me smile and it made me sad. Both Samberg and Jones were pretty phenomenal in their acting in this movie. This movie stuck me as a more intelligent, realistic romance for those of us who are over the Nicholas Sparks sap. I'd recommend giving this movie a chance, I'm glad I did.
This film is pure candy. Rashida Jones wrote a story about a couple who love each other enough to call it quits while they're still in love. Both characters have flaws, but Samberg's character is to blame for the divorce because he's a child who is content to let his upwardly mobile wife carry the couple's financial responsibilities. As a result, Jone's character loses respect for him, and finds it hard to relate to him as a wife, but feels more like a mother. This is a common problem in relationships these days, and this script jumps right into the middle of the subject. The chemistry between Jones and Samberg is very believable, and they have the same quirk factor, so it's heartbreaking to watch their lives move in different directions when Samberg's beautiful one-night-stand-baby-mama shows up. The guy just can't do anything right. Then, he decides to do something right, and suddenly Jones' starts back walking and taking inventory of what's out there versus what she already had. Elijah Wood was a nice touch as Rashida's gay business partner. Ari Gaynor played a peach of a best friend. In fact, all the supporting actors were perfect in this romantic drama comedy that required rapid fire quips, flippancy, and gut wrenching truths, culminating in a tearful confrontation between the two main characters that brought me to tears with its heartbreaking authenticity.
Seems like Miss Jones is more than a pretty face, and Andy Samberg has range. If I had a criticism it would be that the film seemed primarily about Rashida's character, which made her character seem controlling and self absorbed. This made it a little harder to empathize with her character, however, she redeemed herself in the scene where she fell into and out of Samberg's trash can snooping, and got caught doing it. Hilarious. Chris Messina added a nice possibility.
A very enjoyable and entertaining film.
Seems like Miss Jones is more than a pretty face, and Andy Samberg has range. If I had a criticism it would be that the film seemed primarily about Rashida's character, which made her character seem controlling and self absorbed. This made it a little harder to empathize with her character, however, she redeemed herself in the scene where she fell into and out of Samberg's trash can snooping, and got caught doing it. Hilarious. Chris Messina added a nice possibility.
A very enjoyable and entertaining film.
The short story: I liked this film. The longer story is I'm not sure exactly what you'd call this movie. Honestly I had never heard of it before finding it in the $5 bin, but I like Rashida Jones and Andy Samberg (the leads) and the premise seemed interesting, essentially a separated married couple who are still best friends and do everything together, it just didn't work out to be married. There are funny parts, but not enough to label it a comedy or rom-com, and certainly drama, but not enough to be considered dramatic. It's not even really a love story. And it's no action-packed special-effects-laden blockbuster. I guess what it is is a decent, down-to-earth story (from Hollywood - I KNOW) about real-type characters in realistic situations that viewers can relate to with a decent cast, even pacing and with a sensible ending. Definitely worth a look. 7/10
As another reviewer interestingly stated: It's tough to put this in a box or label it for that matter. Of course the first impression is that this is a romantic comedy, which is a fair assessment of the movie. But it would also be unfair to the movie to only boil it down to this. There is more to it and it deals with Human interaction and emotions on a bigger scale than this.
The two leads are terrific and unlike other romantic movies, you actually don't know where this will lead you from the get go. They play with such a gusto (great script/story matched with the acting talent to pull it off). It's also nice to see flawed characters, but not comically flawed. We all have our downfalls and we all have things/issues we work on. And the movie does concentrate on the female lead, which is a nice touch too. A really good (romantic) drama with comedy touches
The two leads are terrific and unlike other romantic movies, you actually don't know where this will lead you from the get go. They play with such a gusto (great script/story matched with the acting talent to pull it off). It's also nice to see flawed characters, but not comically flawed. We all have our downfalls and we all have things/issues we work on. And the movie does concentrate on the female lead, which is a nice touch too. A really good (romantic) drama with comedy touches
Você sabia?
- CuriosidadesTired with traditional romantic comedies, Rashida Jones wanted to write one about a break-up instead of a meet-cute.
- Erros de gravaçãoWhen Paul orders beers for himself and Celeste at the bar, he is handed one bottle which is half-empty.
- ConexõesFeatured in Maltin on Movies: Identity Thief (2013)
- Trilhas sonorasLittlest Things
Written by Lily Allen, Pierre Bachelet, Hervé Roy, Mark Ronson and Santigold (as Santi White)
Performed by Lily Allen
Courtesy of EMI/Regal Records
By arrangement with EMI Music Resources
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- How long is Celeste & Jesse Forever?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Esposos, amantes y amigos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.094.813
- Fim de semana de estreia nos EUA e Canadá
- US$ 107.785
- 5 de ago. de 2012
- Faturamento bruto mundial
- US$ 3.640.975
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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