Em 1978 o jovem e ambicioso campeão de xadrez soviético Anatoly Karpov deve defender seu título contra um ex-mentor e desertor do Ocidente, Viktor Korchnoi. O confronto se torna a partida de... Ler tudoEm 1978 o jovem e ambicioso campeão de xadrez soviético Anatoly Karpov deve defender seu título contra um ex-mentor e desertor do Ocidente, Viktor Korchnoi. O confronto se torna a partida de campeonato mais dramática da história do xadrez.Em 1978 o jovem e ambicioso campeão de xadrez soviético Anatoly Karpov deve defender seu título contra um ex-mentor e desertor do Ocidente, Viktor Korchnoi. O confronto se torna a partida de campeonato mais dramática da história do xadrez.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 1 indicação no total
Konstantin Khabensky
- Viktor Korchnoy
- (as Konstantin Khabenskiy)
Avaliações em destaque
Chess!
Went to the cinema with big doubts!
Even without that, it was always clear to me that any film relating to the era of the USSR is an anti-Soviet craft with plasticine heroes and a far-fetched plot. Fortunately, this time a completely different case, although, of course, it could not have done without anti-Sovietism. Quote: "If the KGB finds out that we met, you will be sent to the Gulag!".
Firstly, few people in the modern generation probably know, but the GULAG is the Main Directorate of Camps, you can get into the camp, and not into the administration, and secondly, they really laid eyes on Karpov after this meeting, but no more, his meeting with the American did not remain unnoticed. In general, the film does not create an unnecessarily negative image of the USSR and its leaders, which pleases.
The picture tells, as it should - about chess and everything connected with them.
Probably there have never been films in the world cinema that so vividly destroy the myth that chess is not a sport. Nerves heated to the limit, undercover fighting, mental influence and exhausting the enemy by any means, all for the sake of victory, in war all means are good.
Special thanks and respect to K. Khabensky, who, I think, played one of his brightest roles in his entire long career, Yankovsky is also cool!
The only downside to this movie, in my opinion, is the length of time.
And so super!
Went to the cinema with big doubts!
Even without that, it was always clear to me that any film relating to the era of the USSR is an anti-Soviet craft with plasticine heroes and a far-fetched plot. Fortunately, this time a completely different case, although, of course, it could not have done without anti-Sovietism. Quote: "If the KGB finds out that we met, you will be sent to the Gulag!".
Firstly, few people in the modern generation probably know, but the GULAG is the Main Directorate of Camps, you can get into the camp, and not into the administration, and secondly, they really laid eyes on Karpov after this meeting, but no more, his meeting with the American did not remain unnoticed. In general, the film does not create an unnecessarily negative image of the USSR and its leaders, which pleases.
The picture tells, as it should - about chess and everything connected with them.
Probably there have never been films in the world cinema that so vividly destroy the myth that chess is not a sport. Nerves heated to the limit, undercover fighting, mental influence and exhausting the enemy by any means, all for the sake of victory, in war all means are good.
Special thanks and respect to K. Khabensky, who, I think, played one of his brightest roles in his entire long career, Yankovsky is also cool!
The only downside to this movie, in my opinion, is the length of time.
And so super!
This is one of the few great chess game films that also gives a good outlook on what the soviet society was doing to people's behaviour. This movie is slow, smart and very, very intelligent. I really enjoyed it, but you have to be very patient and attentive to appreciate it.
One thing I found inappropriate was the disturbances created by Karpov opponent to affect Karpov's sleep which did not make much sense. Other than that, I think the plot was interesting enough to keep me interested for the entire 2 hours and 24 minutes.
Whoever likes chess and psychology of complex characters will be interested by this movie. People who like action movies, just skip this one, it is too slow for action seekers.
One thing I found inappropriate was the disturbances created by Karpov opponent to affect Karpov's sleep which did not make much sense. Other than that, I think the plot was interesting enough to keep me interested for the entire 2 hours and 24 minutes.
Whoever likes chess and psychology of complex characters will be interested by this movie. People who like action movies, just skip this one, it is too slow for action seekers.
I love Khabensky as an actor and I've seen many of his movies, I know what he's capable of but this one doesn't give him a lot of time or freedom for that matter to truly shine. His character is unlikable almost from the start and we as viewers are fed with hate toward him almost immediately and given what the creators of this movie intended to show it's understandable: they needed a villain, a certain opponent to Yankovsky's Karpov who turned out to be just as unlikable but for the whole different set of reasons.
The main issue with Champion of the world is that it's a caricaturistic one-dimensional bleak movie that's built on pseudo-patriotic feelings toward a true "champion" and animosity toward the bad guy, a defector, a traitor and an immoral person in general. But what actually happened to this "bad guy" to turn him into one? We will never know because we are only given the fact of his "badness" and are supposed to accept it as is. OK, but what about the good guy then? Are we given any reason to like him and empathize with him? Strike two.
Yankovsky is either a bad actor or he just presented Karpov as unemotional, cold and robotlike person whose only passion is the game and he's only in it to win it - it still doesn't make him any less of a villain to me. What's the point of screaming and shouting or sheding a tear if it's made with no effort of emotions? Khabensky was in contast more versatile and interesting to observe but the crazy persona he adopted from the script wouldn't allow me to enjoy his performance just as much.
The visual effects are great though, both the title sequence and the visualization of the matches were done beautifully, with perfect coloring and music which was overall pretty fitting except for a couple of scenes.
In the end this movie is a great example of why I don't watch russian movies that often. All about it screams patriotism, screams this is right and that is wrong, it doesn't give you any options to choose from, to interpret these and those things which is the worst way possible to make a movie. It has no antagonists, no protagonists, just some wooden characters, the conflict and the way to resolve it, it might as well just be a textbook of facts and figures and it could have been way more entertaining this way.
The main issue with Champion of the world is that it's a caricaturistic one-dimensional bleak movie that's built on pseudo-patriotic feelings toward a true "champion" and animosity toward the bad guy, a defector, a traitor and an immoral person in general. But what actually happened to this "bad guy" to turn him into one? We will never know because we are only given the fact of his "badness" and are supposed to accept it as is. OK, but what about the good guy then? Are we given any reason to like him and empathize with him? Strike two.
Yankovsky is either a bad actor or he just presented Karpov as unemotional, cold and robotlike person whose only passion is the game and he's only in it to win it - it still doesn't make him any less of a villain to me. What's the point of screaming and shouting or sheding a tear if it's made with no effort of emotions? Khabensky was in contast more versatile and interesting to observe but the crazy persona he adopted from the script wouldn't allow me to enjoy his performance just as much.
The visual effects are great though, both the title sequence and the visualization of the matches were done beautifully, with perfect coloring and music which was overall pretty fitting except for a couple of scenes.
In the end this movie is a great example of why I don't watch russian movies that often. All about it screams patriotism, screams this is right and that is wrong, it doesn't give you any options to choose from, to interpret these and those things which is the worst way possible to make a movie. It has no antagonists, no protagonists, just some wooden characters, the conflict and the way to resolve it, it might as well just be a textbook of facts and figures and it could have been way more entertaining this way.
This is a better than average chess film. Why? Because it has a real-life plot which is usually better than fictionalized plots. In this one, we have a former Russian chess Champion, Korchnoi, having defected to the West, is playing Karpov, the new young icon of Russian chess. Karpov is also a former student of Korchnoi, which complicates the plot and makes it more interesting. In this situation. Will the hot new young rising star win? Or will the old, wily veteran, who knows a bit more about the real world win? Will the teacher beat the student, or will the student best the teacher? Watch for yourself.
The trailer was initially hooked, because the film has an incredible cast. The young Ivan Yankovsky as Anatoly Karpov, the incredible Konstantin Khabensky as Korchnoi, and the beautiful Diana Pozharskaya (I like her from the Hotel Eleon series) as Karpov's wife. And of course, the joint life of the actors fueled interest in the film.
The film is, of course, biographical, but there are some inconsistencies, and the authors showed their version and their view of those events. Together with the wrestling of chess players, we saw a stagnant system in the USSR, when a step to the left, a step to the right, was tantamount to execution. Of course, under the Soviet regime, they worked for the result, but they did not always take into account the interests of the people. Apparently, therefore, Karpov's opponent Korchnoi decided to emigrate abroad. Of course, there were pluses and minuses, but it is not for us to judge, because we did not live in that country and we have nothing to compare.
The film is, of course, biographical, but there are some inconsistencies, and the authors showed their version and their view of those events. Together with the wrestling of chess players, we saw a stagnant system in the USSR, when a step to the left, a step to the right, was tantamount to execution. Of course, under the Soviet regime, they worked for the result, but they did not always take into account the interests of the people. Apparently, therefore, Karpov's opponent Korchnoi decided to emigrate abroad. Of course, there were pluses and minuses, but it is not for us to judge, because we did not live in that country and we have nothing to compare.
Você sabia?
- ConexõesReferences Closing Gambit: Korchnoi vs Karpov & The Kremlin (2018)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The World Champion
- Locações de filme
- Dom Kino, Moscou, Rússia(interiors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- RUR 700.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 6.241.731
- Tempo de duração
- 2 h 25 min(145 min)
- Cor
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