Esculturas da Vida

I've been a fan of Kelly Reichardt's other movies, notably "Wendy and Lucy" and "First Cow," but this one left me cold.

Michelle Williams plays a sullen and mousy artist who walks around in a fog of frustration over not having enough time for her art because of the demands of other people. I can get on board with a slow burn that reveals bits and pieces of a character's inner life that finally coalesces into something like a whole. But that doesn't happen here. At the very end of the movie, there are some moments that I liked and finally made me start to understand some of the circumstances that contributed to Williams's character being the way she was. But then the movie just abruptly ended, and the pay off was not anywhere near recompense for the tediously slow and border line boring movie that led up to it.

There is a running storyline with an injured pigeon that results in obvious and over used symbolism.

Grade: C+

There's a sculptor who has a glass and it's half empty, lives in a world full of despair that's just not carefree, no hot water in her tap, things are generally just crap, she is the epitome of gloom and misery. Then a pigeon pays a call and gets cat mauled, this leaves the artist most annoyed, slightly appalled, but she sends it on its way, it returns boxed up next day, a bird that's clearly been well trained, you'll be enthralled! (it's a talented bird) The mood continues to be more downbeat and muted, as the artist gets her pieces executed, familial issues do not please, as her brother eats the cheese, but that's the price you have to pay, when you're deep-rooted.

Wonderful performances and great dialogue, but not a lot else.

So if you've ever been around artists or the art world you know that there isn't a whole lot of drama unless the artist in question has issues. There's a lot of "hurry up and wait" as artists paint, sculpt, shape or just cerate in some way shape or form.

And this film is all about "Showing Up".

Like I've said in other reviews, films, mostly American films, are about showing characters facing adversity, overcoming said adversity, and growing for it. Or becoming more whole people. American films are all about therapeutic sessions for the movie going masses. In other words this isn't plot driven, but character driven. And as much as I appreciate slow films, this one had me on the verge of walking out.

Part of the reason is that SF's Metreon Number 2 theatre is partially out of focus. But aside from that the film just plods along from one small character encounter to the other. Until the sum total sees the patient, that is main character, have a break out moment. Suddenly they're cured and all is well, except that damn projector is still showing a fuzzy image.;

I didn't hate the film, but the promo said that this film was a captivating and hilarious look at the artist's world. Well, I at least didn't pay full price for the film, and unlike the PRC remake of Hichiko the night before, this film had a larger audience. But there was nary a funny moment in it, and what we're seeing is the viewpoint of the artist as they create art for a self expression finale.

Watching someone paint, sculpt, write, shoot film even, is boring. It really is. A lot of the dynamic goes on inside the neural network of the human brain, a thing we can't see. All we see is the artist rendering the final creation. It is akin to watching paint dry. And that's kind of what this film feels like. Watching the artist dry her paint as she walks from one vignette to the next.

That's intentional, but it sure made it a chore to watch for those unprepared. I expected something far more traditional and actually funny, not some slow plodding well shot and static character examination as per a psychological study. And for that alone I felt like writing a hate filled review because of my hatred for behavioral science.

BHut, it is actually a kind of endearing film, and accomplishes its goal in the end. There's nothing flashy here, just a slow paced well meaning film looking at the everyday life of an artist who finally stands up for herself, her art, and life in the end.

This director is known for making arthouse pictures that arent targetted at a mass audience. These are the kind of small pictures filmcritics love to watch, but I cant get excited about.

The bad: this movie is literally going nowhere. We get to see the mondane and boring life of an artist. We get to see her take care of a pigeon. Talk to her landlady etc. It's just one contineous lame uneventful portrait.

More bad: I started watching it for Michelle Williams, who has starred in some excellent pictures in the past. She can act! And although the purpose of her acting performance is to portray an uneventful life of a mundane artist, her performance didnt entice me for one second.

Only suited for fans of this director's work. Others better pass this incredibly tedious movie by...

Lizzy (Michelle Williams) is a sculptor working to set up her show. She works at a small art school run by her mother Jean (Maryann Plunkett). Her father Bill (Judd Hirsch) has a couple living at his house. His brother Sean is unstable. Her co-worker Eric (André 3000) is firing her works in the kiln. She has a love-hate relationship with her friend-landlord Jo (Hong Chau).

It's a minimalist portrait of an artistic life and her little everyday tribulations. It's not the most earth-shattering plot. It's a look inside a stressed-out woman's life. It's Michelle Williams being naturally compelling. Hong Chau delivers another great performance. The art school is very specific. It's not a movie that is so quirky that it's hilarious and it's not so dramatic that it's heart-wrenching. It's the simple drama of an artist.