Acompanha Boy, um surdo-mudo com uma imaginação vibrante. Quando sua família é assassinada, ele é treinado por um misterioso xamã para reprimir sua imaginação infantil e se tornar um instrum... Ler tudoAcompanha Boy, um surdo-mudo com uma imaginação vibrante. Quando sua família é assassinada, ele é treinado por um misterioso xamã para reprimir sua imaginação infantil e se tornar um instrumento da morte.Acompanha Boy, um surdo-mudo com uma imaginação vibrante. Quando sua família é assassinada, ele é treinado por um misterioso xamã para reprimir sua imaginação infantil e se tornar um instrumento da morte.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
H. Jon Benjamin
- Boy
- (narração)
Avaliações em destaque
Boy Kills World is a total blast. A winning combination of brutal violence and weird humour tied together in a story that does enough to make you care about the characters. It moves efficiently, has some clever twists and an unforgettable fight involving a cheese grater. Like all the best action comedies, the zany humour disguises the beating heart at the centre.
Bill Skarsgård proves he doesn't need dialogue to communicate. He can do so much with just his eyes and the fact that it all syncs up really well with H. Jon Benjamin's suitably over the top voice over is just a bonus. Plus he has an adorable rapport with Quinn Copeland. Andrew Koji isn't given a chance to show off his physical prowess but is given the time to show how surprisingly great he is at comedy.
Mortiz Mohr's direction nails the balance between self awareness and sincerity, translating some of the language of video games to cinema effectively. With cinematography by Peter Matjasko, the camera moves with the action rather than against it. It's always fluid and bloody inventive, saving the best fight for last. It's the kind of final fight where the choreography is impeccable, the blows are nasty and it goes on for so long it's exhausting in the best ways.
Bill Skarsgård proves he doesn't need dialogue to communicate. He can do so much with just his eyes and the fact that it all syncs up really well with H. Jon Benjamin's suitably over the top voice over is just a bonus. Plus he has an adorable rapport with Quinn Copeland. Andrew Koji isn't given a chance to show off his physical prowess but is given the time to show how surprisingly great he is at comedy.
Mortiz Mohr's direction nails the balance between self awareness and sincerity, translating some of the language of video games to cinema effectively. With cinematography by Peter Matjasko, the camera moves with the action rather than against it. It's always fluid and bloody inventive, saving the best fight for last. It's the kind of final fight where the choreography is impeccable, the blows are nasty and it goes on for so long it's exhausting in the best ways.
If you like revenge movies with a twist and tons of mindless goons being evicerated for your entertainment then you will enjoy this movie 👍🏻 I am one of those people 👍🏻 My expectations were quite low but by the end I had a great time and it was much better than I originally thought. The fight scenes are really well done and there are some laughs thrown in (especially when Boy played by Skarsgard is trying to lip read someone) Bill Skarsgard is awesome in this and I hope he continues to do more action roles. Don't watch this if you dont like blood on screen, have an irrational fear of cheese graters or your with your nan 👌🏻
Boy (That's his name) witnesses the murder of his family at the hands of goons who work for the dysfunctional crime family who run a dystopian city at an unspecified location and date. Boy is rescued by the Shaman, who subjects him to a brutal regime of martial arts training, so that he grows up to be a lethal killing machine (Bill Skarsgard), whose sole purpose is revenge.
So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.
Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.
As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.
This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.
So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.
Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.
As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.
This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.
I got the chance to see this movie early at an AMC Unseen Screen event -- and considering I was walking in thinking they were going to show the new Amy Winehouse biopic -- I was pleasantly surprised when we got our opening shots and realized I was in for a much different ride than I'd previously anticipated.
My immediate reaction is to compare Boy Kills World to John Wick -- it's certainly just as bloody. But the continuous underlying thread of humor throughout this movie juxtaposed with the gratuitous violence puts it more into the realm of Bullet Train in my mind.
Bill Skarsgård's physical acting paired with H. Jon Benjamin's voice acting was a matchup I never knew I needed in my life. There were several times where I genuinely laughed out loud -- even when the next scene was a quick crash to someone getting their head smooshed. They did a great job blending the action with the comedy while still getting you to care about the main character and his plight.
Definitely not for the weak of heart or stomach -- but if you're looking for a bloody fun romp through absolute mayhem that doesn't require much from you as a viewer, then you've found your film. I just saw it last night and I still say I'd for sure go see it again, even so soon after viewing.
My immediate reaction is to compare Boy Kills World to John Wick -- it's certainly just as bloody. But the continuous underlying thread of humor throughout this movie juxtaposed with the gratuitous violence puts it more into the realm of Bullet Train in my mind.
Bill Skarsgård's physical acting paired with H. Jon Benjamin's voice acting was a matchup I never knew I needed in my life. There were several times where I genuinely laughed out loud -- even when the next scene was a quick crash to someone getting their head smooshed. They did a great job blending the action with the comedy while still getting you to care about the main character and his plight.
Definitely not for the weak of heart or stomach -- but if you're looking for a bloody fun romp through absolute mayhem that doesn't require much from you as a viewer, then you've found your film. I just saw it last night and I still say I'd for sure go see it again, even so soon after viewing.
It's called Boy Kills World, not Boy Meets World. So as not to get those two titles confused. It can happen, until you sit down to watch this one.
It's not going to be confused with any arthouse, fancy cinema fare, either.
There is an audience for this and they will be completely entertained and walk out of this experience totally satisfied.
I'm just not a part of that audience.
It's a decent flick.
Just based on the inspired casting and the look of the whole movie alone, it has to be a six.
But I have to stop there.
If you're well versed in action films that predate, I'd say, 2010, then you've seen this movie before and with better execution and certainly a better, more detailed storyline.
The fight sequences are solid but the rest of it is not.
The protagonist is a deaf mute who's hellbent on revenge.
Only we hear his inner thoughts.
A lot.
He talks so much in voiceover that it gets old super quick and it never stops.
The whole movie.
A quip here.
A deep thought there.
Thoughts on this. Thoughts on that.
He may be kicking major butts but he's a regular chatty Cathy on the inside.
Good grief.
There's still things to love about this movie.
Famke Janssen (Rounders), Michelle Dockery (Downton Abbey) two of my all time crushes.
Love them still and love them both here. Lots.
Yayan Ruhian (The stellar Raid films) and Brett Gelman (The Other Guys, Stranger Things) Love those dudes!
And I totally get Bill Skarsgard trying TJ distance himself from It, and rip himself up for this role.
But as good as this movie looks, and everybody in here is good in their parts.
It's just not a great movie.
It could be great with better writing and less voiceover.
There are far superior movies out there about vengeance.
Boy not only Kills World, he kills this movie.
Oddly enough, as I consumed this film, it reminded me of a few female driven action movies of the last thirty years or so: Tank Girl, Aeon Flux, and Ultraviolet.
I won't even bother to explain it but it just does.
There is an end scene of some substance that's worth sticking around for.
It's not going to be confused with any arthouse, fancy cinema fare, either.
There is an audience for this and they will be completely entertained and walk out of this experience totally satisfied.
I'm just not a part of that audience.
It's a decent flick.
Just based on the inspired casting and the look of the whole movie alone, it has to be a six.
But I have to stop there.
If you're well versed in action films that predate, I'd say, 2010, then you've seen this movie before and with better execution and certainly a better, more detailed storyline.
The fight sequences are solid but the rest of it is not.
The protagonist is a deaf mute who's hellbent on revenge.
Only we hear his inner thoughts.
A lot.
He talks so much in voiceover that it gets old super quick and it never stops.
The whole movie.
A quip here.
A deep thought there.
Thoughts on this. Thoughts on that.
He may be kicking major butts but he's a regular chatty Cathy on the inside.
Good grief.
There's still things to love about this movie.
Famke Janssen (Rounders), Michelle Dockery (Downton Abbey) two of my all time crushes.
Love them still and love them both here. Lots.
Yayan Ruhian (The stellar Raid films) and Brett Gelman (The Other Guys, Stranger Things) Love those dudes!
And I totally get Bill Skarsgard trying TJ distance himself from It, and rip himself up for this role.
But as good as this movie looks, and everybody in here is good in their parts.
It's just not a great movie.
It could be great with better writing and less voiceover.
There are far superior movies out there about vengeance.
Boy not only Kills World, he kills this movie.
Oddly enough, as I consumed this film, it reminded me of a few female driven action movies of the last thirty years or so: Tank Girl, Aeon Flux, and Ultraviolet.
I won't even bother to explain it but it just does.
There is an end scene of some substance that's worth sticking around for.
Você sabia?
- CuriosidadesA previous version of this film had Bill Skarsgard providing his own voiceover for his character in the style of a Mortal Kombat announcer before H. Jon Benjamin was cast for the final version; the trailer featuring Skarsgard's voiceover has mostly been scrubbed from the internet. In the original concept trailer, Boy's inner voice is taken from a cigarette commercial, with a voice similar to Sam Elliott's.
- Erros de gravaçãoAfter Hilda arrives at the culling party, the downward total shot at 44:15 with Boy and Mina on the landing has exactly the same number and arrangement of macarons on the two plates between them as the shot from the same angle a minute earlier (43:27), even though Boy has in the meantime stuffed himself with macarons taken from those plates.
- Citações
Gideon Van Der Koy: Of course, if someone takes a big steamy shit in the sink, I'll stop doing the dishes.
- Cenas durante ou pós-créditosAfter the credits there is an extra scene with the brother and sister sitting at the kitchen table eating breakfast cereal.
- ConexõesFeatured in The 7PM Project: Episode dated 3 May 2024 (2024)
- Trilhas sonorasNo Friends
Written by Leon Michels, Homer Steinweiss, Nick Movshon, Paul Castelluzzo
Performed by El Michels Affair
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- How long is Boy Kills World?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Contra Todos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.626.127
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.682.525
- 28 de abr. de 2024
- Faturamento bruto mundial
- US$ 3.269.468
- Tempo de duração1 hora 51 minutos
- Cor
- Proporção
- 2.39:1
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