Yellowface: Asian Whitewashing and Racism in Hollywood
- 2019
- 54 min
Adicionar um enredo no seu idiomaA history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.
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Avaliações em destaque
Even the timeline is badly spliced together, e.g. Going back to a Pre-Code picture (The Bitter Tea of General Yen) after talking sloppily about what Production Code enforcement meant, or going back to the 50's for a couple of Sam Fuller pictures after the stock footage of Vietnam war protests in the 60's. It jumps forward and closes with Alan Parker's Come See the Paradise (1990) seemingly because of the interview with Tamlyn Tomita, and the then-unreleased Crazy Rich Asians, in what seemed like excessive attention for both.
The movie footage that we occasionally see appeared to consist entirely from trailers, making me wonder if the filmmakers simply didn't have the rights to more. Regardless, this is as messy as a poorly executed student project, one that was thrown together and incomplete when it was due, as much as it pains me to say that. It's a subject a care deeply about, so this was very disappointing. Anyway, there are far better films and books about this subject, and I would look around instead of spending the time here.
The historical perspective is also sloppy, especially the discussion of the Production Code and its issue of miscegenation. That only applied to Black/White relations, but for some reason Yuen says it includes Asian/White relations which it does not. Looks like she twists the "facts" to support her own agenda. The documentary closes with Alan Parker's Come See the Paradise in 1990 perhaps because Japanese actress Tamlyn Tomita was available.
Overall, a mess. Look elsewhere.
I think the topic is extremely important and deserves to be tackled a bit more in-depth than this film allowed. Great to hear from Tamlyn Tomita, but there are sooo many more we could've heard from (Nancy Kwan, James Hong, etc.). Also it seems like the movie was essentially only about Japanese racism since hardly any other Asian races were featured or even mentioned.
Important topic but this was a half-hearted attempt. D.
Always knew about Rooney and Brando (to mention nothing of Muni And Rainer) resorting to the noxious title practice. But it was embarrassing to see one of the five greatest female actors of American film and a supposed champion of liberal, values, Katherine Hepburn, stooping so low. And that Scarlett Johansson was still doing it as of 2017 and is unrepentant about it is downright disgusting. Let's boycott her films. Whadya say?
PS...And as long as I'm making suggestions I will gladly donate my backyard as the venue for a beer and/or sake summit between Joseph McBride and previous reviewer UNOhwen. Sounds like they have much to discuss.
If there is a fault with the documentary with less than an hour it was rushed. More details could have been added about the injustices that took place during the 1920s to 1930 to the point where even killing someone from China or Japan who was not a citizen could be ignored. Did I fail to mention how hard it would be to even become a citizen?
World War 2 only made things much worst. Watch the documentary, simple as that.
I would love to read the opinions of our Asian-American contributors.
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Nancy Wang Yuen: An internal Hollywood code that was based on, kind of, morality, as well as, anti-miscegenation laws that were happening in the United States where, you know, people, whites and people of color, were not allowed to have marital or romantic relationships in the United States. And so, they did this in order to make sure that the audiences in the conservative areas, especially the South, would not boycott or protest. They wanted to be able to reach these audiences that they knew would be against any kind of interracial romance or interracial relationship.
- ConexõesFeatures Enganar e Perdoar (1915)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- L'ennemi japonais à Hollywood
- Locações de filme
- Empresas de produção
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- Orçamento
- € 100.000 (estimativa)
- Tempo de duração54 minutos
- Cor