Um desmascarador paranormal do YouTube assiste à sessão de um médium, num esforço para expor os seus hábitos. Durante a noite, ele descobre que os ocupantes desta casa se esforçarão ao máxim... Ler tudoUm desmascarador paranormal do YouTube assiste à sessão de um médium, num esforço para expor os seus hábitos. Durante a noite, ele descobre que os ocupantes desta casa se esforçarão ao máximo para evitar os destaques.Um desmascarador paranormal do YouTube assiste à sessão de um médium, num esforço para expor os seus hábitos. Durante a noite, ele descobre que os ocupantes desta casa se esforçarão ao máximo para evitar os destaques.
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Avaliações em destaque
A sceptic attends a seance, and won't leave the house until she finds the truth.
Some nice ideas in this movie, treating the seance scenario as more than a gimmick in an attempt to dig down into character. The camera work is good, always trying out the interesting angle, and the location is used to the full to shape the story. This is mostly a two-hander, with decent performances as the characters lay out their conflicting beliefs through flashbacks to their pasts. Sometimes the music is interesting, with a mix of piano, strings and synth, although it does get laid on heavy in some talking scenes.
The big drawback is the dialogue, with way too much piled on when we can figure things out for ourselves, and way too much sarcasm even after the opening scene has pitched its sceptical credentials. That scene might have been better if the direction just concentrated on the actors' faces as they reacted to events, instead of having them butt in all the time, which would have made the piano episode really hit home with just a few lines. The Tracey-Hepburn patter between the two main characters is kinda annoying, although they do settle into an interesting antagonism. But even then, the tone gets misjudged, especially in a scene that repeats the lame humour of the phrase "portable poltergeist panic-room," completely deflating the spooky events that preceded it.
The psychology turns out simple in the end, which is disappointing because it seemed to be building on the interesting idea of ghosts as people in wave, rather than particle, form, which could have mapped on to how we deal with each other emotionally. The resolution has the right idea, but goes on too long.
Overall: Plenty to chew on, but the writing watered it down.
Ps. What's with the roccata in the music credits?
Some nice ideas in this movie, treating the seance scenario as more than a gimmick in an attempt to dig down into character. The camera work is good, always trying out the interesting angle, and the location is used to the full to shape the story. This is mostly a two-hander, with decent performances as the characters lay out their conflicting beliefs through flashbacks to their pasts. Sometimes the music is interesting, with a mix of piano, strings and synth, although it does get laid on heavy in some talking scenes.
The big drawback is the dialogue, with way too much piled on when we can figure things out for ourselves, and way too much sarcasm even after the opening scene has pitched its sceptical credentials. That scene might have been better if the direction just concentrated on the actors' faces as they reacted to events, instead of having them butt in all the time, which would have made the piano episode really hit home with just a few lines. The Tracey-Hepburn patter between the two main characters is kinda annoying, although they do settle into an interesting antagonism. But even then, the tone gets misjudged, especially in a scene that repeats the lame humour of the phrase "portable poltergeist panic-room," completely deflating the spooky events that preceded it.
The psychology turns out simple in the end, which is disappointing because it seemed to be building on the interesting idea of ghosts as people in wave, rather than particle, form, which could have mapped on to how we deal with each other emotionally. The resolution has the right idea, but goes on too long.
Overall: Plenty to chew on, but the writing watered it down.
Ps. What's with the roccata in the music credits?
I liked a lot of "The Seance," but think it made a big miscalculation that hurt my connection to the film.
"The Seance" begins with Nate (Michael Minto" holding a séance. It's a good one -- lots of stuff happens, a family member of one the attendees appears to manifest himself. However, it turns out that one of the attendees is Andy (Miranda Skerman), who hosts a You Tube series where she debunks mediums, psychics, and the like. After all the other attendees leave, Andy sticks around and tries to figure out how Nate did everything, and get him to admit he's a fraud. But does he have a connection to the spirit world? Or is he perpetrating an elaborate hoax on not just his attendees, but Andy herself? These are the questions that will be explored over the course of the evening...
For a low budget film, it's a wonder. Great lighting, clear sound, and solid acting all around. Word of warning, there is a lot of talking and dialog. A lot. For the most part, though, I found it interesting and engaging, and I like that it plays its hand pretty close to the vest. At some point in the movie, what is going on appears to be clear but even so, there are little hints that maybe it's not what we think it is. I also like that we actually GET an answer to what's going on.
Where I think the movie makes a huge mistake is that when it gets to the most suspenseful part of the movie, what it's been building to, the tone of the movie all of a sudden shifts. The characters start making jokes and there is general goofiness. And it was jarring -- I'm thinking, "Hey, when did this become a comedy? Or was it always a comedy and nothing was funny until now?" Think The Three Stooges showing up all of a sudden during the climax of "Silence of the Lambs." So the suspense that was so carefully built was replaced with... goofiness. A very, very odd creative decision.
And what's even more confusing is that in the coda, it turns back to deadly serious at the end. If they had kept a consistent tone throughout the movie, it would have been more successful.
So I liked enough of it to mildly recommend it, but still...
"The Seance" begins with Nate (Michael Minto" holding a séance. It's a good one -- lots of stuff happens, a family member of one the attendees appears to manifest himself. However, it turns out that one of the attendees is Andy (Miranda Skerman), who hosts a You Tube series where she debunks mediums, psychics, and the like. After all the other attendees leave, Andy sticks around and tries to figure out how Nate did everything, and get him to admit he's a fraud. But does he have a connection to the spirit world? Or is he perpetrating an elaborate hoax on not just his attendees, but Andy herself? These are the questions that will be explored over the course of the evening...
For a low budget film, it's a wonder. Great lighting, clear sound, and solid acting all around. Word of warning, there is a lot of talking and dialog. A lot. For the most part, though, I found it interesting and engaging, and I like that it plays its hand pretty close to the vest. At some point in the movie, what is going on appears to be clear but even so, there are little hints that maybe it's not what we think it is. I also like that we actually GET an answer to what's going on.
Where I think the movie makes a huge mistake is that when it gets to the most suspenseful part of the movie, what it's been building to, the tone of the movie all of a sudden shifts. The characters start making jokes and there is general goofiness. And it was jarring -- I'm thinking, "Hey, when did this become a comedy? Or was it always a comedy and nothing was funny until now?" Think The Three Stooges showing up all of a sudden during the climax of "Silence of the Lambs." So the suspense that was so carefully built was replaced with... goofiness. A very, very odd creative decision.
And what's even more confusing is that in the coda, it turns back to deadly serious at the end. If they had kept a consistent tone throughout the movie, it would have been more successful.
So I liked enough of it to mildly recommend it, but still...
I really wanted to love this movie, I'm a big fan of supernatural themed horror so the story appealed to me. The acting from the two main characters is pretty good, some of the supporting cast not so much, but as they are not in the movie too long it doesn't distract from the enjoyment. Some of the things that did distracted from my enjoyment were this.
During some scenes, the background music (mournful cello of course) is often overwhelming and drowns out the dialogue. The female lead is quite an obnoxious character, and it becomes tiresome listening to her constant attempts at debunking, disbelief and general rudeness. And the ending was a bit of a damp squib.
The movie does have its good points though. The dialogue between the two leads in mostly snappy and they have some good chemistry. The story is interesting, if not overly original, or perfectly executed, but I'm guessing from some of the "special effects" it was not made with a blockbuster budget. Overall I did enjoy it, and it made me wanting to keep watching to the end. And I do like the phrase "Portable Poltergeist Panic Room" for its alliteration.
During some scenes, the background music (mournful cello of course) is often overwhelming and drowns out the dialogue. The female lead is quite an obnoxious character, and it becomes tiresome listening to her constant attempts at debunking, disbelief and general rudeness. And the ending was a bit of a damp squib.
The movie does have its good points though. The dialogue between the two leads in mostly snappy and they have some good chemistry. The story is interesting, if not overly original, or perfectly executed, but I'm guessing from some of the "special effects" it was not made with a blockbuster budget. Overall I did enjoy it, and it made me wanting to keep watching to the end. And I do like the phrase "Portable Poltergeist Panic Room" for its alliteration.
I watched this over the holidays and was drawn in at the beginning with the main séance which was done rather well. The two main characters had good dialog back and forth some of which was serious and some was on the lighter funnier side. I did find that there was a little more banter about the same hoax theory over and over which seemed to make one want to stop following until the next suspenseful scene happened but it was still good banter. I think that a little bit of editing could make the difference in how I felt trying to stay focused on the suspenseful aspect of the film. The ending was a little strange but maybe I just need to watch it again to make sure I was following along correctly and didn't miss something along the way which I probably did. So if you're looking for blood and guts horror this is not the film, but if you're looking for a good suspenseful story then here you go. Take 80 minutes out of you're day and let your mind take you back to the days when you and your friends would try and spook each other by playing tricks or maybe some of you weren't playing tricks.
I didn't know what to expect when I purchased "The Seance" but I really liked this movie.
Good story line, well acted, good rapport and interesting dialogue between Nate and Andy. Impressive visual effects.
Overall, very well done.
For fans of movies "most like Hitchcock" who like suspense minus the blood and gore, check out this movie. Did I mention it has an unexpected surprise ending?
Good story line, well acted, good rapport and interesting dialogue between Nate and Andy. Impressive visual effects.
Overall, very well done.
For fans of movies "most like Hitchcock" who like suspense minus the blood and gore, check out this movie. Did I mention it has an unexpected surprise ending?
Você sabia?
- CuriosidadesFilmed in December 2019 in Pennsylvania with pickups scheduled for 2020, but due to covid the pickups never happened and the film was edited without those scenes.
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Detalhes
- Tempo de duração
- 1 h 22 min(82 min)
- Cor
- Proporção
- 2.35 : 1
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