Prova de Redenção

Margaret Mazzantini's very popular novel 'Venuto Al Mundo' (English translation 'brought into the world') has been transformed into a screenplay by the author assisted by the director (her husband) Sergio Castellitto, the film in English is now called TWICE BORN. It is complex story, beautifully sculpted with interlocking flashbacks that cover a 30 year period, photographed with great skill by Gianfilippo Corticelli, and a cast that makes this carefully integrated story of varying timeframes work splendidly. Much of the film's beauty is in the complexity of the manner in which the story develops and revealing too much of that story would spoil the experience for new viewers. Very basically the story relates a mother who brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago. But more needs to be added.

Italian professor Gemma (Penélope Cruz) visits Sarajevo with her son, Pietro (Pietro Castellitto, son of the writer and director). The two of them had escaped the city sixteen years ago while the boy's father, photographer Diego (Emile Hirsch) remained behind and later died during the Bosnian War. As she tries to repair her relationship with Pietro, Gemma is forced by revelations to face loss, the cost of war and the redemptive power of love. She re-acquaints with her dear friend Gojco (Adnan Haskovic) and together they relive the horrifying experiences of the war in Sarajevo, Gemma's attempt to provide her beloved Diego with a son (she is sterile), the eventual plan to have Diego use musician gypsy-type Aska (Saadet Aksoy) as a surrogate for the couples much desired child, and the consequences that plan takes on, leading to a series of identity crises that the now older Gemma must face with her teenaged son Pietro. The story is structured on alternate scenes from the trip taken in present in Bosnia by Gemma and her son and flashbacks from the two time periods (of the first encounter and the war), a technique that at times is difficult to follow but that definitely enhances the tension of the story.

The cast is extraordinary: Penelope Cruz is dazzling, Emile Hirsch gives his most sensitive performance of his career, and Adnan Haskovic, Saadet Aksoy and Luca da Filippo (as Gemma's father) are outstanding. This is a difficult film in message but a profoundly moving drama. Highly Recommended. In English, Italian, and Bosnian.

Grady Harp

As I liked a lot the last movie directed by Castellitto and with Penelope Cruz based on a book by Margaret Mazzantini, I was sure I would like this one, even if I know the story would not be an easy one and quite a tragic one.

I absolutely adored the performance of Emile Hirsch, wonderful actor, absolutely great in the role he had her, wish there would be more movies with him. Cruz is also fantastic. And, as as someone very interested in the Bosnain war, and who wishes to visit Sarajevo so much, it was also interesting that the story was settled there, in a war forgotten by the world.

The whole story can be at some point difficult to understand, but this movie is absolutely worth to be seen.

As another review stated, this is a "lovely overlooked film". Penélope Cruz' performance was exquisite. The story intense and beautiful. A story about obsessive love and motherhood. It had me from the very first image until the very last. Music is stunning. If you enjoy tough stories that take you from the sublime to the horrors of war, from the grotesque actions of man to the perfection of birth, this film will take you there and to so many other levels. I cannot believe that this film did not garner more kudos then it did. I don't even remember its release in the U.S. Cruz has done some amazing films and some not so amazing films. This is one of her amazing films. Accurate in its depiction of the war in Sarajevo and the ugliness that never got enough press, much like this film. I want to watch it again. See it!

First off I want to say there will be no spoilers.

I was lucky enough to catch the premiere screening of "Twice Born" at the premiere at TIFF. I didn't know anything about the film and the only person involved that I recognized was Penelope Cruz. This is a very ambitious film. It intertwines many different stories from present day, and back about 20 years in the past. It follows Penelope Cruz's character Gemma as she goes to Sarajevo with her son on a vacation. This bring backs memories, and we are shown all the events that took place in her life about 20 years ago.

Now, I don't think I've ever commented on the makeup of a film but I have to applaud it here. The characters makeup is so good, that you totally by the time gap between the 20 years. The script of this film is good. Not anything amazing. What brings me to give this film such a high rating, and one of the best films of 2012 (even though I've yet to see The Master, Looper,Argo, To the Wonder, etc) is the visuals. This film is shot so beautifully that it reminded me of the best film of 2011 "The Tree of Life".

An odd thing to point out is that for about the first hour and a half of this film I had my eyes on giving it a 7/10. The last half hour or 40 minutes is so magnificent and executed to near perfection that I recommend anyone to see this film for this alone.

The performances (led by Penelope Cruz) are great, and the characters all have a distinct and widely different personality's. Go into this movie with an open mind not knowing anything about the story and i'm sure that you'll enjoy it as much as I did. Like the review written before mine, I would like to salute the cast, crew, and especially the director for pulling off such a wonderful film. I hope you anyone reading this review will go out to see this film, as I'm sure it will land on my list of 10 greatest of the year.

This time the translation in Hebrew got it right, following the original Italian title which says 'Come to the world' rather than the English title 'Twice Born'. The film is indeed about bringing children to the a world in conflict, and it's a powerful love story taking place during one of the most tragic and absurd war in Europe in the 20th century (but what war is not absurd?), a war that placed one against the other neighbors and friends who were the same blood and spoke the same language, the differences being buried back in history, mostly of religious origins. 'The best stories are sometimes the weird ones' tells one of the characters, and this is indeed a strange and a complicated, but also a very emotional love story taking place in tragic circumstances.

The story alternates between the time today, the period back 30 years ago when Communist Yugoslavia still existed and Sarajevo was known to the world as the location of the 1984 Winter Olympics, and the city 10 years later when it became the battle place in one of the most bloody episodes of the ethnic wars in the Balkans. It tells about the obsessive falling in love of two young and idealistic 'western' professionals Gemma and Diego (Penelope Cruz and Emile Hirsch) who happen to meet in Bosnia, then part of Yugoslavia, attracted there mostly by the original culture of the Balkans and by its people. They soon meet a group of mostly young and idealistic artists of the same kind who seem to live happily, aiming to create and make their world better. For much of the first half the story focuses on the love story of the couple, and the hurdles they meet on the road (they cannot have a child of their own). And then war breaks in this area which was not only the crossroad of the empires, but also their battlefield. The empires are gone, but the conflicts continues perpetuated by religion and by politicians. The world of the heroes blows apart.

The story is structured on alternate scenes from the trip taken in present in Bosnia by Gemma and her son and flashbacks from the two time periods (of the first encounter and the war). I liked the way director Sergio Castellitto kept perfect balance between the love story, the descriptions of the falling of Bosnia into war and the war itself, and the coming to age of the son (the directors own son Pietro Castellitto acting) – all three threads are clear, articulate, and conclude in a way that makes sense. To the excellent acting of Cruz and Hirsch I need to add the name of the Bosnian actor Adnan Haskovic who is playing the colorful and passionate Gojco, their friend of blood.

The conflict in Bosnia, and the wars in the former Yugoslavia already generated many films, some of them good, including the ones produced by artists from the area themselves. 'Venuto al mondo' is a co-production, mostly made in Italy, with local participation. It will probably stay as one of the solid and sensible films made about those mad years. This is a film which will also stay with all these who will have the chance to see it.