Adicionar um enredo no seu idiomaTwo desperate men find themselves unwitting pawns in an ancient ritual.Two desperate men find themselves unwitting pawns in an ancient ritual.Two desperate men find themselves unwitting pawns in an ancient ritual.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 22 vitórias e 7 indicações no total
Josh Burrow
- Thomas Caine
- (as Joshua Burrow)
Lee Sellars
- Jeffries
- (as Lee R. Sellars)
Avaliações em destaque
Saw this at Indiefest with a couple of other filmmakers from the festival. We walked in a little late, but were drawn in right away.
This is not your typical festival film. It's a cerebral fantasy. It challenges the audience to follow a fractured storyline that gets wrapped up in a great and unexpected way at the end.
As a short filmmaker myself, I'm interested in graduating to features and Crimson Mask is something every short filmmaker should see. These guys were able to make an epic film on a really tight budget using creative lighting, editing, and some really great actors.
This was an ambitious film by a first time filmmaker, and unlike the other reviewer ( who I suspect might have been angry his film did not win any festival awards) , I really enjoyed it on a number of levels.
This film is not for everyone though. It has some strong language and can wander at times. Be prepared for a bathroom break in the middle of the film. Also, the lead up to the confrontation could have been done much better.
If I saw this film on cable I would rate it a 6.5/10 but taking into the consideration the budget, and in comparison the the other festival films I've seen... I'm giving it a 10 .
This is not your typical festival film. It's a cerebral fantasy. It challenges the audience to follow a fractured storyline that gets wrapped up in a great and unexpected way at the end.
As a short filmmaker myself, I'm interested in graduating to features and Crimson Mask is something every short filmmaker should see. These guys were able to make an epic film on a really tight budget using creative lighting, editing, and some really great actors.
This was an ambitious film by a first time filmmaker, and unlike the other reviewer ( who I suspect might have been angry his film did not win any festival awards) , I really enjoyed it on a number of levels.
This film is not for everyone though. It has some strong language and can wander at times. Be prepared for a bathroom break in the middle of the film. Also, the lead up to the confrontation could have been done much better.
If I saw this film on cable I would rate it a 6.5/10 but taking into the consideration the budget, and in comparison the the other festival films I've seen... I'm giving it a 10 .
Taking into consideration different aspects, before you trash this film, keep in mind that it was clearly done on a budget! The thing that strikes me most about this film is how fresh it is, the plot is different, the performances are different, the presentation of certain scenes and elements is also different. The two stories get together revealing another amazing aspect in the movie, through combining the two stories and knitting it all together. The fantasy factor is handled very carefully in this film, added to strengthen the scenes without taking from the reality of the stories. For creativity this movie definitely stands out for me. The acting was kind of tricky because as a character you'd have to maintain your personality and balance between your realistic and imaginative features. Excellent.
I was able to catch a screening of The Crimson Mask Directors cut at the Los Angeles Cinema festival where it won best picture. The director's version of the film changes many aspects from the original cut that I saw on Bluray. This cut of the film is actually shorter and focuses on the characters more than the secret society and supernatural elements of the first version. The film intertwines the stories in a traditional way rather than the originals time displaced chapter pacing. It opens with a focus on Thomas Caine played by Josh Burrow ( Captain Morgan ) and stays with him for a while before introducing Jack Parker played by veteran character actor Robert Clohessy. While some scenes have been cut from the original, we are given a couple of deleted scenes that make Parker more likable and I wish were in the original. The original film was very polarizing when it hit the festival circuit. Winning big awards at some festivals and being slammed by critics at others. If you liked the first film, you will enjoy this version. If you did not then I would not give this a try.
The film had an interesting look. Modern noir with moments of pulp cinema to accent key moments. You can definitely see it was done on a budget but they were very clever making it look professional. The movie takes some bizarre turns but nothing is out of place. It takes a while for the viewer to realize this isn't our world, but this Twilight Zone-y world, that's close to reality but strange forces are at work. Note the color red throughout the movie that symbolizes this. My only real problem is the connection of various money men that manipulated Thomas. It came off disjointed. You didn't spend time with any of them long enough to hate the guy and root for Thomas. On the other side, Parker's nemesis Jeffries (played perfectly by Lee Sellers) stole any scene he was in. His charisma is what you want in this Faustian tale. The basic message of the movie really resonates. It was a smart choice to replay the lesson in the end credits for people who didn't pay attention when it was first shown.
I loved this film. I believe Plagianos's choices are intelligently made - it also doesn't hurt that the two leads, Burrow and the underused journeyman Clohessy, understand their roles and play them with the type of passion deserved. Watching Parker on his last legs of life still able to talk back to his employer—a great no nonsense turn of Brooklyn underbelly from Lee R. Sellars—with humor and wit, as well as have the ability to attempt to retrieve his pride when defeat by sword seems his only option, goes a long way in making the climatic scene resonate. It may be one more convenient connection at the hands of a higher power, using 'The Book' of Chapter Three's title to bond these two men together as slaves unwilling to back down and be pushed around like puppets, but beneath the contrivance is a measure of truth. If anything, the multitude of overlapping plot threads and crisscrossing of paths only adds to the illusory aspect of the film, making The Crimson Mask into the morality tale its creator set out to make. It's inspiring job of professionalism as a first-time feature with little in the way of monetary resource shows the promise this young man's future holds. I look forward to checking out his next projects!
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Crimson Mask: Director's Cut
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 11 min(71 min)
- Cor
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