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IMDbPro

Dente Canino

Título original: Kynodontas
  • 2009
  • 18
  • 1 h 37 min
AVALIAÇÃO DA IMDb
7,1/10
118 mil
SUA AVALIAÇÃO
POPULARIDADE
1.232
704
Dente Canino (2009)
Assistir a Dogtooth - official US 2025 re-release trailer
Reproduzir trailer1:28
2 vídeos
99+ fotos
Psychological DramaDramaThriller

Um pai controlador e manipulador prende seus três filhos em um estado de infância perpétua, mantendo-os prisioneiros.Um pai controlador e manipulador prende seus três filhos em um estado de infância perpétua, mantendo-os prisioneiros.Um pai controlador e manipulador prende seus três filhos em um estado de infância perpétua, mantendo-os prisioneiros.

  • Direção
    • Yorgos Lanthimos
  • Roteiristas
    • Efthimis Filippou
    • Yorgos Lanthimos
  • Artistas
    • Christos Stergioglou
    • Michele Valley
    • Angeliki Papoulia
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    118 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.232
    704
    • Direção
      • Yorgos Lanthimos
    • Roteiristas
      • Efthimis Filippou
      • Yorgos Lanthimos
    • Artistas
      • Christos Stergioglou
      • Michele Valley
      • Angeliki Papoulia
    • 362Avaliações de usuários
    • 249Avaliações da crítica
    • 72Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 21 vitórias e 21 indicações no total

    Vídeos2

    Dogtooth - official US 2025 re-release trailer
    Trailer 1:28
    Dogtooth - official US 2025 re-release trailer
    A Guide to the Films of Yorgos Lanthimos
    Clip 1:51
    A Guide to the Films of Yorgos Lanthimos
    A Guide to the Films of Yorgos Lanthimos
    Clip 1:51
    A Guide to the Films of Yorgos Lanthimos

    Fotos163

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    Elenco principal9

    Editar
    Christos Stergioglou
    Christos Stergioglou
    • Father
    Michele Valley
    Michele Valley
    • Mother
    Angeliki Papoulia
    Angeliki Papoulia
    • Older Daughter
    • (as Aggeliki Papoulia)
    Christos Passalis
    Christos Passalis
    • Son
    Mary Tsoni
    Mary Tsoni
    • Younger Daughter
    Anna Kalaitzidou
    Anna Kalaitzidou
    • Christina
    Steve Krikris
    Steve Krikris
    • Colleague
    Sissi Petropoulou
    Sissi Petropoulou
    • Secretary
    • (as Athanasia Petropoulou)
    Alexander Voulgaris
    Alexander Voulgaris
    • Dog trainer
    • Direção
      • Yorgos Lanthimos
    • Roteiristas
      • Efthimis Filippou
      • Yorgos Lanthimos
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários362

    7,1118.1K
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    Avaliações em destaque

    8aierobamwn

    Strange, disturbing, brilliant

    In Greece, when talking about Greek movies we like, one of the expressions we mostly use is "it was good, for a Greek movie". I am glad to say that this one was good, period. It is definitely not an easy movie to watch, as it can be really intense and deals with one or two traditionally taboo issues, but it is definitely worth giving it a chance. For me it has been a completely surreal experience, best described as stepping into a world as peaceful as heaven and as confining as hell, where things seem to work in their own whimsical way, leaving me with a constant bafflement as to what is to come next. I honestly did not realize how time went by and, when it all came to an end, I found myself asking for more. This is a movie that disturbed, moved and fascinated me while I was watching it and made me think after having watched it. It is surreal, it is symbolic (it could definitely be seen from a political point of view), it is ironic and at times it can be unexpectedly funny in a dark, twisted way. Directing it in a "dry", "strict" manner, as if just trying to capture the events that take place, was definitely a perfect choice, as was the complete absence of music. The actors did a great job at acting in the emotionally detached manner that was required plus, I have to say, it probably took lots of guts for them to do some of their most "awkward" scenes. All in all, I would say I admired the artistic integrity of the director and actors and their dedication to getting across the main idea and the atmosphere of this movie.

    I don't really know how I could classify "Dogtooth". Is it a drama? (Well for a drama it is kind of under-plotted.) Is it a comedy? (It is definitely not a comedy, even when you laugh you are still disturbed by the absurdity of it all.) Is it horror? (It is not horror, it's just a horrific situation but everything, the horror, the violence etc is mostly implied.) Is it fantasy? (Well it is an alternate reality, but mind you this is a family that kind of looks "normal" on the outside!) So really, I give up. It's just a really strange, really intriguing movie, one that in my opinion is definitely worth your time.

    Oh and one more thing: it is also one of these movies that it is best to know the least things possible before you see them. Quite a few things (particularly the funny ones) are based on shock value - not that the whole movie is based on shock value, of course. If you ask me, even the theatrical trailers show too much.
    9pratyush

    Dogtooth - close to a masterpiece

    Not a lot of movies shock me. So I was quite surprised the unsettling impact Dogtooth had on me. A father locks up his 3 children who are in their late teens - early twenties in a large house and they have stayed there all their lives.

    The three children are told lies of various degrees. Living totally isolated from the world and in a manufactured universe, they do not react like normal people would. The lack of awareness and exposure makes for very interesting scenarios and reactions.

    The film can be pondered upon on several levels. For instance, governments never really tell their people any thing close to the whole truth. Thoughts on these lines - the harms caused by leaving people in the dark are the obvious things one can take back from the movie.

    I am very interested in the alternate viewpoint of the parents though. They genuinely thought exposing the children to the world would be harmful for them. While that is not some thing one can possibly agree with, there are some positives which do come out of it in my opinion. For instance, when one of the girls who has never having been exposed to popular culture, dances, she creates some thing unique. As she has not seen any thing before, she is not influences by any thing and creates her own style. That is a positive in my mind.

    This is film which is close to a masterpiece. When the film had released, it was panned in The New York Times and received an average review from Roger Ebert. I am quite pleased then, that it is slowly getting appreciation and is ending up in a few best of the year lists as well. This is a must watch according to me. 8.5/10.
    8Hifen8

    Brave original and very dark satire

    If you are easily offended by bold unusual film-making especially in the areas of sex and violence do not see this film. That said I just saw this at the Palm Springs International Film Festival and thought it was a very interesting and very brave film. Well worth seeing if you can like strong, unusual films. Probably close to 30% of the audience walked out, but I was encouraged by the 70+% that remained, especially since most of the audience were 60+ Americans. The 20-somethings I talked to on the way out were very enthusiastic. The woman sitting next to me said "What did it mean? I don't understand" but to me there were enough deep meanings and points to ponder on a 30-minute drive home and I can't wait to tell friends about it. Everything from the dangers of creating a "perfect family" to "the mechanization of capitalism and upper middle class life" to metaphors for the dangers of repressive families and governments. At it's simplest, it proves that people, especially young ones, are in so many ways what their parents make them. This is not a film you will forget!
    10riffraffrichard

    Not that strange or removed from anyones reality

    A whole language of deceit is created by a father to make sure that his family don't venture into the unknown which he fears will corrupt them. This film talks about the myths and lies we are told to maintain status quo and the appearance of stability and normality. It explores the abuse of protecting a child from outside influences to the extreme of denying human instincts and inquisitiveness about their world. Its shows how telling children lies for their own safety makes them fearful of the world and patronises there innate understanding about life. Its amazing because it creates a world with an absurd, fully realised, vocabulary that is completely understood by the members of this family ; its surreal nature forces you to question the oddness and the parameters of your own existence. A life unquestioned and unexplored leads to a stagnant swamp of confusion.
    8allstar_beyond

    Normality is out of the question.

    I give up. After sitting in front of the computer for almost half an hour, tossing and turning thoughts in my head as I try to write something about my latest adventure at the Auckland International Film Festival – "Dogtooth", I've decided that it is not possible to do so.

    What I will say is this: watching "Dogtooth" was one of the strangest experiences I've ever had. I have honestly never seen any other film like it. Sometimes hysterical, sometimes shockingly intense. It is a hypnotic trip that displays brilliant originality and borderlines pure insanity. In my humble opinion, it is a film that should be watched by every single person, for the experience alone. Sadly, like so many other gems, I'm almost certain that this film will never find a wide release, so, please do seek it out, I beg you all.

    I am so glad that I watched the movie cold, as the only things I knew about the movie was a promotional photo and the fact that it's Greek, a decision that I believe made the experience even more powerful for me, and a decision that I advise you all to take.

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    Dogtooth

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    • Curiosidades
      The inspiration for the film came about because of a discussion Yorgos Lanthimos was having with some friends who were about to get married. When Lanthimos expressed doubts about the institution and family itself, he was struck by the idea about what would happen to a man who went to the ultimate extreme of protecting his family.
    • Erros de gravação
      When the boy brushes his shoes it is seen he touches the carpet with the brush, but the carpet stays clean.
    • Citações

      Older Daughter: Mom, what is a "cunt"?

      Mother: Where did you learn that word?

      Older Daughter: On a case on top of the VCR.

      Mother: A "cunt" is a large lamp. Example: The "cunt" switched off and the room got all dark.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Predators/Despicable Me/Winnebago Man/The Girl Who Played with Fire/Dogtooth (2010)
    • Trilhas sonoras
      Fly Me to the Moon
      Written by Bart Howard

      Performed by Frank Sinatra

      Arrangement by Quincy Jones (uncredited)

    Principais escolhas

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    Perguntas frequentes

    • How long is Dogtooth?
      Fornecido pela Alexa
    • Why does the father tell them that "your brother died"?

    Detalhes

    Editar
    • Data de lançamento
      • 11 de novembro de 2009 (Grécia)
    • País de origem
      • Grécia
    • Idioma
      • Grego
    • Também conhecido como
      • Colmillos
    • Locações de filme
      • Atenas, Grécia
    • Empresas de produção
      • Boo Productions
      • Greek Film Centre (GFC)
      • Horsefly Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 275.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 166.415
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.686
      • 27 de jun. de 2010
    • Faturamento bruto mundial
      • US$ 778.081
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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