The Curse

The Curse is a slow, long, and uncomfortable watch. There is not much of a through-plot in the series (the story is coherent, but does not have consistent, clear direction). If you go into this show for a story, you will be greatly disappointed.

The aspect of the show with the largest draw is the complex dynamics of the characters. Each lead character is deeply flawed, and the events of the show are primarily a way to explore these flaws. My viewing experience consisted of one part watching the episode followed by an equal part sitting and trying decode the characters' behaviors, helped along in many cases by the heavy use of metaphors and symbolism in the show.

The show is perplexing, in a way I happened to find entertaining. I would not expected it to be a particularly entertaining or enjoyable watch for a viewer whose brain isn't tickled in a similar way. I understand why people dislike the show, and most of their criticisms are perfectly valid.

I would recommend giving it a shot. If you do not connect with the first two or three episodes, you should know it will not improve. But if you connect with the style of the show, it is a fantastic experience.

Nathan Fielder is a generational talent. He looks to have hit another cultural home run with the Curse. He has come up with a plan thanks to his really good business knowledge, which allows him to film himself being intimate with Emma Stone, I have a feeling we will see multiple versions of this.

I for one am here for it, if you are a Nathan for you fan or a Rehearsal fan, or a fan of his old spots from that Canadian news show, you absolutely owe it to yourself to check out anything he has done you haven't seen.

I look forward very greedily for upcoming episodes, if all 10 would have dropped I have no doubt I'd still be watching.

---just don't apply when it's dark satire is about just those desciptors. A slow burn of cringe by the awkward, yet brilliant acting and anti-chemistry are what gives this series it's ignition point. If a young Kubrick made a neo dark satire series, it might just feel like this. Never mind the might, it would feel JUST like this.

It's definitely not for everyone and being a big fan of Fielder's work coupled with the Safdie's, this was catnip for the weirdo humor in me. It's takes patience and full understanding the delivery and pitch back humor is stylistic satirical genius.

The pretention and over the top 3 layer storyline is reminiscent of the very prentiously delicious (though found it a bit of a self indulgent slog in the third act) Ruben Östlund's "Triangle of Sadness"

This is brilliant to those that like this sort of offkilter independent filmmaking, and the flipside being people that go apeshit for a more "obvious" approach to humor might find this unwatchable.

And thats okay...its all subjective, and I'll take this all day.

When I mean uncomfortable I mean there's a lot of cringey moments in this show, but that's but makes it so good. The premise is really strong, a couple trying to modernize an old small town. The cast is absolutely flawless, especially Emma Stone as the wife. You can literally feel what the characters are feeling in every shot and look they give. It is a slow burn of a tv show but for this kind of plot it just works and never feels forced. Now of course this show hasn't been fully released and I'm just going off the first episode, but truly I can't wait to see the rest. This is a really good show.

Seeing so many people calling the characters pretentious and cringe is hilarious to me. That's the whole point. Yes they are and that's what the show is doing. Geez it's like everyone wants the same lame show one after another with the same premise or storytelling. This show is so different and is taking a risk and it nails it. Perfectly almost. Nathan Fielder and Emma Stone feel so odd and out of place in these roles. And that's what makes them So perfect. Just a unique take on the genre. Ok that's all I have but I need to use up 70 more letters so I'm just going to keep typing. Ok that's good. Byeeeee.