Os Acompanhantes

Kevin Kline creates the sort of character we haven't seen in a long time, not since Clifton Webb, Noel Coward or even George Sanders, an actor dares to step into the uncomfortable zone with so much wit and panache. He is the reason to see the film and in my book, that's reason enough. Paul Dano is wonderful but he projects a strange feeling. As if he has been removed from the pot a bit too quickly. He doesn't look quite done yet. Thoroughly undercooked. One has the overwhelming feeling, he won't be able to survive in this world. The film, as film, doesn't have the aspirations of Paul Schrader's "The Walker" nor its darkness but if you're not put off by a slightly tentative direction, you're in for a treat.

Great to see Kevin Kline in a witty role again. Cleverly written lines give some snickers, excellent techniques at times transported me. The physical slapstick was a little off, but the gags made up for it. If you like Kevin Kline, you'll like this movie. Give it a try. It will appeal to the astute mind. The rich old women are entertaining and the glimpses of the other side of life are sensitively done, with tongue in cheek. The metaphor of the pigeons is a clever one observed by Henry (Kevin Kline) himself, in this high-brow yet Oscar Wildeish thrust-and-parry into the world of the Henry and his protégé, the young gentleman. Ending on a feel-good note with the credits rolling to a zany variation of a Marc Bolan written T-Rex number 'Dandy in the Underworld'. 8/10.

It plays like a British comdey set in the USA. Well written, lively oddball characters and a twisting tale.

In the end nothing much happens but its a fun ride to get there.

Watch it.

Jonathan Ames, a writer of eccentric novels, penned the book on which this bizarre film is based. His story of confused identities and searching for a workable concept of self was adapted for the screen by Ames with help from co-directors Robert Pulcini and Shari Springer Berman. It is a confusing tale to watch but has moments of comedic insight and a cat of well- known actors that help to make the film entertaining – if a bit of fluff.

We meet English teacher Louis Ives (Paul Dano) after a prelude of daydreaming the three factors that characterize Louis - his obsession with classic literature of the 1920s, his untrained perception of how to relate to people ('awkward' would be a kind term), and his penchant for fantasizing about cross dressing. He is dismissed from his school 'due to budget cuts' (read 'having been discovered trying on a bra and being caught by the headmaster'), yet his inappropriate response is one of glee at having been given the opportunity to move to Manhattan to become a writer.

Once in New York City without connections, he answers an ad for an inexpensive apartment sharing – the ad having been submitted by one very strange Henry Harrison (Kevin Kline), an older down on his heels writer and playwright who supports himself teaching college level literature and who considers himself an aristocrat, serving as an 'escort' for older wealthy women. After an uncomfortable interview Henry consents to allow Louis to be his roommate: after weighing his options Louis accepts the room in the flea infested filthy apartment and begins trying to get to know the secretive and zany Henry.

Henry provides companionship for one Vivian (Marion Seldes) and eventually Louis is brought in as an 'extra man' to provide companionship for one of Vivian's friends (Celia Watson). In the meantime Louis finds work as a telephone salesman for a Green magazine, meets the pretty but unavailable Mary (Katie Holmes), begins to encounter Henry's entourage of loonies such as Henry's bearded and dirty repairman Gershon (John C. Reilly), and gives in to his urge to learn about cross-dressing by visiting a 'teacher ' and finally a make-over artist who places him in the role of a 'woman'. Louis' experience with transvestism fails and alienates Henry – for a brief time. But what this comedic episode results in is Louis' discovery of what is important – friends and family – and Henry and his entourage supply that and the changes this brings in all the characters draws the film to a close.

With a cast such as this we find ourselves wanting to connect with each character – bizarre though they all are – and to a degree this occurs. But the script is spotty and the direction is bumpy and in many ways it feels as though the film simply never gets off the ground. Good moments: no after taste to savor.

Grady Harp

This movie actually took me by surprise.

First of all, let me start off by saying that the story is so compelling and spellbinding that it will blow you away. There is just something about this movie that is so unique in every way.

The characters in this movie are so fantastically unique, quirky and lovable. It all just came together for a greater unity. The role of Louis Ives (played by Paul Dano) was the quirkiest of all, struggling to find his place in life, dealing with his sexuality and the admiration of Henry and trying to find acceptance. And I must admit that Paul Dano portrayed his character in a very good way; he was awesome in this movie. And his resemblance to a young Liam Neeson is just uncanny.

Moving on to the role of Henry Harrison (played by Kevin Kline), well his role was eccentric and strict. But, as usual, Kline put on a magnificent performance. He is very charismatic and have a good voice. He is indeed one of the better actors of recent times.

And also, not forgetting, the strange character of Gershon Gruen (played by John C. Reilly) was also very memorable and lovable, especially his voice.

In all fairness, then this movie worked so good on all levels. However, I think that a share of people might be put off by the movie, as it does have that certain epic cinema moment to it, and also dealing with (and I use this term in lack of better) sexually deviant behavior. For me, I found that aspect of the movie to be one of the driving factors, because it showed how Louis Ives was struggling to find himself and dealing with his needs.

The movie is very beautiful in more than one way. The story is beautiful, the cinematography is beautiful, the music is beautiful, and so forth. This is one of the better movies I have seen in a while. It is a fresh breath of change in the movie scene for me. Nice with a movie that stands out from the mainstream comedies, and dares to be so unique as it is.

If you haven't already seen "The Extra Man", then you owe it to yourself to do so, especially if you are (like me) a lover of the cinema and movies. This is a story that will stay with you for a long, long time.

Thumbs up, way, way up from me!