Avaliações de usuários

I was so excited to hear that this show was based on novel by Ann Cleeve, the author of Vera and Shetland, two of my top10 British detective stories! The second a Vera episode is released, I watch it and about a week later I watched it again. So i was looking forward to this show.

Two main components of a good detective story is that, first, the protagonist is quirky, or tormented, or an alcoholic, crazy, goofy, and/or fish a out of water and second, they are extremely passionate about being a detective, by finding the killer, and justice for the victims. Everything else in their lives is secondary. (Ex Grantchester, Vera, Murder in paradise, Sherlock Holmes, Shetland, etc.).

You won't find either of these components at work here. Half of the 20th century protagonist are gay so that's not "quirky" anymore. And although this actor is eye candy, he looks super bored with his work. In one scene, he looks at the murder board and scratches his chin and ........that's it. That would never fly in a Vera episode. My favorite Vera scenes are when she looks at the murder board, turns around and yells at everybody to get to work and find the answer.

The cult angle was interesting, but many mystery murders find that the murder is related to their past and this makes them even more crazy about finding the answer, but once again I just didn't feel passion with this actor.....and if the protagonist is not passionate about what he does, how can u expect us, the viewer, to be.

If u have nothing is to watch, catch this, the scenery is OK. It seemed like everyone lived in a house with huge windows overlooking the sea??...but you would be better served watching another Vera episode.

In North Devon, a body washes up on a beach, on trj case is DI Matthew Venn, who's battling demons past and present.

This is very much a drama of two halves, my advice would be, stick with it. I wasn't exactly in raptures over episodes one and two, but it does improve, it builds well to an exciting snd dramatic finale.

It's not the typical crime drama you expect nowadays, no conspiracies, car chases or guns, it's all very measured, some may fairly argue slow, but the drama comes from control and fear.

It should have been 3 episodes at most, in parts it is dull, plain and simple dull. However it's almost worth sticking with just for the ending.

The locations are beautiful, that was never going to fail, some of the views are incredible.

The best element for me is the acting. Ben Aldridge is good, he's well cast, and certainly very handsome. Martin Shaw, Juliet Stevenson and Neil Morrissey at all very good, for me it's Anita Dobson who steals the show, I always knew she was good, I wasn't aware that she was tbis good.

Stick at it, 7/10.

I read the book first. I'm glad some things were cut, however, some background was glossed over in the series which should have been emphasized.

The lead detective is too low key, even in the book. He lack the spark Vera has. It's like he's muddling through. The book had too much background on the character s private lives. The series does as well, although to a lesser degree. Mystery fans want a clever puzzle. The puzzle MUST be front and centre, not the private lives of the cops.

I really, really tried to like this more but the boredom of the direction and script defeated me. The stationary camera fails to keep our eyes interested, despite some of the gorgeous scenery. Then there's a stony Ben Aldridge who fails to capture our empathy.

The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.

There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.

Having just binged on Shetland (all in 2 weeks), Broadchurch and Hinterland plus a few others ..... this one is again very similar to those just mentioned. Lead man in charge is slightly damaged due to life in general and all with a strong woman being his second. Above titles in order of best first etc.

This series doesn't pick up any speed and just makes it way through the 4 episodes slowly and methodically. Really not much real action .... what you should pay attention to is the writing and the acting. I would unfortunately be placing this show at the end of above list. Watch the others first if you have a chance ... but the scenery is as usual ... awesome.

Casting is very well done, love Juliet Stevenson but major kudos to Anita Dobson .... wow does she shine in the drab and harried portrayal of Grace. Also one character that kept drawing my attention and not sure why. I then checked her name .... Aiofe Hinds .... ahhh Ciaran Hinds daughter another up and coming actor in family.

By episode 3 I'd forgotten what the story was all about. The characters are like cardboard. Flat and totally without character. The speech is muffled and toneless. The plot is....don't really know, my brain was too bored to take it in.

What a complete waste of the ITV 9 o'clock slot.

And coming straight after Hollingdon Drive series! (another dreadful waste of time) ITV get your act together.

Yes the first episode is kinda slow but it seems to me as if it's intentional. Each episode peeled back the layers of lies and secrets. Even exposing Matthew to how he hid his own shame and even he had to tearfully acknowledge that. I hope there's a second season where the characters can be further developed.

Wonderful acting and beautiful scenery. Took a while to get into the story but really enjoyed it.

Anita Dobson is tremendous especially in the closing scenes.

The Long Call is adapted from the first novel of a new series by Ann Cleeves (Shetland & Vera) so comes from a fine pedigree.

The show follows a gay male detective, (amazingly for the first time on UK TV) Matthew Venn as he returns to a strict evangelical community in Devon to attend his father's funeral before investigating a murder.

It was stylish but the direction was poor technically and trying too hard to be edgy it ended up being distracting. The scene in the first episode between Neil Morrissey and Pearl Mackie was bizzarely shot, you'd think they'd let a passerby have a go behind the camera...

Main problem though was that the lead actor Ben Aldridge was too ineffectual and bland, he spent most of his time standing still and thinking aloud with his hands in his designer trouser pockets. The story would have been better told in fewer episodes or over 90 minutes. The script was ponderous.

New detective shows do need time to bed in - and I do hope they get a second series to try and nail it. The ending was good and satisfying but sadly this series was very much style over substance and too slow. I can't blame the many viewers that abandoned ship.

This is a new crime drama from the reigning queen, Ann Cleeves who has given us "Vera" and "Shetland", Vera is set in Northumberlandshire, Shetland on the islands and now The Long Call (TLC) on the north coast of Devonshire.

The cast for season one includes Ben Aldridge, Juliette Stevenson, Martin Shaw, Neil Morrissey, Alan Williams and many more, they are major actors and expect major parts and the acting is very good. Kudos to the casting director. I hope BAFTA looks at this series for awards.

It is a slow burn, it's not one solved case per episode but one case over four episodes. It's tough to maintain viewer interest and glad they released it over four nights. The creator and producers should look at whether one story over two episodes or one 90 minute episode works best for future seasons.

DI Matthew Venn is not DCI Vera Stanhope (Vera) or DI Jimmy Perez (Shetland), he's younger and university educated and works collaboratively with his team. Venn is new and some have commented that he needs to be stronger, but he was raised in a religious community where members listen a lot as his mother pointed out. DCI Stanhope and DI Perez started out rocky and developed their TV personas.

Some of the younger actors are trying to do a regional or other accent and it's not working, it comes across mumbly and not clear. I was hoping for subtitles to understand some of the dialogue. The Incident Room at the police station is too big, the staff get lost and the sound isn't consistent. In general Ben Aldridge is the easiest to understand.

The other is that British crime dramas get exported to other countries and the British are great for acronyms and they don't realize that the whole world doesn't understand their acronyms. Speaking and understanding English doesn't mean understanding all the police acronyms. Season 6, Episode 1 of the great series "Line of Duty" was full of so many Met Police acronyms that Esquire Magazine (US) put out a translation page. At one point DI Venn tells his staff to check with the FLO in the child death, FLO is a Family Liaison Officer, a police officer assigned to a family.

Matthew's morning swims I saw as an homage to the Italian series "Montalbano", where police Commissioner Salvo Montalbano is often seen swimming each morning in the Mediterranean near his home.

These are minor problems that can be resolved. I hope season 2 is more focused on the crimes and less on the families, Here's hoping it's renewed for many more seasons.

By the middle of episode 3, I kept picturing this conversation in my head:

The writer, director and producers are in the room.

"Guys, they've approved us but they want 4 episodes and we only have enough material for 3," says the writer.

"Well, just write some more stuff in there!" responds the producer.

"Are you kidding?" the writer replies. "I've already explored every tangential diversity-related subplot I can think of and we've already got 12 minutes of reaction shots in every episode. I've got nothing left, man."

"Don't worry," says the director. "If we add 15 minutes of drone shots set to slow, brooding music to each episode, we can definitely get 4 episodes out of this. Everyone will think it's an insightful commentary on the amorality of psychologically-based crime and they will DEFINITELY pick up a second season."

And that's exactly what they did. My recommendation is to watch this while doing housework, because there's so much filler you don't really have to give it your full attention.

Sorry but when you introduce a new detective series you need a lead actor with some charisma and impact.... Ben Aldridge makes a roll of beige wallpaper look exciting? I couldn't care less if he is gay or sleeps with donkeys, he is beyond boring. This attached to the dreadful cod west country accents...me babs, just leaves me cold.

Dull, depressing and without a plot that keeps your attention, this is a waste of time and effort. Just hoping that it improves? , which it surely has to, as it has set itself a very very low bar.

I didn't have a problem with the actors, they were fine. This adaptation Ann Cleeve's book for TV was more family drama than murder mystery. Of course all good mysteries have secrets that are revealed as the investigation progresses, but this filmed version of the story was too long. I think it would have been better if it had been edited to two episodes rather than four.

This was a bit muddled all around. The lead detectives were decent, the scenery was lovely and the cult was intriguing. But the plot started to drag by the end, the dialogue was clunky and the emotional arcs for the characters were not believable. It had potential to be better. But you could find a worse show to pass an evening or two.

I agree with quite a few of the comments by people who scored it a 5, but thinks thats a harshly low score for quite a good drama with some good acting.

Its a decent plot, and doesnt stray too much from the original book. It has quite a nice and unusual mix of characters, and the 3 'actooors' who i dont particularly like (because they usually over-act), i.e. Juliet S, Martin S and Anita D, actually do a fair and understated piece of work here.

Yes its slower paced than some, but so what? I like slow burning stuff!

Some people have compared it unfavourably to Vera, i would say it is at least on a par, It avoids the usual boring trope that the lead detective is the only character that matters, and must be maverick, hopeless at relationships, and a loner - yawn.

I waited until i had watched all four episodes before writing a comment here.

Like any first series it suffers from uncertain characterisations and exposition.

First the negatives:

1. The photography - the excessive closeups and blurred backgrounds just serve to distance the audience. This style is a fad at the moment and not one I like.

2. there was definitely a problem with the sound. The actors seem to have been miked too closely resulting in a muffled unclear sound that was hard to understand much of the time. The sound needs to be re-equalised to push out the voice component.

3. the production design was weird. The police offices were like a lost set from Star Trek™.

4. the plot was ultimately too easy and telegraphed too obviously. I guessed who and why well before the end of the first episode.

BUT despite this some of this series was gripping. Especially the last episode. The performances finally were allowed to show through. And it is for this episode that I gave the series an 8 out of 10.

I hope there is a second series. The show has promise. None of the issues with the first series are unfixable. Ann Cleeves is a brilliant writer and it shows in parts of The Long Call.

Firstly, the series comprises four episodes. Patience is always required to set the scene and inform the viewer about the characters in order for the denouement to be worthy of itself. The problem is that the first two episodes are too considerably long, slow and dreary. The dialogue is stilted, slow-moving and tedious. There is a crime to be solved by a gay detective who is revisiting the place of his upbringing in a closed and suffocating religious community, which he fled years before in order to find and free himself.

Does he return for absolution? His husband is much more worldly and reconciled to lower expectations when it comes to approval from family and others.

I gave The Long Call a 7/10 because, in contrast to the first two, the last two episodes progress nicely. The citing of the past of the close-knit religious brethen community continues to be revisited, but now in keeping with the tempo of the denouement.

If the first two episodes had been refined to only one, I would have easily given this series an 8/10. Fine acting and a great last two episodes.

I wanted to like this but I struggled to get through the first episode and won't be watching any more.

The acting is stilted with pregnant pauses everywhere they aren't needed. This only serves to frustrate the viewer where they are trying to amp up the tension. The acting is weak and the story is weaker. I can't work out how the lead character became the 'boss', if you said boo he'd burst in to tears and his gay relationship isn't convincing, it feels forced.

The writing is lacking, I kept trying to will them to ask proper questions any cop would ask in an interview and obvious ones just weren't brought up.

Every scene tried to either be arty or tense and it becomes draining after a while. It never flowed and let the story unfold, just dreary and insipid.

It's a 3 for the scenery and the female cop who seems to be more interesting than the rest, if only she wouldn't mumble...

I truly don't understand the negative reviews, especially the one's complaining about how "slow" the going is. I enjoy a fast-paced action-a-minute film as much as anyone, but that is not always necessary. I was hooked in the first moment with the unconventional relationship of a police detective, leading into absolutely gorgeous scenery and the accompanying music. Each character is complex and the way they are interwoven is realistic and heartfelt. The writers do an excellent job with the fluidity of possible suspects and motives, and the acting is outstanding. I hope there is a Season 2!!

I struggled onto the 4th episode in the hope it would get better...should have left it at the first 5 minutes of the 1st. It didn't get better. Just more boring, contrived and cringe! A few well known names who tried to carry this dross but didn't manage it. Ben Aldridge as the lead cop with no personality speaks in sentences which is really bizarre. The lead female cop ( so bad I can't even recall the name) was terrible. ( the actor) she had 1 facial expression and zero acting ability.

I found this series really engaging and is one of the few dramas I've watched this year that didn't rely on 'subverting expectations' as a plot device or unnecessarily annoying protagonists that do the dumbest things... It just felt like a solid British crime drama! Excellent performances from everyone and some truly beautiful atmospheric shots (helped greatly by the beautiful Devonshire countryside).

Overall, I'd recommend this if you're a fan of British murder mysteries/crime dramas!

So, I was watching paint dry the other day...any questions? For a 4 episode tale, the pacing is excruciatingly slow. There is no "thrill factor" in the storyline or characters.