Procurando Elly

Based on my opinion, this movie was even better that A Saparation, an award winning Farhadi's film.

Farhadi proves adept at controlling the tone of his film. By slowly setting up the situation and the complex nexus of relationships between the characters, he lulls the audience into thinking the film will continue in a comic mode until Elly's disappearance. From then on, the film takes a serious tone. Lies come back to haunt the characters, and the consequences of these are unforgiving. Some of these lies were told due to particular proprieties necessary within Iranian society. The brilliance of Farhadi's script and direction becomes most apparent in the latter stages of the film. As one secret after another is revealed, Farhadi deftly maps out the shifts in the perceptions and behaviour of the characters toward each other as well as the viewer's perception of the characters. Farhadi's cast is uniformly excellent, especially Farahani, who compellingly registers Sepideh's shock at how her seemingly innocent matchmaking has taken such a tragic turn, as well as the way her character, like others in the film, is revealed to not be what it initially appears.

You can't breathe, you can not even shout, you can not cry, you'll be just stay fascinated till the end and the final music is just as fantastic as the whole movie itself; The roles are played by some of the best actors and actresses of Iran, who actually LIVE the roles and you just get engaged with everything that's going on there as if you are one of them; I loved it so much; Thanks to Asghar Farhadi for always making us such good movies; I do recommend everyone to see this if the haven't yet; I'm gonna see it again for sure....... I really love the scene where the sound of Eli gets mixed with the cruel sound of Sea which really makes you nervous; gives some notices about the upcoming events;

i didn't really know what to expect of this film so went to watch it quite blank, the cinema was packed with a mixed crowd which was promising.

i was drawn to the characters and their different personalities immediately.they were very believable and you almost felt as if you were there.

the film was very natural and the shots were nice and tidy, as a lot of foreign or arty films end up being too 'diffeent', this was easy to watch. as the plot became more complex the viewing was compelling and the director created suspense very well and built it up slowly.

the actresses and actors were really great, adding to the story's realism. as we the audience started to try and piece the mysteries of the story you just had to keep watching. i recommend it, the location was really pretty too.

i was happy to know there was a ending as a lot of foreign films end with no ending!!!! but this was satisfying however i would add that it became a little too long towards the end and some may have wanted a different ending to that chosen.

all together an excellent film to watch.

I came to see Farhadi's flick at Kerala Film Festival. It Won the best picture award Golden Chakoram there. Farhadi's sketch human interactions are so lucid. How humans react to chaos and how the manipulative nature of humans come into act in time of difficulties is clearly depicted in this film. It reveals a true fact about the body of lies used by ordinary people in their ordinary lives. We lie thousand times a week. When we are thinking about manipulations, its not only about the conspiracies by the big power houses. In fact the root of all those are present in common man. About Elly beautifully depicts how common man, including women and children uses lies and these body of lies causes to make relevant impact on their lives in changing situations.Even though film creates a tense atmosphere of chaos caused by the disappearance of Elly, at one stage delegates started laughing during the screening.Farhadi's little picture even created a satirical approach on how man makes things complicated with his manipulations. On the whole it is a good introspective into the real human nature...

"About Elly" seems like a rough sketch for "A Separation" (2011), one of the best films of the current century IMHO. In both cases, Farhadi's focused on social lies and deceptions and the ways they come back to bite us--as well as on the contrasts and contradictions between the lives and aspirations of contemporary Iranians and the restrictive social norms of Islam--but "Elly"'s not as tightly plotted or as involving. In many ways it's like typical film-festival fare from a non-Western country; it's a little hard to keep track of the characters at first, and it's not always clear why they're behaving the way they do.... The setup's intriguing: old college friends from Tehran--three married couples and their kids and a recent divorcé--and a slightly mysterious plus one, Elly, share a clapped-out weekend cottage on the Caspian Sea. At first everyone's acting goofy, singing and busting little Zorbalike dance moves.

Then something happens--two things really--and everything changes. The sky darkens, the sea gets rough, and husbands and wives are (almost literally in one case) at each other's throats. Suddenly these 21st-century sophisticates are chattering about evil portents and lost honor and fear of shaming; several layers of deception have to be unwrapped before the film's ambiguous ending. Expert cast (including the husband from "A Separation" and Nefertari from "Exodus: Gods and Kings"[!)]; the performances seem a little over the top at times, but that may just be a cultural thing; great cinematography. Certainly worth watching, prob'ly more so if you've already seen "A Separation."