Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Julio
- (as JB Smoove)
- Rodrigo
- (as Kevin Hernandez)
- Jacolby
- (as Cliff 'Method Man' Smith)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
(1) The characters are extremely annoying. They are foul-mouthed, mean, cruel, and downright stupid at times. I really didn't care if they would succeed in their aims or not.
(2) The movie just isn't funny. There is a mean-spiritness to most of the humor that makes it hard to take. Oh, there are a couple of one-liners that are somewhat amusing, but otherwise the humor is loud and grating.
Although "Adventures In Babysitting" wasn't a great movie, it is Oscar worthy compared to "The Sitter".
I know the majority of the film is predictable, dare I say cliché, but the ride was very enjoyable. That is, after-all, the nature of the comedy genre. How often do I go see a comedy for its intricate storyline, radical character development or enigmatic themes? Close to never, honestly, and so with that reasoning why not go balls-out? Jonah Hill is a very likable character in the film with an understandable ploy. It lacks the in-your-face violence of director previous film "Pineapple Express", but it is definitely hilarious, no doubt about that. The kids are very well played, and thankfully come out as pretty decent characters. Thankfully nowhere near as annoying as the duo of the "Are We There Yet?" films. It's definitely a coming-of-age film that may not be a classic, but it certainly is worth seeing.
And yes, The Sitter is quite unoriginal and what movie-goers call "predictable". I admit it's a kind of fun to try to expect the unexpected, but a predictable story does not equal a bad story. In fact, from the beginning of the 80 minutes or so until the end I'd been kept entertained and I honestly didn't experience many boring moments.
Other than its comedic scenes, the movie does have attempts to include moving scenes that make the audience learn something. I would say those attempts are not highly effective but not at all futile efforts.
The best way to conclude The Sitter is to say that it is a good comedy for young adults or above. Language and inappropriate behavior are main reasons this may not be suitable for children or younger teens. The Sitter is an enjoyable movie that is funny and does not require too much thinking to understand.
The Sitter is just as formulaic as you expect, a guy decided to babysit and problems tart appearing. We've seen this all before, but not quite as horrible as this. The film, from the opening shot, becomes the sort of obnoxious kid you can't shut up who says all the wrong things. The film's dialogue is pretty atrocious, and it thinks its being funny when it really isn't. The film calms down a bit as it goes along, but for a story like this to work, no matter how formulaic, unoriginal, and predictable, you need good dialogue at least. That is the problem. I seriously cringed so many times.
It's not all horrible, since there are a few laughs here and there, and Jonah Hill tries his best so much. In a way, I can't help but hate him for taking this role, but without Hill it would be even worse. Also, the only real likable character here is Max Slater's, who manages to have some more quiet moments in the film, but even he is completely two- dimensional. Skip this please, and what's even worse is that I could have been able to see Dragon Tattoo or Young Adult. Such shame taste some audiences have, although to be fair the girl I went with didn't like it much either. Hopefully she learns.
Você sabia?
- CuriosidadesA promotional poster includes the personal phone number of Jonah Hill. It is listed as (917) 409-7838. Hill has set an automatic message or will speak to the caller either in character or as himself.
- Erros de gravaçãoWhen Marisa wigs out at the kids on the sidewalk after running away after minivan crash her hair is about 4 inches longer and she's about 10lbs heavier. Next scene her hair is back to the shorter bob cut and she's lost the weight.
- Citações
Noah Griffith: My name's Noah Jaybird. Ca caaa! What's your name?
Soul Baby: They call me Soul. Soul Baby.
Noah Griffith: Soul Baby?
Soul Baby: Yeah.
Noah Griffith: Keep it in control baby. Tears, no fears man.
Soul Baby: Is that right?
Noah Griffith: Respect it, don't neglect it. Treat it, don't beat it.
[walks away]
Soul Baby: You're a badass motherfucker.
- Versões alternativasThe unrated version runs almost six minutes longer than the theatrical version. Some scenes are extended and there are numerous instances of profanity directed at and employed by the children in the sitter's charge which are missing from the theatrical version. Three additional cast, not present in the theatrical version, are noted on a screen that appears after the credit scroll: Dreama Walker as Stephanie, Ron Phippen as Guy Having Sex, and Jessica DiGiovanni as Girl Having Sex. A second screen credits two additional songs in the soundtrack.
- ConexõesFeatured in Ebert Presents: At the Movies: Episode #2.22 (2011)
- Trilhas sonorasI Wanna Sex You Up
Written by Bryan Abrams, Mark Calderon, Willie Clarke (as Willie James Clarke), Betty Wright (as Bessie Regina Norris), Doctor Freeze, Kevin Thornton and Sam Watters (as Samuel Watters)
Performed by Color Me Badd (as Color Me Badd.)
Guest Vocals by Sam Watters
Courtesy of Sam Watters and Louis Biacaniello/CMB Entertainment
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Sitter
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.441.326
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.851.435
- 11 de dez. de 2011
- Faturamento bruto mundial
- US$ 34.942.188
- Tempo de duração
- 1 h 21 min(81 min)
- Mixagem de som
- Proporção
- 1.85 : 1