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O Babá(ca)

Título original: The Sitter
  • 2011
  • 14
  • 1 h 21 min
AVALIAÇÃO DA IMDb
5,6/10
74 mil
SUA AVALIAÇÃO
Ari Graynor, Jonah Hill, Max Records, Kevin Balmore, and Landry Bender in O Babá(ca) (2011)
A comedy about a college student on suspension who is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.
Reproduzir trailer2:09
15 vídeos
99+ fotos
ComédiaComédia atrevidaComédia de humor negro

Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.Um estudante universitário suspenso é persuadido a tomar conta das crianças da casa ao lado, embora esteja totalmente despreparado para a noite louca que terá pela frente.

  • Direção
    • David Gordon Green
  • Roteiristas
    • Brian Gatewood
    • Alessandro Tanaka
  • Artistas
    • Jonah Hill
    • Ari Graynor
    • Sam Rockwell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    74 mil
    SUA AVALIAÇÃO
    • Direção
      • David Gordon Green
    • Roteiristas
      • Brian Gatewood
      • Alessandro Tanaka
    • Artistas
      • Jonah Hill
      • Ari Graynor
      • Sam Rockwell
    • 144Avaliações de usuários
    • 125Avaliações da crítica
    • 39Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos15

    No. 2
    Trailer 2:09
    No. 2
    Trailer #1
    Trailer 2:16
    Trailer #1
    Trailer #1
    Trailer 2:16
    Trailer #1
    The Sitter
    Clip 1:16
    The Sitter
    The Sitter
    Clip 0:49
    The Sitter
    The Sitter: Looks Like We're Even
    Clip 1:03
    The Sitter: Looks Like We're Even
    The Sitter: Adult Men Don't Babysit
    Clip 0:59
    The Sitter: Adult Men Don't Babysit

    Fotos163

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    Ver pôster
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    + 157
    Ver pôster

    Elenco principal69

    Editar
    Jonah Hill
    Jonah Hill
    • Noah Griffith
    Ari Graynor
    Ari Graynor
    • Marisa Lewis
    Sam Rockwell
    Sam Rockwell
    • Karl
    Max Records
    Max Records
    • Slater
    J.B. Smoove
    J.B. Smoove
    • Julio
    • (as JB Smoove)
    Landry Bender
    Landry Bender
    • Blithe
    Kevin Balmore
    Kevin Balmore
    • Rodrigo
    • (as Kevin Hernandez)
    Kylie Bunbury
    Kylie Bunbury
    • Roxanne
    Erin Daniels
    Erin Daniels
    • Mrs. Pedulla
    D.W. Moffett
    D.W. Moffett
    • Dr. Pedulla
    Jessica Hecht
    Jessica Hecht
    • Sandy Griffith
    Bruce Altman
    Bruce Altman
    • Jim Griffith
    Method Man
    Method Man
    • Jacolby
    • (as Cliff 'Method Man' Smith)
    Sean Patrick Doyle
    Sean Patrick Doyle
    • Garv
    Alex Wolff
    Alex Wolff
    • Clayton
    Jack Krizmanich
    Jack Krizmanich
    • Ricky Fontaine
    Grace Aronds
    • Twin #1
    Jane Aronds
    Jane Aronds
    • Twin #2
    • Direção
      • David Gordon Green
    • Roteiristas
      • Brian Gatewood
      • Alessandro Tanaka
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários144

    5,673.7K
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    Avaliações em destaque

    7gigan-92

    Definitely Worth a Look

    C+

    I know the majority of the film is predictable, dare I say cliché, but the ride was very enjoyable. That is, after-all, the nature of the comedy genre. How often do I go see a comedy for its intricate storyline, radical character development or enigmatic themes? Close to never, honestly, and so with that reasoning why not go balls-out? Jonah Hill is a very likable character in the film with an understandable ploy. It lacks the in-your-face violence of director previous film "Pineapple Express", but it is definitely hilarious, no doubt about that. The kids are very well played, and thankfully come out as pretty decent characters. Thankfully nowhere near as annoying as the duo of the "Are We There Yet?" films. It's definitely a coming-of-age film that may not be a classic, but it certainly is worth seeing.
    8Yesh4

    I liked it, don't quite understand why it has been universally panned

    Contrived? Oh yes. Predictable? Very. Outrageously fun with a good heart to the characters? YES

    Before watching it I saw that 99% of critics( and viewers by the looks of it) hated this movie with a passion. They complained it was "predictable" and "unfunny". Well, so what if it was predictable? Most movies are, answer me this how many movies have you seen where you were genuinely surprised at the ending. So naturally, my expectations were lowered. But I thought the acting by the children was really good and Jonah Hill was as funny as usual. Also, it dealt with a prevalent issue in many kids' lives, coming out as gay. It dealt with this in a respectful and not overly-sentimental way.

    Basically this movie is not trying to bag an Oscar and it is not high- art melodrama stuff and it's not even close to being one of my favourite films. So watch it if you like a good,rowdy comedy.
    6marpo

    Get Him To The Greek of babysitting movies.

    Look, to seriously review a movie like this or rate it with stars is ludicrous unless you're comparing it to others of its kind ...in which case I would have given it 10 stars. This is a goofy comedy in which you must suspend disbelief continuously. That is all it was meant to be. It's just a babysitting movie, get it? Like all the rest, only it tries to bring a little freshness to the table ...and in my opinion, it does.

    It showcases Jonah Hill's amazing comedic talents, and we get to see some really good performances by some child actors too. Yes, it's Hill's signature shtick, but look closely and you'll see incredible timing and a guy who is extremely capable of carrying a movie. There are some good jokes written into it, but the film completely relies on the performances, and I doubt anyone associated with it would disagree (well, let's hope they wouldn't).

    In my opinion, most of the comedy works the way it was supposed to, and the few half-way serious moments do too. In terms of its edginess, it seems to up the ante on the simple formula flick that it is. It's safe to say that if it suits your sense of humor and you're willing to go for the ride, you'll have a good time. I wish people would quit over-analyzing movies like this. The bottom line is that the jokes are either your cup of tea or they are not.
    JohnDeSando

    Sit this one out.

    "You done messed with the wrong babysitter."

    As fat boy comedies go, The Sitter is just another caricature-ridden, offensive satire with kids. Noah (Jonah Hill) does much of the politically-incorrect heavy lifting while the kids stick to flatulence, groin punches, and world-weariness to make Noah seem downright naïve.

    Noah is on suspension from college when he is recruited to sit for three eccentric kids; Slater (Max Records), a pubescent, gymnastics-viewing, just emerging gay boy; a kick-butt tween, Blithe (Landry Bender), who finds a few too many hotties, including round Jonah; and a very young, adopted El Salvadoran, Rodrigo (Kevin Hernandez), who has a surly attitude and a penchant for explosives. The evening, to which one must "make love," or so one of their street friends rhapsodizes, has episodes that mostly allow fledgling writers Brian Gatewood and Alessandro Tanakato to indulge their fascination for f bombs and stereotypes that mostly hover around or in street gangs.

    There is little logic to the sequences that involve oral sex, cocaine, and nightclub naughtiness, none of which the children should be exposed to but which the tubby Noah justifies in platitudes about their need to see the world. As in Bad Santa, the irreverence is amusing and probably filmed not in the presence of the kids.

    What saves the film from oblivion is Slater's coming out and Noah's gentle encouragement for Slater to be who he is. It's refreshing to hear the discussion about a young person and to respect his orientation in a film generally without respect for much of anything.

    The gang is rife with caricature and cliché, especially when it eventually decides whether or not to help Jonah out of his difficulty with drug dealer Karl (a leather-clad, gold-chained Sam Rockwell). The language and mannerisms of the gang are egregiously stereotyped. But then so is schlubby Noah, a fat boy hero in a fat boy comedy.
    Red_Identity

    Not worth it

    Why is it that I end up watching The Sitter. Yes people, over films like Girl wit the Dragon Tattoo and Young Adult, which were both playing at the theater we went to. Well, why? Because I was with a girl, and she decided to see The Sitter. Blasphemy!

    The Sitter is just as formulaic as you expect, a guy decided to babysit and problems tart appearing. We've seen this all before, but not quite as horrible as this. The film, from the opening shot, becomes the sort of obnoxious kid you can't shut up who says all the wrong things. The film's dialogue is pretty atrocious, and it thinks its being funny when it really isn't. The film calms down a bit as it goes along, but for a story like this to work, no matter how formulaic, unoriginal, and predictable, you need good dialogue at least. That is the problem. I seriously cringed so many times.

    It's not all horrible, since there are a few laughs here and there, and Jonah Hill tries his best so much. In a way, I can't help but hate him for taking this role, but without Hill it would be even worse. Also, the only real likable character here is Max Slater's, who manages to have some more quiet moments in the film, but even he is completely two- dimensional. Skip this please, and what's even worse is that I could have been able to see Dragon Tattoo or Young Adult. Such shame taste some audiences have, although to be fair the girl I went with didn't like it much either. Hopefully she learns.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      A promotional poster includes the personal phone number of Jonah Hill. It is listed as (917) 409-7838. Hill has set an automatic message or will speak to the caller either in character or as himself.
    • Erros de gravação
      When Marisa wigs out at the kids on the sidewalk after running away after minivan crash her hair is about 4 inches longer and she's about 10lbs heavier. Next scene her hair is back to the shorter bob cut and she's lost the weight.
    • Citações

      Noah Griffith: My name's Noah Jaybird. Ca caaa! What's your name?

      Soul Baby: They call me Soul. Soul Baby.

      Noah Griffith: Soul Baby?

      Soul Baby: Yeah.

      Noah Griffith: Keep it in control baby. Tears, no fears man.

      Soul Baby: Is that right?

      Noah Griffith: Respect it, don't neglect it. Treat it, don't beat it.

      [walks away]

      Soul Baby: You're a badass motherfucker.

    • Versões alternativas
      The unrated version runs almost six minutes longer than the theatrical version. Some scenes are extended and there are numerous instances of profanity directed at and employed by the children in the sitter's charge which are missing from the theatrical version. Three additional cast, not present in the theatrical version, are noted on a screen that appears after the credit scroll: Dreama Walker as Stephanie, Ron Phippen as Guy Having Sex, and Jessica DiGiovanni as Girl Having Sex. A second screen credits two additional songs in the soundtrack.
    • Conexões
      Featured in Ebert Presents: At the Movies: Episode #2.22 (2011)
    • Trilhas sonoras
      I Wanna Sex You Up
      Written by Bryan Abrams, Mark Calderon, Willie Clarke (as Willie James Clarke), Betty Wright (as Bessie Regina Norris), Doctor Freeze, Kevin Thornton and Sam Watters (as Samuel Watters)

      Performed by Color Me Badd (as Color Me Badd.)

      Guest Vocals by Sam Watters

      Courtesy of Sam Watters and Louis Biacaniello/CMB Entertainment

    Principais escolhas

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    Perguntas frequentes

    • How long is The Sitter?Fornecido pela Alexa
    • What are the differences between the Theatrical Version and the Extended Cut?

    Detalhes

    Editar
    • Data de lançamento
      • 9 de dezembro de 2011 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Sitter
    • Locações de filme
      • Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Twentieth Century Fox
      • Michael De Luca Productions
      • Rough House Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 30.441.326
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 9.851.435
      • 11 de dez. de 2011
    • Faturamento bruto mundial
      • US$ 34.942.188
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 21 minutos
    • Mixagem de som
      • Dolby
      • SDDS
      • Datasat
      • Dolby Surround 7.1
    • Proporção
      • 1.85 : 1

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