Em Los Angeles, nos anos 90, um guarda-costas protege uma estrela pop e seu namorado atlético de um perseguidor determinado.Em Los Angeles, nos anos 90, um guarda-costas protege uma estrela pop e seu namorado atlético de um perseguidor determinado.Em Los Angeles, nos anos 90, um guarda-costas protege uma estrela pop e seu namorado atlético de um perseguidor determinado.
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Avaliações em destaque
This film starts out okay, with a great cast, decent acting, and a premise that one feels might be a pretty entertaining black comedy... but the whole thing doesn't really amount to anything.
The writing here feels improvised, like random wacky and edgy ideas are being thrown into a blender to hopefully result in a crazy modern cult favourite.
You can almost hear somebody wetting themselves at jokes that your uncle might tell at a party that no-one laughs at, or like an SNL sketch that never made the cut and was not broadcast.
The confidence in this material to produce and release this film seems as delusional as the title character.
It's probably not as bad to other viewers as it is to me, but sometimes disappointment in something I thought was going to be great feels like I'm being ripped off or something.
The writing here feels improvised, like random wacky and edgy ideas are being thrown into a blender to hopefully result in a crazy modern cult favourite.
You can almost hear somebody wetting themselves at jokes that your uncle might tell at a party that no-one laughs at, or like an SNL sketch that never made the cut and was not broadcast.
The confidence in this material to produce and release this film seems as delusional as the title character.
It's probably not as bad to other viewers as it is to me, but sometimes disappointment in something I thought was going to be great feels like I'm being ripped off or something.
I'm starting to think Jimmy Warden films are not for me. I haven't enjoyed anything I've seen of his to date. His films seem to find an awkward middle ground between serious and humour, and instead of being the best of both worlds, it's the worst of both and just becomes painful to get through.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
Is this the best movie I've ever seen? Obviously not but it's fun. And at least it's not another remake! I don't get why some people are super low balling the rating for this. It's a solid 5/6, not a 2, or the 8s I've seen, but hopefully that counteracts the 2s. It's a fun dark comedy. Definitely silly at times but go with it and allow it to be silly. I thought the cast was good. Though it seems Samara is getting a bit type casted in these roles. Ray Nicholson looks just like his father but hes pretty good at playing crazy. This movie made me laugh and it was a good choice for a rainy weekend afternoon. Not everything has to be a masterpiece, this is original and paced well.
Screenwriter Jimmy Warden takes the lead in directing a film he wrote himself, one that possesses a small charm as this ironic play about obsession and fame unfolds. He takes advantage of a cast that elevates the cast and makes the most of it, even if we encounter some less successful moments than others.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
Samara Weaving is a delight to watch. She's let down by a bad script and direction that is tonally all over the place. Ray Nicholson is campy and over the top, so if that's your thing you're in luck. He's too zany to ever be truly threatening. The characters behave in irrational ways just to make the plot happen. It's quirky and off beat but none of the humor really lands (the funniest bits are Ms. Weavings facial expressions to the craziness around her). The only reason this was set in the '90s is tonget around the ubiquity of cell phones. I'm not sure the movie knows what it's supposed to be and just ends up being a muddled mess. The film was competently shot and does look good.
Você sabia?
- CuriosidadesLoosely based on a stalking case involving Madonna in the 1990s. In 1996, a violent man was convicted and sentenced to ten years for stalking and threatening the life of pop legend Madonna, with the man reportedly telling her bodyguard that he intended to slit her throat if she didn't marry him. That man would later escape the mental hospital but was quickly apprehended again before any further harm was caused.
- Erros de gravaçãoAbout 47 minutes in, before Paul puts a bandage a Sofia, her wound is visibly close to the center of her forehead. After she wakes up, her wound has moved about an inch to her left.
- ConexõesReferences O Silêncio dos Inocentes (1991)
- Trilhas sonorasNo More 'I Love You's'
Written by David Freeman and Joseph Hughes
Performed by Annie Lennox
Courtesy of Sony Music Entertainment (UK) Ltd.
By arrangement with Sony Music Entertainment
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- How long is Borderline?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Borderline
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.847
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.254
- 16 de mar. de 2025
- Faturamento bruto mundial
- US$ 284.704
- Tempo de duração1 hora 34 minutos
- Cor
- Proporção
- 1.66 : 1
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