Em West End de Londres nos anos 1950, os planos para uma versão cinematográfica de uma peça de sucesso são interrompidos abruptamente depois que um membro importante da equipe é assassinado.Em West End de Londres nos anos 1950, os planos para uma versão cinematográfica de uma peça de sucesso são interrompidos abruptamente depois que um membro importante da equipe é assassinado.Em West End de Londres nos anos 1950, os planos para uma versão cinematográfica de uma peça de sucesso são interrompidos abruptamente depois que um membro importante da equipe é assassinado.
- Direção
- Roteirista
- Artistas
- Indicado para 1 prêmio BAFTA
- 4 indicações no total
Avaliações em destaque
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
There is a really good cast with great characters, all bringing different things to the film. Having real life characters add something to the film as well.
I laughed a lot during the film with some of the characters and some of the jokes being very well done.
Its a reminder that there can be a great film made without the need for huge amounts of cgi, huge budgets and massive casts. This is just well written, well portrayed and with brilliant camera work, and just works really well.
A. See How They Run.
I was so looking forward to this that i can't help feeling a tinge of disappointment. Towards the end of See How They Run, i was feeling almost nauseous with the use of split screen. It's every 5 minutes, and i'm not joking.
The movie thinks it's a lot cleverer than it is (telling us how the movie will end, the clever wink winks all the time). Some of the humour is great, mostly involving Saoirse Ronan who shows she's gifted in physical comedy and slapstick as well as everything else she puts her mind too.
The movie, for a whodunit, fails to fill the story with credible suspects and towards the end i had mostly lost interest in who the murderer was even going to be. Adrien Brody is great for the amount of screen time he receives but whenever he, Sam Rockwell or Saoirse aren't on screen, the movie drags.
Tom George's direction isn't the best and it makes me wonder what the film could look like if in better hands. Outside of the split screen issues, quick cuts are another constant but just makes me think of better directors and the lifting Tom George is taking from superior movies.
I went in to this hoping for another Knives Out but sadly this is nowhere near it.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.
If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)
Você sabia?
- CuriosidadesRichard "Dickie" Attenborough greets the detectives as "Darling." This was a real-life quirk of Attenborough's which he admitted he would often use if he forgot someone's name.
- Erros de gravaçãoAt the end, Inspector Stoppard is awarded the King's Medal for police etc. This movie is set in 1953; while Queen Elizabeth ascended to the throne in February 1952, the name of the King's Medals were not changed to Queen's Medals until May 1954, so it is accurate that the award Stoppard received would be called "King's."
- Citações
Max Mallowan: Better make that eight for dinner, Fellowes, and let Agatha know.
Fellowes: Yes, sir.
Max Mallowan: And get a shovel to clear the path.
Fellowes: Yes, sir.
Max Mallowan: And do we have enough coal?
Fellowes: Yes, sir. Three bags full, sir.
- ConexõesFeatured in 2023 EE BAFTA Film Awards (2023)
- Trilhas sonorasPrendi, Prendi, Per me sei libero
From the opera "L'Elisir d'Amore"
Written by Gaetano Donizetti
Performed by Magyar Állami Operaház Énekkara és Zenekara (as Hungarian State Opera Chorus and Orchestra)
Conducted by Pier Giorgio Morandi
Courtesy of Naxos
By arrangement with Source/Q
Principais escolhas
- How long is See How They Run?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Mira cómo corren
- Locações de filme
- Freemasons' Hall, 60 Great Queen Street, Covent Garden, Westminster, Greater London, Inglaterra, Reino Unido(The Ambassadors Theatre, bar)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.586.237
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.007.657
- 18 de set. de 2022
- Faturamento bruto mundial
- US$ 21.966.634
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1