Em 1979, um grupo de jovens cineastas decide fazer um filme adulto na zona rural do Texas, mas quando seus anfitriões idosos e reclusos os pegam em flagrante, a equipe se vê lutando por suas... Ler tudoEm 1979, um grupo de jovens cineastas decide fazer um filme adulto na zona rural do Texas, mas quando seus anfitriões idosos e reclusos os pegam em flagrante, a equipe se vê lutando por suas vidas.Em 1979, um grupo de jovens cineastas decide fazer um filme adulto na zona rural do Texas, mas quando seus anfitriões idosos e reclusos os pegam em flagrante, a equipe se vê lutando por suas vidas.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 vitórias e 43 indicações no total
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Resumo
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Avaliações em destaque
Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.
Not really a jump scare sort of deal and like if you read the little description about the movie it has all the spoilers in it already.
First point, I thought it was really funny when kid Cudi was standing in the door frame and you could only see his shadow
Secondly For a movie about making a porno, there were adequate number boobs shown.
And the prosthetics used to make the main actor look older we're great. In all worth a watch like most things above 5 stars
Little note to IMDB -Not only do I not want to write a 500 word essay I also would not like reading other peoples 500 word essays. Make it like 200 easy.
First point, I thought it was really funny when kid Cudi was standing in the door frame and you could only see his shadow
Secondly For a movie about making a porno, there were adequate number boobs shown.
And the prosthetics used to make the main actor look older we're great. In all worth a watch like most things above 5 stars
Little note to IMDB -Not only do I not want to write a 500 word essay I also would not like reading other peoples 500 word essays. Make it like 200 easy.
A decent slasher, but does not deserve a 96% rating on RT. The kills felt conveniently cheap and honestly everything was underwhelming. I was hoping to to feel paranoid or scared, but didn't feel much of anything. Spent most of the movie hoping it would get better or surprise me a little but we've seen this all before.
Zero expectations or knowledge about this movie when I turned this one on. I knew it was a horror movie and that was it. Watching it, I could feel the love that the creators had for the old age of horror movies, the era of slashers and all the things that Scream once dissected and made light of, an age of horror movie rules where you expect sex to equal death and the final girl to surmount all odds and take on the horrible entity terrorizing them.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
Ti West's movie really should have been called "E" for elevated. It sets itself up as a smart take on the slasher films of the 70s and early 80s. As a bonus, the film within a film has the filmmakers making an 'elevated' porn flick (as a bonus, actor Owen Campbell who plays the "Director" even looks a bit like Director Tobe Hooper).
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Você sabia?
- CuriosidadesThe day after X - A Marca da Morte (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- Erros de gravaçãoThe film set in 1979 makes reference to missing persons ads on milk cartons. However, the first usage of milk cartons for missing persons was not until 1984.
- Cenas durante ou pós-créditosThere are no opening credits. The title doesn't even appear on screen until the end.
- Trilhas sonorasAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
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- How long is X?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.769.469
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.275.126
- 20 de mar. de 2022
- Faturamento bruto mundial
- US$ 14.745.049
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.90 : 1
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What was the official certification given to X - A Marca da Morte (2022) in India?
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