Eesho

I saw this movie rating was dropped below 6 on second day of release , but after 2 days 100s of 10 rating pumped in to make the rating high !!

BGM by Rahul raj and editing by shameer has done some justice. Nadhirsha making is decent that's all.

Main issue is after 15-20 mins when Jayasurya appear, rest of the story is too predictable. Not much suspense left. Jafar and Jayasurya done decent job. The baby actress Akshara was excellent. Others are fine

May be due to covid they could not shoot elaborately. That is quite visible thru out.

If you like Jayasurya Jafar Nadhirsha , you could give it a try!

The oddly-titled Eesho benefits from the solid performances of Jayasurya and Jaffer Idukki, but the storytelling style is a major letdown. The script doesn't carry even a tiny bit of suspense, and the average thriller-viewer should be able to decipher every twist and turn in the plot very easily. Nadirshah harks back to a hot button issue he presented in his first film Amar Akbar Anthony, and this time, chooses to give it a more serious treatment. But Eesho fails as a thriller because its plot beats have absolutely nothing new to offer. Roby Varghese Raj's visuals give the night scenes a very saturated look, making these portions somewhat more interesting (at least to look at!). Rahul Raj's score is strictly average.

If the movie was released is 2018 or earlier then it was perfect as the script feels too old. The plot of the movie is also predictable from the start itself. Acting vice all actors did a good job but the execution of the movie is poor and old school. It is a decent one time watch movie and does not contain much thrill or plot holes and even if there are some they are predictable with no jaw dropping scenes but nothing illogical. Run time of the movie is also not bad as there are no unnecessary waste of time and everything is to the point and keeps us engaged in the movie even though the plot is predictable.

The plot is weak because it seems unreal that justice can be possibly served so smoothly and easily. It seems very wrong shown a woman committing suicide with her kid for no fault of theirs and having a loving caring husband not disclosing anything with him. It's not justified promoting women giving in so easily letting the real culprits carrying on with the crime. The movie in short especially in the end gives a very strong message how news and social media make up stories with out any evidence and people believe it. With just a piece of paper with name & phone number of stranger can his get name involved in a racket by the media. The lead actor looks very good with beard he should keep one and acted well though I watched the hindi dubbed voice which was better than his real voice in malayalam.. Though the plot is weak but the movie was well made to keep you involved entertained not getting bored. It is recommended.

Comedian-singer turned filmmaker Nadirsha had a promising start as a director in Malayalam, delivering back to back superhits in the slapstick comedies "Amar Akbar Antony (2015)" and "Kattappanayile Rithwik Roshan (2016)". The talented auteur has however, hit a bit of a rough patch off late, with "Mera Naam Shaaji (2019)" and more recently, Dileep-starrer "Keshu Ee Veedinte Nadhan (2022)" coming across as dull affairs, panned by critics and fans alike. It is perhaps because of this that he pivoted genres, moving away from his trademark comedies to a broodish, atmospheric thriller in "Eesho" that is alas, watchable only in parts.

National Award-winner "Jayasurya" stars as the eponymous "Eesho" a mysterious truck driver who chances upon a seemingly chance encounter with the night watchman of an ATM, Ramachandran (Jaffer Idukki) after his vehicle breaks down. Ramachandran is coincidentally, the star witness in a scandalous rape case with the main accused being an influential businessman. With his life under constant threat and his key secret testimony set for the next morning, how the duo navigate the trials and tribulations that come their way on this fateful night form the rest of the story.

Sub-par filmmakers mistake subject-oriented films for just being preachy vehicles where they can shamelessly push their ideas and propoganda. While the film's heart is in the right place, talking about child abuse, the way it is presented comes across as inorganic and contrived and the dialogue resorts to mere sermons for long stretches. Jayasurya and Jaffer Idukki are both seasoned performers and excel in their roles, but the writing is unable to match up to their levels in many places.

Eesho's predictable plotline is another major eyesore, with the so-called twist in the final act obvious to the audience from the get-go, not providing any real surprise element or thrills requisite of a well-made thriller. Nadirsha has made a brave attempt in going for a genre he is not well-versed in but is unable to backup his novel idea with immersive writing in an era where Malayalam is churning out superb thriller like "Attention Please (2022)" and "Bhoothakaalam". You can watch "Eesho" for superb performances from Jayasurya and Jaffer Idukki, for there is not much else to savour. The film is now streaming on SonyLIV, in its original Malayalam as well as in Hindi, Tamil, Telugu and Kannada dubs, all with English subtitles.