Um oficial de alfândega dos Estados Unidos descobre um esquema de lavagem de dinheiro envolvendo o narcotraficante colombiano Pablo Escobar.Um oficial de alfândega dos Estados Unidos descobre um esquema de lavagem de dinheiro envolvendo o narcotraficante colombiano Pablo Escobar.Um oficial de alfândega dos Estados Unidos descobre um esquema de lavagem de dinheiro envolvendo o narcotraficante colombiano Pablo Escobar.
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Greetings again from the darkness. The war on drugs has become a bit of a punchline in the real world, but has proved to be fertile ground for filmmaking: Sicario (2015), American Hustle (2013), Traffic (2000). Additionally, the popular Netflix show "Narcos" takes on the same Medellin drug cartel as this latest from director Brad Furman (The Lincoln Lawyer, 2011). The movie is based on the true events of Robert Mazur's book "The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar's Medellin Cartel" (a title that's very descriptive, if a bit long).
Bryan Cranston continues his impressive Hollywood run this time as Robert Mazur, the man who goes undercover to expose the money-laundering system of the cartel. His flamboyant alter-ego is known as Bob Musella, a character that allows Mazur (and Cranston) to show a side not typically seen. His antics get him inside Columbian Drug Lord Escobar's organization in the mid-1980's.
When Mazur realizes the traditional method of chasing the drugs isn't working, he decides the age-old idiom "follow the money" might be a better approach. This takes him inside the world of international money laundering, and he learns that banks and governments are quite dependent on this huge business of drug money movement.
There are specific groups of people here: the government agencies, the small task force, the corrupt (and appreciative) bankers, the various levels within the cartel, and even Mazur's family all these forces intertwine to make life difficult for Mazur and his team, and provide a glimpse into the complexities of undercover work.
In addition to stellar work from Cranston, the cast is terrific. John Leguizamo plays Mazur's motivated partner Abreu; Diane Kruger plays his undercover fiancé; Juliet Aubrey is Mazur's real life wife who doesn't much appreciate his declining the early retirement offer; Olympia Dukakis provides a dash of comedy relief as Mazur's Aunt; Yul Vasquez is the creepy money manager for Escobar; Benjamin Bratt plays Roberto, Escobar's right-hand man and the key to Mazur's case; and Elena Anaya (The Skin I Live In, 2011) is Roberto's wife. Also present are Amy Ryan, Jason Isaacs and the always great Michael Pare.
There are a couple of standout scenes – one involving chicken and voodoo, and another with a briefcase mishap, but my favorite is the Happy Anniversary cake scene in the restaurant where Mazur flashes his alter-ego Musella for his real wife to see and she is understandably stunned.
The movie does a nice job of capturing the look and feel of the era (30 years ago), but it's somehow missing the elevated suspense it portends to drag us and the characters through. Some elements seemed impossible to believe – why would Mazur risk his family's safety? The timeline was a bit muddled. We aren't sure how much time has passed, but there certainly don't seem to be enough interactions before Roberto is telling Mazur he is "like family". It plays a bit like those romance movies where the two leads are head over heels in love after a conversation or two. An element is missing and it affects the level of tension throughout the film. And that's something even a Leonard Cohen song ("Everybody Knows") can't fix.
Bryan Cranston continues his impressive Hollywood run this time as Robert Mazur, the man who goes undercover to expose the money-laundering system of the cartel. His flamboyant alter-ego is known as Bob Musella, a character that allows Mazur (and Cranston) to show a side not typically seen. His antics get him inside Columbian Drug Lord Escobar's organization in the mid-1980's.
When Mazur realizes the traditional method of chasing the drugs isn't working, he decides the age-old idiom "follow the money" might be a better approach. This takes him inside the world of international money laundering, and he learns that banks and governments are quite dependent on this huge business of drug money movement.
There are specific groups of people here: the government agencies, the small task force, the corrupt (and appreciative) bankers, the various levels within the cartel, and even Mazur's family all these forces intertwine to make life difficult for Mazur and his team, and provide a glimpse into the complexities of undercover work.
In addition to stellar work from Cranston, the cast is terrific. John Leguizamo plays Mazur's motivated partner Abreu; Diane Kruger plays his undercover fiancé; Juliet Aubrey is Mazur's real life wife who doesn't much appreciate his declining the early retirement offer; Olympia Dukakis provides a dash of comedy relief as Mazur's Aunt; Yul Vasquez is the creepy money manager for Escobar; Benjamin Bratt plays Roberto, Escobar's right-hand man and the key to Mazur's case; and Elena Anaya (The Skin I Live In, 2011) is Roberto's wife. Also present are Amy Ryan, Jason Isaacs and the always great Michael Pare.
There are a couple of standout scenes – one involving chicken and voodoo, and another with a briefcase mishap, but my favorite is the Happy Anniversary cake scene in the restaurant where Mazur flashes his alter-ego Musella for his real wife to see and she is understandably stunned.
The movie does a nice job of capturing the look and feel of the era (30 years ago), but it's somehow missing the elevated suspense it portends to drag us and the characters through. Some elements seemed impossible to believe – why would Mazur risk his family's safety? The timeline was a bit muddled. We aren't sure how much time has passed, but there certainly don't seem to be enough interactions before Roberto is telling Mazur he is "like family". It plays a bit like those romance movies where the two leads are head over heels in love after a conversation or two. An element is missing and it affects the level of tension throughout the film. And that's something even a Leonard Cohen song ("Everybody Knows") can't fix.
There are many reasons to like The Infiltrator. It takes place in the '80s, it's suspenseful, and it gives us a really gritty inside look at what life is like for a good guy who goes undercover to work with the Colombian drug cartel.
Which is what Bryan Cranston's character does. He's a guy on the verge of retirement and could easily leave to spend time with his wife and kids, but takes this one last job. And it proves to be the toughest one yet as he poses as a money launderer to try and take down Pablo Escobar's entire drug trafficking network.
It takes place in the Reagan-'80s and so there's this whole overt camera filter over the whole film. It's not too distracting, but it's also not terribly necessary. But it's minor.
The whole thing plays out as one giant sting operation. And the filmmakers understand that in a 2 hour movie, you don't need to run through all the details in one quick dialogue-filled scene. However, it would've been nice if they had given us a little more along the way.
It starts unraveling a little over an hour in. There's about a 30 minute stretch where you're looking at the person sitting next to you saying, "What's happening?" There's a lot left unexplained, but I guess there was more concern about the movie not becoming any longer.
The film is long at 127 minutes, but it's never really an issue. We need the time to process what's happening and for Cranston's character to evolve over the course of the film.
It tightens back up in the home stretch, culminating in an emotionally impressive final scene.
The always-under-appreciated John Leguizamo plays Cranston's partner and does a very good and believable job.
There seems to be this slightly neglected theme intermittently placed throughout the film about the American economy collapsing without laundered money. It's an interesting idea and one that should have been touched upon way more.
Twizard Rating: 80
Which is what Bryan Cranston's character does. He's a guy on the verge of retirement and could easily leave to spend time with his wife and kids, but takes this one last job. And it proves to be the toughest one yet as he poses as a money launderer to try and take down Pablo Escobar's entire drug trafficking network.
It takes place in the Reagan-'80s and so there's this whole overt camera filter over the whole film. It's not too distracting, but it's also not terribly necessary. But it's minor.
The whole thing plays out as one giant sting operation. And the filmmakers understand that in a 2 hour movie, you don't need to run through all the details in one quick dialogue-filled scene. However, it would've been nice if they had given us a little more along the way.
It starts unraveling a little over an hour in. There's about a 30 minute stretch where you're looking at the person sitting next to you saying, "What's happening?" There's a lot left unexplained, but I guess there was more concern about the movie not becoming any longer.
The film is long at 127 minutes, but it's never really an issue. We need the time to process what's happening and for Cranston's character to evolve over the course of the film.
It tightens back up in the home stretch, culminating in an emotionally impressive final scene.
The always-under-appreciated John Leguizamo plays Cranston's partner and does a very good and believable job.
There seems to be this slightly neglected theme intermittently placed throughout the film about the American economy collapsing without laundered money. It's an interesting idea and one that should have been touched upon way more.
Twizard Rating: 80
Bryan Cranston is Robert Mazur, the real life undercover man whose work in the 1980s connected the dots on the Sinaloa cartel and the international banks. Cranston is excellent.
The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.
The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.
I watched this last night and it was a very enticing movie, but lacked something that could have turned a very good movie into something to be remembered.
Brian Cranston and John Leguizamo are both great in their lead and supporting roles. The supporting cast all do very well, the story from what l have read is a good enactment from real life into a movie, but somehow this film always pushes you towards wanting something more, something a little more gripping. Whilst l like the pace of the movie, the character development needed more, the backstory was very quickly done and felt far too pushed through. The directors didn't seem to want to develop the underlying tension between Cranston and Ryan or allow the audience to grow with any of the characters, where you feel the pain, anxiety, pressure.
The ending like so many films in Hollywood these days is rushed and feels like an anti-climax. It's not often l say this but the film could have used another 20 minutes or so to add other dimensions that would likely have left you feeling slightly more fulfilled. 7/10
Brian Cranston and John Leguizamo are both great in their lead and supporting roles. The supporting cast all do very well, the story from what l have read is a good enactment from real life into a movie, but somehow this film always pushes you towards wanting something more, something a little more gripping. Whilst l like the pace of the movie, the character development needed more, the backstory was very quickly done and felt far too pushed through. The directors didn't seem to want to develop the underlying tension between Cranston and Ryan or allow the audience to grow with any of the characters, where you feel the pain, anxiety, pressure.
The ending like so many films in Hollywood these days is rushed and feels like an anti-climax. It's not often l say this but the film could have used another 20 minutes or so to add other dimensions that would likely have left you feeling slightly more fulfilled. 7/10
I heard grumblings from two guys who were leaving the theater behind me after seeing THE INFILTRATOR that this movie did not have nearly enough action/bloodshed for them. I think they were expecting another SCARFACE or GOODFELLAS. That is not what this movie is. This movie is a character study of a man who goes undercover with the Pablo Escobar drug cartel and develops relationships/friendships with these bad guys in order to bring them down. The real conflict in this film is not the action, but rather, the RE-ACTION of "the infiltrator" - will he remember that he is just playing a role to bring down the bad guys, or will he lose himself in the role and the relationships and become a bad guy himself?
If you are looking for an action movie, this movie will be a little too slow for you. If you are looking for good acting and a strong character study, then this is a very enjoyable film.
Much of that enjoyment hinges on the performance of Bryan Cranston as Robert Mazur, "The Infiltrator". We follow him as he dives deep into this criminal organization. Cranston is in about 90% of the scenes of this movie, so his performance better be strong or this will be one long movie, indeed. Fortunately for us, his performance is better than strong. He continues his string of fascinating/watchable performances and he more than anchors this film and makes it worth watching.
Ably assisting him is a strong supporting cast - Amy Ryan (as his boss), Jason Issaacs (somewhat wasted as the District Attorney), Benjamin Bratt (as one of the main bad guys), Olympia Dukakis (in a fun turn as his aunt) and Diane Kruger (defying age as another agent posing as his fiancé - when I first saw her I thought "that's a young Diane Kruger" until I realized it WAS Diane Kruger!). Finally, John Leguizamo as Mazur's partner, Emir Abreu is TERRIFIC. The best performance I've seen from him in quite some time. If this movie was a little better and a little later in the season, I'd be touting him for an Academy Award nomination.
If you want blood, guts and action, wait for the Jason Bourne film. If you want an interesting, gripping film that is well acted check out the Infiltrator - you'll be glad you did!
7 (out of 10 stars) and you can take that to the Bank (of Marquis)
If you are looking for an action movie, this movie will be a little too slow for you. If you are looking for good acting and a strong character study, then this is a very enjoyable film.
Much of that enjoyment hinges on the performance of Bryan Cranston as Robert Mazur, "The Infiltrator". We follow him as he dives deep into this criminal organization. Cranston is in about 90% of the scenes of this movie, so his performance better be strong or this will be one long movie, indeed. Fortunately for us, his performance is better than strong. He continues his string of fascinating/watchable performances and he more than anchors this film and makes it worth watching.
Ably assisting him is a strong supporting cast - Amy Ryan (as his boss), Jason Issaacs (somewhat wasted as the District Attorney), Benjamin Bratt (as one of the main bad guys), Olympia Dukakis (in a fun turn as his aunt) and Diane Kruger (defying age as another agent posing as his fiancé - when I first saw her I thought "that's a young Diane Kruger" until I realized it WAS Diane Kruger!). Finally, John Leguizamo as Mazur's partner, Emir Abreu is TERRIFIC. The best performance I've seen from him in quite some time. If this movie was a little better and a little later in the season, I'd be touting him for an Academy Award nomination.
If you want blood, guts and action, wait for the Jason Bourne film. If you want an interesting, gripping film that is well acted check out the Infiltrator - you'll be glad you did!
7 (out of 10 stars) and you can take that to the Bank (of Marquis)
Você sabia?
- CuriosidadesRemarkably cool-headed during most of the undercover mission, Evelyn Mazur, the wife of Robert Mazur, admitted she did encounter one sticking point when it came to her husband's alternate identity. "The most challenging part of the whole case, to be honest, was the idea of Bob having a fiancé and planning a wedding. For me, that was like time-out." Robert Mazur recalled: "Ev ultimately came to the decision that it would be better for me just to go and stay in deep cover. I could come home when I finished the job and at that point we'd determine whether or not we still had a life together." Mr. and Mrs. Mazur survived the rigors of Operation C-Chase and three decades later remain a happily married couple.
- Erros de gravaçãoBarry Seal was assassinated by Cartel assassins in Baton Rouge in 1986. At the time he was a DEA informant and was never part of Operation C-Chase which was a US Customs operation run out of Tampa.
- Citações
Robert Mazur: Roberto, I am glad you are here. But there is a part of me that wishes you hadn't taken that risk.
Roberto Alcaino: Without family or friends what kinda world it is be. There will be no reason to be alive. Hmm? It's a good day.
- Cenas durante ou pós-créditosAt the end of the film, there are summaries of subsequent events, as well as that of various principals' fates, alongside photos of both the actors portraying them and the real people. This is followed by the credits proper, accompanied by evidentiary photos.
- Trilhas sonorasTom Sawyer
Written by Alex Lifeson, Geddy Lee, Neil Peart & Pye Dubois
Performed by Rush
Courtesy of Anthem Records/Ole & Island Def Jam Music Group
Under license from Universal Music Operations Ltd, Anthem Records/Ole & Ole Core Music Publishing
(c) 1981 Ole Core Music Publishing (SESAC/SOCAN)
All rights reserved, used by permission
Administered by Ole
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- How long is The Infiltrator?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Operación escobar
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 15.436.808
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.303.775
- 17 de jul. de 2016
- Faturamento bruto mundial
- US$ 21.011.110
- Tempo de duração
- 2 h 7 min(127 min)
- Cor
- Proporção
- 2.39 : 1
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