Em uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma gangue que vende a droga que altera a realida... Ler tudoEm uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma gangue que vende a droga que altera a realidade.Em uma cidade violenta e futurista, onde a polícia tem autoridade para atuar como juiz, um policial se junta a um aprendiz para terminar com uma gangue que vende a droga que altera a realidade.
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Avaliações em destaque
This definitely isn't one of those movies with a lot of character development, but its not your typical action flick either. This is a beautiful work of art with a lot of stylized violence, desolate alleys with shady characters and ill intentions. The grungy neon lights of a dystopian future, the scarlet blood and glimmering glass, the hauntingly beautiful slow motion, what makes this movie great is definitely the visual aspects.
Dredd himself is very one dimensional, forcedly so. Stern, analytical, gruff, his toughness masking a side of him the audience never actually gets to see. His character is described perfectly in the first few minutes by his new psychic apprentice, which is the last look you get inside of his head before its slammed shut. He is a man who takes his duty seriously to the point that it consumes him, defines him.
Ma-ma is sadistically brilliant. Her mob-style domination of peach tree creates a claustrophobic apprehension for a threat far too big to take on in a box far too small to escape. The terror by which she controls the people is believable and vicious. Whats lost in character development is regained by the subtle twisted moments and reactions to the threats imposed on each of the characters.
The psychic scenes were perhaps the most well done and paints a very nice psychological battle between the judge in training and her prisoner. I would've actually enjoyed more of these as they were very surreal and artistic. Its also cool to see the way she breaks him down even after he thinks he has the upper hand.
Slow mo, the drug this movie centers around, makes for some very awesome fight scenes on par with Sherlock Holmes 2: a Game of Shadows and the Matrix. The visual effects were very well executed and i myself being a visual effects artist, have only one complaint. At some points the blood was a bit oversaturated and toonish, which was likely in attempt to match the comic but draws away from a few scenes.
Dredd himself is very one dimensional, forcedly so. Stern, analytical, gruff, his toughness masking a side of him the audience never actually gets to see. His character is described perfectly in the first few minutes by his new psychic apprentice, which is the last look you get inside of his head before its slammed shut. He is a man who takes his duty seriously to the point that it consumes him, defines him.
Ma-ma is sadistically brilliant. Her mob-style domination of peach tree creates a claustrophobic apprehension for a threat far too big to take on in a box far too small to escape. The terror by which she controls the people is believable and vicious. Whats lost in character development is regained by the subtle twisted moments and reactions to the threats imposed on each of the characters.
The psychic scenes were perhaps the most well done and paints a very nice psychological battle between the judge in training and her prisoner. I would've actually enjoyed more of these as they were very surreal and artistic. Its also cool to see the way she breaks him down even after he thinks he has the upper hand.
Slow mo, the drug this movie centers around, makes for some very awesome fight scenes on par with Sherlock Holmes 2: a Game of Shadows and the Matrix. The visual effects were very well executed and i myself being a visual effects artist, have only one complaint. At some points the blood was a bit oversaturated and toonish, which was likely in attempt to match the comic but draws away from a few scenes.
I've been a Dredd fan for thirty years now, but I'm not about to give this movie adaptation of my favourite comic character a ridiculously high rating purely from some misguided sense of loyalty. Instead, I'm going to give it a deservingly high score because, quite simply, it is a very good film, one that successfully captures the essence of the 2000AD strip, delivering brutal action by the bucket-load, excellent central performances, and inspired direction, all enhanced by breathtaking state-of-the-art 3D special effects.
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
In a dystopian future, the world is devastated. Judge Dredd (Karl Urban) is the last word in Law & Order within Mega-City One. Judge Cassandra Anderson (Olivia Thirlby) is his junior partner. They are battling drug lord Ma-Ma (Lena Headey) who is operating out of a massive apartment block.
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
Dredd is a simple action film with a simple premise that suffers from the legacy of a horrid 1995 Hollywood film adaptation to a British cult comic (2000 AD). It's a shame a sequel never saw the light of day, since Karl Urban was superb in his portrayal of Judge Dredd.
I have no familiarity with the source material, but I can safely say that as an action flick, Dredd delivers. It has a simple premise, simple characters and some solid action. And sometimes that's all you need.
Performances are fine across the board, Karl Urban does a good job as the titular character, giving the character a good level of ruthless efficiency combined with slight hints of human decency. Olivia Thirlby as Anderson also does a good job. Both characters are simple with not much to speak of when it comes to development and while that does mean the action is the sole focus, I prefer action films to have some semblance of character arcs. The antagonist is serviceable, Lena Headey does a decent job.
As for the action, its pretty good. They did not hesitate to push the violence to extreme levels. The sequences are creative, gory and satisfying. There are some instances of CG looking a tad fake, but that can be excused due to some characters' perspectives being affected by a drug.
This film also does a decent amount of worldbuilding. It gives you just enough information to understand the premise and the system. This film definitely feels like it needed a bigger budget sequel but alas, we have none. Despite the plot being simple, there are definitely aspects that I wish were more developed and definitely odd moments of contrivance and convenience.
Overall, Dredd is a solid 90 minute thrill ride and a great way to just switch off and enjoy the violent spectacle, which the film succeeds at. Those wanting more substance may be left hanging, but those in for a fun time should definitely give this film a shot.
Performances are fine across the board, Karl Urban does a good job as the titular character, giving the character a good level of ruthless efficiency combined with slight hints of human decency. Olivia Thirlby as Anderson also does a good job. Both characters are simple with not much to speak of when it comes to development and while that does mean the action is the sole focus, I prefer action films to have some semblance of character arcs. The antagonist is serviceable, Lena Headey does a decent job.
As for the action, its pretty good. They did not hesitate to push the violence to extreme levels. The sequences are creative, gory and satisfying. There are some instances of CG looking a tad fake, but that can be excused due to some characters' perspectives being affected by a drug.
This film also does a decent amount of worldbuilding. It gives you just enough information to understand the premise and the system. This film definitely feels like it needed a bigger budget sequel but alas, we have none. Despite the plot being simple, there are definitely aspects that I wish were more developed and definitely odd moments of contrivance and convenience.
Overall, Dredd is a solid 90 minute thrill ride and a great way to just switch off and enjoy the violent spectacle, which the film succeeds at. Those wanting more substance may be left hanging, but those in for a fun time should definitely give this film a shot.
Você sabia?
- CuriosidadesKarl Urban insisted on riding the Lawmaster motorcycle himself.
- Erros de gravaçãoWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Citações
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConexõesEdited into 5 Second Movies: Dredd 3D (2014)
- Trilhas sonorasJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dredd: O Juiz do Apocalipse
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.414.714
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.278.491
- 23 de set. de 2012
- Faturamento bruto mundial
- US$ 41.037.742
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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