Adicionar um enredo no seu idiomaSet in the multi-racial suburbs of Sydney, Lebanese-Australian John is released from goal to find his younger brother Charlie caught in the very same world of crime that put him behind bars.Set in the multi-racial suburbs of Sydney, Lebanese-Australian John is released from goal to find his younger brother Charlie caught in the very same world of crime that put him behind bars.Set in the multi-racial suburbs of Sydney, Lebanese-Australian John is released from goal to find his younger brother Charlie caught in the very same world of crime that put him behind bars.
- Direção
- Roteirista
- Artistas
Vaughn White
- Scott
- (as Vaughan White)
Rahel Romahn
- Mo
- (as a different name)
Avaliações em destaque
The name says it all. A lesson in life & also the ups & downs of being in a hate group. I mean this movie is a good example of showing that nothing good comes from being racist & thinking your better than everyone else. I personally thought that the acting was excellent & its a true blue Aussie made movie. Racism & hatred will never stop because lets face it cause we're not living in a cartoon. Some people might say that this movie influences Lebanese gangs & makes them proud, but i believe that there's always the other side to a story & this being that treat everyone equally. My rating for this is 8.5 / 10. Should win some awards.
As someone who grew up in the suburbs of Sydney, this film rang true to me. I witnessed my share of bullying back in the day and gang warfare in schools. The depiction of these young men was reasonably accurate, albeit a bit over-done and overacted buy some novice actors.
For its time I think this film was pretty novel. The harsh realities play out when youths make terrible choices in fits of rage, fueled by greed and lack of education. The tragedy of the film is palpable till the end, even despite the script waning at times. I feel local and international viewers will enjoy this classic. 7/10.
For its time I think this film was pretty novel. The harsh realities play out when youths make terrible choices in fits of rage, fueled by greed and lack of education. The tragedy of the film is palpable till the end, even despite the script waning at times. I feel local and international viewers will enjoy this classic. 7/10.
I urge you to see THE COMBINATION on a big screen in a good cinema with great sound! That is how i saw it last night and I was astonished at almost every part of this very slick crime thriller set in the teen world of Arab/Lebanese Western Sydney. Directed by Aussie actor David Field and with a stellar performance by Firass Dirani THE COMBINATION is right on target to identify a serious racial topic alive and festering in Australia: the idiotic crime aspirations of teen gangsters who learn from irresponsible 'gangsta' movies and music and then act them out in real life thus assigning themselves and their families to funerals and social distress. What a sharp movie! Made on a low budget and with it's social target well in sight, THE COMBINATION identifies the numerous factors in this suburban crime scene, from alienation by racial prejudice, fighting for no reason other than to be seen to be 'tough', the vicious stupidity of street fights, the catastrophe of the legacy of TuPac Shakur and the American gangsta image, and just plain teen anger amped into crime by media imagery. Finally a film that really identifies the root cause of teen boys killing each other in the suburbs... and the effect it has on their mothers, brothers, and friends. THE COMBINATION is seriously good cinema and George Basha whose book and lead role along with David Fields' direction makes this and Aussie/Lebanese film of major standout importance.
THE COMBINATION is the first Australian film to be shown in it's country of origin this year and it's already become a news story - not for it's quality but because there have been incidents between what we are told are Lebanese gang members and theatre staff.
It would be nice if the film were to prove something substantial. What it is however is a passable gang warfare subject, made without undue sensationalism (it is particularly timid with sex) and preaching anti violence. The inclusion of recent race riot TV actuality tells us they want to be taken seriously.
The film takes a predictable multicultural line with old Australia dismissed as football, beer and meat pies, as against the leather lounges and sumptuous Arab meals with music to which hard man writer-star Basha introduces so blonde object of his affections Bowen, who comes from a family where scotch on the rocks seems to be the main food item. The Lebanese gang has one Asian kid, though he does back off when it's time to face off with the so mean (white) drug pushers. Basha gets a job in a gym run by stand up aborigines. The white kids spit and mug solitary members of the other gang.
The dynamic of school yard gangs is better, though we can't but wonder when the kids get to do any study, even though younger brother Dirani does once make it as far as the library.
One note performances are strong and the Western Sydney setting is effective and still unfamiliar. Particularly choice are the pusher's neighbors urging Basha to blow the low life away in the film's most inventive scene.
It would be nice to say this independently financed item was a break away from the blandness of funded filming here. However it is formula and lacks the dynamism of US films that covered this area - the work of Phil Karlson or young Scorsese and particularly American HISTORY X which appears to have inspired plot elements.
Those involved attack with a determination that it would be nice to see rewarded with worthwhile careers but they have the dis-spiriting history of Astralian production against them.
It would be nice if the film were to prove something substantial. What it is however is a passable gang warfare subject, made without undue sensationalism (it is particularly timid with sex) and preaching anti violence. The inclusion of recent race riot TV actuality tells us they want to be taken seriously.
The film takes a predictable multicultural line with old Australia dismissed as football, beer and meat pies, as against the leather lounges and sumptuous Arab meals with music to which hard man writer-star Basha introduces so blonde object of his affections Bowen, who comes from a family where scotch on the rocks seems to be the main food item. The Lebanese gang has one Asian kid, though he does back off when it's time to face off with the so mean (white) drug pushers. Basha gets a job in a gym run by stand up aborigines. The white kids spit and mug solitary members of the other gang.
The dynamic of school yard gangs is better, though we can't but wonder when the kids get to do any study, even though younger brother Dirani does once make it as far as the library.
One note performances are strong and the Western Sydney setting is effective and still unfamiliar. Particularly choice are the pusher's neighbors urging Basha to blow the low life away in the film's most inventive scene.
It would be nice to say this independently financed item was a break away from the blandness of funded filming here. However it is formula and lacks the dynamism of US films that covered this area - the work of Phil Karlson or young Scorsese and particularly American HISTORY X which appears to have inspired plot elements.
Those involved attack with a determination that it would be nice to see rewarded with worthwhile careers but they have the dis-spiriting history of Astralian production against them.
It's basically a re-used plot, featuring more detestable characters lacking any serious depth or development. They perpetrate some very negative stereotypes of cultures in Australia, and glorify violence and bad hairstyles. If Harry tells you otherwise, don't believe him. He is not a level-headed movie critic, and frankly represents the negative attributes displayed by the main protagonist.
The dichotomy of cultures portrayed in the movie is a farcical hyperbole of abuse and violence under the false veil of honour and 'street justice', when in reality it is all about greed and insecurity. The only redeeming element in the film is the accurate portrayal of the fashion sense adopted by the criminal counter-cultures, namely the terrible haircuts and sportswear.
The dichotomy of cultures portrayed in the movie is a farcical hyperbole of abuse and violence under the false veil of honour and 'street justice', when in reality it is all about greed and insecurity. The only redeeming element in the film is the accurate portrayal of the fashion sense adopted by the criminal counter-cultures, namely the terrible haircuts and sportswear.
Você sabia?
- Curiosidades2 Young blokes were buying a car, when they seen a poster featuring the car seller ( Australian screen legend David Field), they told him of their mate who's an actor and wrote a script (George Basha) and he rang him that's how the film got made and 2 best mates came to be.
- Erros de gravaçãoJohn drives to Ibo's house to deal with him, and ends up WALKING back home without his car for no apparent reason.
- ConexõesFollowed by The Combination: Redemption (2019)
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- How long is The Combination?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 3.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 552.981
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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