O Clube da Meia-Noite

Starting with the positives. The main actors, although young, are very good. The dialogue remains mainly intelligent. And as the story takes place in the 90s, there are good moments of nostalgia, especially with the use of music among other easter eggs. Like all of Flanaghan's shows, the horror is in the subtext rather than the focus of the story itself.

A group of terminally ill young people, who are guests in a place where they can be themselves while they wait to die, gather at night to tell horror stories. And while the idea is good, the execution loses some coherence as the season progresses.

Midnight Club tries to do many things at once, it's a drama about terminal teenagers dealing with death in a seemingly haunted place and it's also an anthology series with stories ranging from horror to science fiction. And until the last 3 episodes, it's easy for the viewer to get lost in this amalgamation of themes. Unlike Midnight Mass, this series lacks a clear narrative thread. And the experience can be "challenging" at times.

Overall, I would say I liked the series, but I didn't love it. And I have no doubt that many other people will love this series because it has much to enjoy. But personally, I found some episodes a difficult task to overcome. The positive aspects outweigh the negatives. But this isn't my favorite Flanaghan series by far.

I give it 7 stars out of 10.

I watched all ten episodes of The Midnight Club. What kept me watching? The creative writing. Decent acting. Fantastic atmosphere. Finally, I loved the choice of music.

What I had issues with, I was a Hospice nurse for all ages, and none of my residence looked so...healthy. They were not up all hours of the night, roaming around and climbing stairs. By the time anyone enters Hospice care - it is palliative care. Even my youngest of patients never exhibited the level of energy like the movie. It made it difficult to see them as dying.

The stories within the story were well-written, but took away from the shows main objective. As for the main objective, it can be interpreted in several ways, but I'm unsure what the creators were tying to convey.

I think too many things suffered a high level of ambiguity, and left me feeling like it needed a finish line.

I have enjoyed most of Flannagan's work with the Midnight Mass likely being his best offering to date. After watching this show, my opinion hasn't changed. While far from perfect, Flannagan's work genreally posses a fair bit of creativity when it comes to defining ghosts and horrors. His biggest weakness seems to be able to definitely conclude the stories that often borders onto theatrical levels of expositions. Still, in most cases the main story is concluded to a satisfying degree regardless of the expositions. Things have gotten better overtime and I was interested to see if he finally figured out how to make a final conclusion to a tale without the theatrics.

Unfortunately, The Midnnight Club is likely the weakest offering and lest conclusive the shows to date. With an interesting premise dealing with terminally ill patients dealing with death, this show works somewhat like an Anthology with short stories building up to a greater encapsulating mystery. Unfortunately, in this case, the show rarely rises to any sort of occasion and we are instead left with mind-numbingly amateurish short stories for ten episodes with just bookending of a greater horror that never convalescences into anything meaningful. I suppose it makes sense in context that the stories are told by normal teenagers and not established authors and I guess the dissatisfaction emulates the disappointment of a life barely lived.

Subverting expectations can be tricky and the replacement has to even more interesting or about the same. Failing that you are bound to alienate your staple fans and possible newcomers. This is a gross misstep in an otherwise a pretty positive track for Flannagan. I suppose the warning signs were there when Netflix suddenly put more focus on the advertising and the first story is a riff on jump scares. I suppose Anya claiming herself to be a tougher audience was just bravado and nothing more.

I will wait and see what the reviews are for the house of the Usher as I am not interested in wasting my time on halfbaked originals.

I loved the setup! It's the right amount of grim (and not too over the top horror set ups that we generally see). I also loved the concept of midnight club - stories within the story.

I was hooked to the series for the first 2-3 episodes. Post that it just becomes confusing.

Here are my problems:

• The midnight club stories don't relate to the overall plot. Yeah, they have tried to include symbolism in it via connecting with the lives of main characters but it doesn't come off that well.

• The horror post 4-5 episodes just diminishes and the stories around love and friendship takes over (which is fine but this is supposed to be a good horror series so please!)

• Some characters are very irritating including the main one. You stop liking her as the episodes progress.

• The ending is blah!

If you aren't familiar with Christopher Pike books, this won't be a hit for you. It's unfortunate that they tried to make it a teen horror, as Pike's books aren't scary. I'm not upset with the changes to The Midnight Club book, as there is no way they could have made a series from that. Again nothing scary. It was a book about dying teens who told each other stories at midnight. There was no over arching mystery involved. So the parts about the symbol and the patient who was cured are all new for this series.

What I do like about this is that there have been no good film adaptations of Pike's books. At least here were get snippets in the short stories the characters tell.

If you are looking for something more along the lines of Hill House or Midnight Mass, this isn't it. This is more like a more mature version of Are You Afraid of the Dark. For me, that's not a bad thing.