Além da Floresta de Sherwood

Had a conversation with friends the other day where we discussed the worst film we had ever seen. I found it difficult to answer. Having seen this in the meantime the answer is obvious (to me at least). This is truly one of the worst films I have ever seen. Whoever threw money at this tripe really should know better

Acting is horrible, director sesms to not care, no effort at consistency. The script isn't good, full of stereotypical lines but any chance of it coming across better is ruined by the acting and directing. The special effects are horrible

Avoid at all costs. Its time of your life you will never get back.

The SyFy channel go all-out with fantasy nonsense for this virtually unwatchable Robin Hood epic. Like those dodgy Asylum films that came out a few years ago that had Sherlock Holmes fighting octopi and the like, BEYOND SHERWOOD FOREST takes a very loose grasp of the original legend and turns it into something completely unfamiliar - and, unfortunately, very bad indeed.

You know the film's off to a bad start when we're subjected to silly portals in the woods and a lame CGI dragon that looks like it's come from a computer game, but that's just the beginning of the problems. The worst thing about the film by far is the acting; the likes of Robin Dunne (as Robin Hood) and Erica Durance (Maid Marian) are astonishingly poor and some of the supporting cast were even worse. The worst thing about the acting? Those accents, which grated on my ear throughout. It doesn't help that the dialogue is reduced to the level of "Prithee, fair maiden" type nonsense.

The film muddles along, throwing in some half-hearted romance and plenty of scenes that copy the likes of ROBIN HOOD: PRINCE OF THIEVES, with Julian Sands delivering another hammy turn as the villain of the piece. Then, thankfully, it's over, and I couldn't be happier because the only thing truly monstrous about this production is that horrible CGI.

I don't have any new Simon Cowell to add, so I'll only go into depth about what was good about this film: not a whole heck of a lot, but it was batting 1.000 when the guy came up with the idea. (I'm really interested in this genre since Origin Systems stopped producing Ultima) That idea was that a young woman who comes from another world (a murky one at that!) is somehow cursed for breaking a law and spends part of her day as a winged monster. A cynical government-actor captures her to use her as a weapon. This story is woven into a Robin Hood one. (How that last part works, I don't know, but I guess someone else does.) Unfortunately, the movie kept putting me to sleep (figuratively) so I missed some of the finer points of the plot.

The acting and English accents have a serious credibility problem, the dialogue isn't exactly chancy, and sometimes the seams show on the CGI. I don't think the plot was executed in a very good way either. There was a romantic dimension, but that looked like they remembered to throw it in at the last minute.

There are a couple of things that I can respect a movie like this for: one is that it didn't have a lot of silly modern slang (the worst was a single "a little help"). Also, while Katharine Isabelle does show a lot of skin, there is no bona fide nudity (possibly because Isabelle refuses to do any). A movie like this should be going for such cheap thrills, but it doesn't. Good for it!

I wish it was Steven Spielberg who'd gotten ahold of this idea. I think it would have made a fine story, but instead what we have is typical Canadian B.

There are four reasons to watching this film-- the CGI were-dragon, Katherine Isabelle as Alina the were-dragon, the CGI wolf-lions, and Erica Durance as Marian. The were-dragon sequences are incredibly well done and very realistic. The creature's design is distinctive, with a body like a winged puma. The transformations are very well done, limited only by Katherine Isabelle's refusal to do more than bare her shoulders or back for scenes where she should be nude. The animators get around this fairly well although it is obviously the nude Alina at the beginning of the transformation is a Poserette. Katherine Isabelle, who played the title character from the GINGER SNAPS series, is great at playing troubled, distressed, terminally sad characters. She's right up her alley here. She really does steal the film with her portrayal of the tragic Alina. Okay, her refusal to do nude scenes did limit the filmmakers somewhat. In scenes where she is ostensibly nude and vulnerable, Miss Isabelle is only shown from the shoulders up. The filmmakers couldn't afford to pay for her usual body double? The lion-like wolves in "Beyond" section of Sherwood Forest are quite believable as well. They are a nicely executed hybrid of natural wolf and magical hell-beast. Their interaction with their would-be human victims is spot-on. Erica Durance..... anything from her post-Smallville debut is worth watching just for a chance to watch her. She gets a few action scenes in, either practicing on a helpless dummy or fighting the were-dragon Alina. And she looks great in a medieval pantsuit.

Bad points? Robin Dunne, Robin Dunne, and Robin Dunne. He was at best phoning in his performance. Apparently no one taught him how to believably fire an arrow. The few times you see him fire an arrow, it is obvious the arrow only flew a dozen feet before dropping to the floor.

All in all, there was no reason to call this "Robin Hood" aside from the chance to skip over explaining who these various characters were. Friar Tuck for example shows up, talks to Robin and Marian a little, then gets killed. By calling him "Friar Tuck" the filmmakers spared themselves the five minutes or so of screen time they'd've needed to set him up as an original character.

the only question is why Julian Sands accept this role ? because it is only a poor film, with not inspired script, director or actors, using for transform a classic story old clichés and bad solutions. unconvincing, almost fake, a story about nothing, it is not a real surprise. only , maybe, waste of time. but that could not be a sin. the theme, the mixture of revenge, love story, fantastic in chaotic proportions is not a surprise. but it represents a good occasion to discover new forms of it. so, no Sherwood, no Robin Hood or Marian. only a kind of fairy tale who has not sense, humor or nice details. the choice of lead actors was not the best, the fight scenes are sketches, the technology is far to be decent. but, that is not a sin. except the high expectation.