Paper Heart

I give the creators props, it's creative and this is a kinda movie that hasn't been done before (to my knowledge) it could pass as a very real documentary. But it's not. And I find myself wondering why this was made. I think it works, it's rather entertaining and has some funny interviews from folks (not sure if they're real or not but I'm assuming most of them are). But what's all it for? I dunno maybe I'm missing the point. If it wasn't for Michael Cera this movie would be a 3 or 4. Instead its a 5.5

"Paper Heart" falls in line with the "Bruno/Borat" style of film-making, where viewers will probably be asking themselves, "How much of this is real and how much is staged?" Maybe in this case it isn't staged at all. I personally don't know, but I have to say "Paper Heart" feels very real, which is an obvious difference to those two Sacha Baron Cohen movies.

The plot has a documentary crew following around Charlyne Yi who's looking to understand the concept of love, by traveling around America and interviewing people. Charlyne is an offbeat young woman who doesn't believe in true love, herself. She could easily be a geeky friend of Summer from "(500) Days of Summer", another recent Sundance romcom. Charlyne meets Michael Cera at a house party, who acts just like the characters he played in "Juno" and "Nick and Norah's Infinite Playlist". Charlyne and Michael soon become a couple, although Charlyne not surprisingly retains her status of true love.

While on the road, she meets couples who share their feelings of love and give stories on how they met. Some of these stories are re-enacted in a very whimsical fashion, by using cardboard, cotton, marker, etc. If you saw "The Science of Sleep", they're similar to those fantasy scenes, except those probably were more time consuming to make compared to "Paper Heart". While these scenes are still cute and funny, they are a bit predictable and, yes, pretentious. But hey, I can give credit to the filmmakers for trying to be creative. In fact, the final scene in the movie is the best, because it parodies those scenes in an awesomely over-the-top fashion.

The movie itself is charming and often funny, but it does wear out its welcome after awhile. I felt like there were scenes that could be cut shorter or didn't really have to be included, like the interview with kids at a playground about love. It seems like it was done just for fun or for timing. It does have one good line where a girl says she's in love with Chris Brown (or someone named Brown) and says to Charlyne, "At least I admit it."

"Paper Heart" doesn't have any real direction, but neither does life. Are Charlyne and Michael made for each other? What if their relationship doesn't last? It's something the filmmakers just have to work with. From what I got, there's no defining message about what love is, other than it's to each his own.

How do you define love? Is it something that's short lived and passionate, or a long drawn commitment? Is it that fleeting and can disappear on a whim, or something that you know for sure is permanent, consistent and wouldn't change? For those who have been through a phase of having loved and being loved before, you're likely to have developed your own philosophy - cynical, sentimental or pragmatic. For someone like Charlyne Yi who has never been in a romantic relationship before, the subject of love, and the dramatized account of her budding romance with Michael Cera, become the parallel stories in Paper Heart.

For director Nick Jasenovec (who appears in front of the camera played by actor Jake M. Johnson), meshing the two threads together in a seamless fashion blurred the line between fantasy and reality. At times the documentary segments crosses over to the dramatized narrative, that it becomes hard to tell whether Charlyne, as the explorer of the theme, is genuinely being herself, or just putting on a facade to be in character. The same goes for Michael Cera, who is aware of the camera constantly poking its nose into him and his relationship with Charlyne, whether he's hamming it up for the camera, or being really perturbed by the invasion of privacy.

But it is precisely the down-to-earth demeanours of both personalities, that make this film shine as we gleefully become voyeurs shadowing their every move, no thanks to the clause of having the film crew do just that, in case of missing out on any perfect moment suitable for the documentary. Those familiar with Michael Cera and the stereotyped characters he plays, will find the same kind of appeal in Charlyne, the musician-comedian being almost a female equivalent of Cera, and the pair share some great chemistry together in their young, inexperienced courtship. Who cares if they're faking it, as they do look adorable together, with their insecurities, hesitations and all!

Then there are the flat-out documentary segments, which in truth was to me as entertaining as they were enlightening, exploring the theme of love in as wide a spectrum as possible, gunning for interviews all around America from children and their innocent perspectives, to full-blown theories from various scientific fields. It's Love 101 for Dummies succinctly summarized in a film, where you'll begin to realize that it's pretty much all-encompassing, with personal interpretations from talking heads sharing their most memorable accounts in anecdotal terms. You'll find yourself adoring the puppets and landscapes (complete with moving parts, mind you!) crafted to reenact these moments, that they'll surely bring about a chuckle or two in the childish, kitschy style presented.

Don't head out the door just yet when the end credits start rolling, especially if you're a fan of that insanely touching yet comedic love song performed by Charlyne Yi, and for that little stinger at the end. It's an ambitious documentary of sorts for taking on a subject as vast as "Love", and personally I thought there's a subtle lesson learnt here from all the couples who have made it through their decades-long marriage anniversaries, and that is being a guy, it's as one of the interviewees mentioned, just say I do and subsequently, forever, just Yes Dear. Looking at the way the film got constructed, it's also important to keep the mouth shut, and agree with everything the lady says. Just watch the film, and see if you agree with me on this one!

This movie is very much like Charlene Yi. It pretends to be something it's not, and doesn't quite succeed enough on any level. Is it a documentary? No. Is it a scripted movie? Much more so than it pretends not to be.

By blending predictable, scripted and entirely acted romantic comedy elements in with what "appears" to be more standard documentary-style interviews, the viewer is left to wonder if anything they are seeing is real, and once that foundation of belief is cracked, the entire movie loses legitimacy. It's not good enough to be a documentary; it's not good enough to be a romantic comedy. Two negatives do not equal a positive.

The movie borders on a saccharine-styled Blair Witch Project with better production values. Li further carries this deception into the real world, denying that she's dating Michael Cera, but then noting in other places that their relationship ended in 2009, conveniently as the movie is released. She also tried to create fiction around her age, pretending to be ten years or more older than Cera, even though she looks she could sit in a high school geometry class. This leaves us to wonder, Why? The deception adds nothing to the movie plot, it's not a cutting-edge move, it's really nothing more than an annoyance.

From the acting side, Li's cutesy nerd style plays well at the start, but wears thin as the movie progresses. Cera is normally a solid actor, but interesting his scenes are the ones where it's most obvious the movie has drifted from faux documentary to a clearly acted and scripted production. It's a bit unsettling.

It's not unwatchable, there's even one or two points where it's almost charming, but many viewers are going to walk away feeling a bit flat, and a bit played.

You don't need to dive to find the remote to turn this movie off it it happens to show up for free on your TV. Yet you're not missing anything if you make it through your earthly existence without seeing Paper Heart. It's mildly entertaining, but just as easily could have been produced by a second-year NYU film student.

The basic conceit of this movie rather self-destructs as the line between documentary and reality show is deliberately blurred by cast and crew. Some people have described this film as quirky, but instead, I found it self-indulgent and contrived. Well, most of it anyway. I didn't believe for a moment that Charlyne Yi doubted that love, romantic love, is achievable, but alternately, I would suggest that she pretends she isn't lovable, and effectively, that affectation is less than adorable. Methinks she doth protest too much....

Some of the people interviewed had compelling stories, but nothing exceptionally profound, or remarkable. The film's conclusion left me rooting for the camera operator. Matter of fact, midway through the film I delayed making a trip to the restroom because I was certain I would miss the one essential element that would make "Paper Heart" worthwhile. As you might imagine, I was relieved when the credits finally rolled.