O Perseguidor

Just saw Dante Lam's Beaststalker at Seattle International Film Festival and loved it. Can anyone tell me why he chose that title? In other words, what is the significance of the name "Beaststalker"? I haven't seen "Beast Cop," but is there some kind of convention or genre in HongKong cinema that would explain it?

To anyone who hasn't seen this film, I highly recommend it. The performances are outstanding, it's a real emotional roller-coaster, and is very cleverly put together. Here's hoping that the Americans don't try to remake it, as it would lose its real punch. The only good remake I've ever seen was "The Departed," and even that one didn't live up to the HK original.

A better than average H.K. thriller - even with the "Over the top" acting and special effects.

With the usual convoluted plot and moral high ground for the "good guys", it seemed it might be a tight squeeze to tie up all the loose ends by the end of the picture. But, in the end, everything is nicely bundled and the emotional resolution is accompanied by the satisfaction of knowing how all the principals fit together.

There may be a remake by Tarentino, but he'll be hard pressed to find a kid as cute as the one in this flick. (All the kids are cute in this one!)

Sometimes what you're looking for is right in front of you. Sometimes you really have to look for it. In this case our main hero is trying to figure out who's responsible for a crime and what went down. Now some may think they know way before him, some may be right, but that is not what is good about this movie. It's the action and the actors that help the story and the movie itself.

There are some fancy elements in this that help create something exciting for the viewers. Suspense is high and it keeps it at a steady level. Good stunts and action scenes too

"Hong Kong action flick specialist Dante Lam's one-two punch THE BEAST STALKER and THE STOOL PIGEON are essentially manufactured by the same team. Both wrestle with the guilt conscience of police officers, one for his own accidental doing, the other over his maneuver towards at-risk informants, they are exemplars of Hong Kong cinema in the noughties, recruiting actors from mainland China into the indigenous milieu, and striving for a morally correct guidance (both are requisites to secure a lucrative Chinese market release)."

read my full review on my blog: cinema omnivore, thanks.

This is the best Hong Kong cop thriller I have seen since "Infernal Affairs" and "Triad Election." All three films suggest critiques of Mainland China's relationship to Hong Kong chilling enough to raise them to a level of art. I expect a remake soon, although I don't think it will be as good as "The Departed."

For those with no interest or awareness in contemporary Chinese politics, "Beast Stalker" works perfectly well as a thriller. But with a little reflection many contemporary Chinese films like this can be decoded as profound commentaries on the current situation in China every bit as trenchant as Sixth Generation dramas. This is a golden age of Chinese cinema. Don't underestimate what you see.