Adicionar um enredo no seu idiomaThe mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.The mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.The mundane life of a woman running a photocopy shop goes into a tailspin when a revolutionary writer leaves the manuscript of his unpublished novel with her.
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- 1 vitória e 2 indicações no total
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Come on, everyone knows this is what Malayalam cinema does best; a minimalistic effort, mostly set in the same lush locations that supplements the simplicity of the storyline and characters. In recent times, Malayalam cinema has taken advantage of the OTT space and churned out so many films and few have been a clear reflection of the political, economic, social and cultural crisis. Here we have another film, a slow burn drama chronicling the events that follows after the murder of Gauri Shankar (Vijay Sethupathi), a writer and human rights activist. The name rings a bell, right? If you have no clue, look up Gauri Lankesh online!
But trust me, there is so much to say which is both the positive and negative of this film. There are directors who entertain or exacerbate or educate (maybe all the e's in equal parts) when handling a controversial theme. Take for example "Gargi" which deals with a sensitive theme, constantly challenging the audience with good writing.
Well, 19 (1) (a) doesn't hold up or belong to none or any of the aforementioned categories. There is more to this as the film rubs shoulders with subplots, existential themes, political contexts and this mixture tries to alternate with flashback, visual motifs, with very little backstory for each character, including Nithya Menon and her dad, their relationship and the past. Amongst all, I really liked the sequence of Gauri and his friend, who are two opposites and don't agree on the definition of writing. Gauri is a writer who found his passion during his childhood while he sat down under the tree and scribbled his thoughts, like the artsy ones you see in a writer-esque mood with glasses, books in a sophisticated coffee shop.
Coming to the performances, Vijay Sethupathi is here in his usual naturalistic forte that never hits a false note. Nithya Menon role is a layered one as she slips inside a state of fear. In the middle of the silences, pauses and worried moments, she somehow manages to switch between emotions accompanied by different tones.
Although I liked the movie in parts, I see many problems here. The film doesn't quite flow and in several scenes, including the songs, there was no need for it. The idea sounds great, but unfortunately, it doesn't add anything. This might have benefited from better writing and Direction. I really wish the director would have taken an Ivan Ayr or Sajin Baabu approach in the writing process. I wished for an experimental approach like the works of Prathap Joseph, Ekta Mittal, Payal Kapadia and Udita Bhargava, it might have been a satisfying watch.
Regardless, it is an average watch and for the masses, this will be a total sluggish and a boring film. I liked how the director manages to connect the bike sound bgm in the initial title drop of the film and the same is used in the end. It literally grabs you,when you guess the outcome by just hearing the sound of the bike.
But trust me, there is so much to say which is both the positive and negative of this film. There are directors who entertain or exacerbate or educate (maybe all the e's in equal parts) when handling a controversial theme. Take for example "Gargi" which deals with a sensitive theme, constantly challenging the audience with good writing.
Well, 19 (1) (a) doesn't hold up or belong to none or any of the aforementioned categories. There is more to this as the film rubs shoulders with subplots, existential themes, political contexts and this mixture tries to alternate with flashback, visual motifs, with very little backstory for each character, including Nithya Menon and her dad, their relationship and the past. Amongst all, I really liked the sequence of Gauri and his friend, who are two opposites and don't agree on the definition of writing. Gauri is a writer who found his passion during his childhood while he sat down under the tree and scribbled his thoughts, like the artsy ones you see in a writer-esque mood with glasses, books in a sophisticated coffee shop.
Coming to the performances, Vijay Sethupathi is here in his usual naturalistic forte that never hits a false note. Nithya Menon role is a layered one as she slips inside a state of fear. In the middle of the silences, pauses and worried moments, she somehow manages to switch between emotions accompanied by different tones.
Although I liked the movie in parts, I see many problems here. The film doesn't quite flow and in several scenes, including the songs, there was no need for it. The idea sounds great, but unfortunately, it doesn't add anything. This might have benefited from better writing and Direction. I really wish the director would have taken an Ivan Ayr or Sajin Baabu approach in the writing process. I wished for an experimental approach like the works of Prathap Joseph, Ekta Mittal, Payal Kapadia and Udita Bhargava, it might have been a satisfying watch.
Regardless, it is an average watch and for the masses, this will be a total sluggish and a boring film. I liked how the director manages to connect the bike sound bgm in the initial title drop of the film and the same is used in the end. It literally grabs you,when you guess the outcome by just hearing the sound of the bike.
This movie is such a drag... Don't waste your time watching this , it has nothing that will hold your attention. I had to watch this at 2x speed,it was that slow.
19 1 a - Another Malayalam movie to end the Friday over an OTT . Rather VJS it was Nithya Menon who was present all over the movie . Well toned up physic gets back NM's look back to cute old times . She is definitely one beautiful heroines in recent days . VJS appears for a short time and we just have only Nithya Menon to be spoken about . The location and the weather during which the movie was shot was very interesting . A calm and pleasant village it was . Beyond this I really did not understand the message the director had tried to convey through this movie . The movie runs at a very slow pace with some repeated scenes and locations seeding more thoughts in our mind about where actually the story is leading to . Only to realise it ended pretty abruptly . Article 19(1)(a) is actually about freedom of speech and expression and I hereby express that this movie is not worth to be suggested for . Overall , "19 1 a" time to Stay Order (stay away) .
The movie has a very relevant socio-political references , though it fails to develop from anything more than a mere reference. VJS and Nithya Menen have done their best , but the roles are nothing challenging for them. Nithya dubbing sounds terrible.
The political reference had so much opportunities to create an impact . How ever the story is stuck around nithyas uneventful life getting tangled with something very important. It's not just her life, the whole movie is quite uneventful thru out.
When the police team ,especially when Indrans , stepped in I had high hopes that the movie would now lead to something more. But it then goes back to same path. Why did they even have Indrans name in poster and his role ?
Super slow movie, only 1.45hrs but it felt like taking ages to finish. I wouldn't recommend watching even for the good cast.
The political reference had so much opportunities to create an impact . How ever the story is stuck around nithyas uneventful life getting tangled with something very important. It's not just her life, the whole movie is quite uneventful thru out.
When the police team ,especially when Indrans , stepped in I had high hopes that the movie would now lead to something more. But it then goes back to same path. Why did they even have Indrans name in poster and his role ?
Super slow movie, only 1.45hrs but it felt like taking ages to finish. I wouldn't recommend watching even for the good cast.
Big fan of Vijay sethupathi movies in this movie the director didn't give him importance this movie had that potential only Nithya menen dominated but her dominance couldn't up to the mark.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- 19 (1) (a)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
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