47 Ronins

Although it doesn't follow the historical story of the 47 ronin I like how Hollywood imagined it. I've learned to judge a movie based on if it entertained me and this film did!! I liked the cinematography as well another feather in Reeves acting cap!! Supporting cast was excellent as well the 3d was marginal at best I'd buy the 4k and ignore the 3d version.

47 Ronin is a film reimagining of a popular Japanese folktale that is stuck inside its mythic contraptions. Everybody is an archetype, as opposed to a character. Love, hate or brotherhood between characters is assumed rather than shown through character development. The story starts and ends with an unknown narrator, who tells the story as if we were all listening to a old tale by a campfire. The end result is that it places a distance between the story and the audience. It is as if the story itself is matted on a frame, and we are just looking at it in a gallery with a curator recounting the story as opposed to the viewer experiencing the story from a first-person perspective.

Keanu Reeves is not the problem here. There is no room here to critique about woodiness as there wasn't enough for him to do. He is casted here for marketing reasons and it really shows. Reeves' character is sidelined by Hiroyuki Sanada, who plays the leader of the Ronin. Sanada carries the film with his powerful presence; you really do believe he can really hurt someone with a sword. He has long been the go-to guy for American-Japanese co-productions and it's finally nice to see him in a central role. Tadanobu Asano also shows up to chew some scenery as the villain and adds a depth that wasn't on the page. My fingers are still crossed he will play Genghis Khan again in a sequel to Mongul.

Hearing the film opened poorly in Japan is unfortunate. Perhaps it is uncomfortable for the Japanese to see their own folktale retold in a foreign production. I have bulked at my fair share of Hollywood misrepresentations of Chinese culture, and evidently there is a sufficient amount of Orientalism in the film. Though the fantasy elements and the production design are so extreme it plays closer to a graphic novel. The more I think about why the fantasy elements were added, the more it seems like it is there to justify the casting of Keanu Reeves as a half- Caucasian half-Japanese outsider amongst an entire cast of Japanese actors. I can't help but imagine what a more realistic telling of this story would have been like as the Japanese cultural elements and Samurai politics were more interesting than the magic and mythic beasts.

To sum it all up, 47 Ronin is a fantasy graphic novel style adaptation of a Japanese folktale released in December. Perhaps it is not exactly the most festive way to start the new year with all the beheadings and Samurai ritual suicide. The story also takes a long time to get set up, which asks for a lot of patience on the viewer's part. The ideal crowd would have been overseas anime geeks who are fascinated with Japanese pop culture, and perhaps for that, the film may have fared better if it was released in the March-April slot. That all said, even with its flaws and supposed qualifiers, 47 Ronin accomplishes what it sets out to do. It's just not for everybody.

47 Ronin is a highly fictionalized take on the story of the 47 ronin who took revenge on a court official who had the 47's leader commit seppuku. In the film, Keanu Reeves portrays Kai, a half-British Half-Japanese outcast who is called upon by Oishi, the leader of the 47. The 47 seek revenge on Lord Kira, who also has an evil witch (Rinko Kikuchi) serving under him, who killed their master.

The movie itself looks absolutely phenomenal, with amazing visual effects, an emotional and gripping musical score, and strong performances from Keanu and Hiroyuki Sanada, who portrays Oishi. The major problem that i saw with the movie was that, it was over way too fast. They left out important character development for the witch and a few other characters, which really could have added more emotional flame to the film. Plus, the movie overall could have easily been twenty, thirty minutes longer. If it were, i would say it can rank alongside 13 Assassins and The Last Samurai. The script was well-written in terms of dialogue (some cheesy lines), but the overall script was devoid of real depth and thought. Then, Carl Erik Rinsch's directing was actually pretty good, but had a few too many cut-aways.

47 Ronin is an extremely action-packed samurai/fantasy epic that is something you don't want to miss on the big-screen (for a cheap price). Though, if you want to see something award-worthy in terms of writing and directing, hope for a Director's/Extended cut on disc, for you won't find it here. But great performances, visual effects and emotion really help make this movie stand out, even with The Desolation of Smaug as competition.

It never bodes well for a film when its release date is delayed - much less when it's been pushed back a whole year, ostensibly to accommodate reshoots that would bump up Keanu Reeves' completely imaginary role in a Western blockbuster take on a classic, awe-inspiring tale right out of the Japanese history books. That way lies disaster and madness, one would think - and certainly the bland, monster-heavy trailers for 47 Ronin did the film no favours. Smack down your inner critic, however, and this epic fantasy flick - for that's what it is - turns out to be reasonably palatable fare.

The bare bones of the true story are all there: the kindly Lord Asano (Min Tanaka) is ordered to commit seppuku - ritual suicide by disembowelment - when he almost mortally offends Lord Kira (Tadanobu Asano - a nicely ironic name if ever there was one). This renders all the honourable samurai in Asano's service masterless i.e., ronin. Led by the noble Oishi (Hiroyuki Sanada), the loyal band of 47 ronin vow to avenge Asano - even though they have been ordered by their Shogun (top military commander) not to do so.

What's less accurate, of course, is pretty much all the rest of it. Reeves plays Kai, a half-British, half-Japanese orphan who's taken in by Asano but treated like an outcast by everyone in the household - except, of course, for Asano's loving daughter Mika (Kou Shibasaki). Kira's nefarious plans have the support of Mizuki (Rinko Kikuchi), a witch who can apparently take any form she likes: wolf, snake or dragon. It's all a bit nonsensical, especially when Kai tries to get swords for the ronin amongst some pretty creepy folk who have gone from society's outcasts to being part of what looks like a supernatural cult.

In other words, 47 Ronin is a faintly ridiculous addition to the wealth of Chūshingura - fictionalised accounts of the 47 ronin tale - that already exist in Japan. It's the kind of big, dumb blockbuster in which the good guys literally live to die another day as long as the plot calls for it. These fearless ronin even survive when the villain is protected by a witch with crazy mystical powers! She can set an entire field on fire, create poisonous spiders and turn into a dragon! And the ronin - at least 47 of them - live anyway! It's crazy!

That's what makes it all the more surprising when 47 Ronin turns out to be... well,actually not half-bad. Once you've accepted the sillier aspects of the film for what they are, it's easy to get swept along by its very earnest drama and spectacle. Reeves' storyline is a made-up jumble of nonsense, but is played very straight - this is, in effect, Sad Keanu: The Movie - and it just about works. Casting Reeves as the outsider allows him to do what he does best: play the role with stony-faced reserve, whether he's levelling up by battling demons in cage matches or pining moodily after Mika. Kai's restrained love story with Mika is fairly predictable stuff, with the girl fading a little too much into the background (don't expect any bloodletting from Shibasaki, Battle Royale fans), but it's salvaged by the rather non-Hollywood way in which it all ends.

For all that Reeves takes centre stage in the publicity campaign, the film belongs just as much to Sanada's Oishi. He undertakes a more arduous emotional journey: one that takes him from grudging to full-hearted acceptance of Kai's worth as a warrior and comrade. His relationship with his family is more fully examined than Kai's unwavering loyalty to the Asano clan. As Oishi plots his course of action, one that will bring him shame for disobeying the Shogun even as he avenges his master, he warns his wife and son Chikara (Jin Akanishi) to disavow him. Their reactions provide some of the most emotionally resonant moments in the entire film.

All things considered, the title of the film is a bit of a misnomer - it would more accurately be called 2 Ronin, subtitled Oishi And Kai's Excellent Adventure - and it suffers from a lamentable lack of humour and historical accuracy. But it's not a complete travesty. Tucked away beneath a layer of mystical beasts and witches lies a story with enough heart, nobility and soul to survive even the oddest twists and turns.

Everyone has movies like this. You know they are bad and you know they are ridiculous but for whatever reason, you just thoroughly enjoy them. This is one of those movies for me. Maybe it will be for you too.