AVALIAÇÃO DA IMDb
6,0/10
6,5 mil
SUA AVALIAÇÃO
Dois meninos levam seu "bromance" para outro nível quando participam de um projeto de filme de arte.Dois meninos levam seu "bromance" para outro nível quando participam de um projeto de filme de arte.Dois meninos levam seu "bromance" para outro nível quando participam de um projeto de filme de arte.
- Prêmios
- 6 vitórias e 8 indicações no total
Paddy Evans-Winfield
- 'Dionysus' Extra
- (as Patrick Evans-Winfield)
Avaliações em destaque
There was a lot of promise here, but ultimately the film is a huge cop out, which perhaps is the point. In this case an opportunity to perhaps delve a bit deeper into male friendship and men's more tender feelings for each other was squandered. Nothing lost, nothing gained.
If a man had written and directed this film, it would have had a different ending. With that said, Lynn Shelton takes us on a feminist ride--after all, two women having sex on film is sometimes considered "art," so why not explore that angle with men? In the final seconds of the film when Andrew stops laughing while looking at what was recorded, I was left with this sense of his longing--for completion of something (as he said), for something more intimate with his good friend, for being part of something greater than himself--all things Ben already had. And even though the idea was booze- and drug-induced, it was Andrew who came up with it to start. Sooo...something else is going on in Andrew's mind, heart and soul. At the end of the day, I ask "Do I care about these characters?" The only one I really cared for was Anna--she had the most to lose and gain from Ben and Andrew's really implausible scheme. Acting okay...Alycia Delmore really stood out, especially in the two scenes when the truths come out.
It's simplistic and inaccurate to say this is a movie about homophobia. The two guys are not homophobic in the least. If anything it's about peer pressure and machismo, albeit in an unconventional, post-feminist context.
The movie's framework, two straight guys considering whether or not to have sex with each other for an Art/Porn movie, generates an absurd dialog. Does Art justify a willful, forced, deviation from the norm, or is a willful, forced, deviation from the norm automatically Art? The subtext is about moving out of your comfort zone, and your motivation for doing so.
I went into this not knowing what to expect. As a gay man, I resisted it, finding the plot line forced. But as it went on, I bought into it. I think it was the two main actors who sold it, primarily.
The premise sounds comic and coarse, but the storyline is actually subtle and gentle. Not easy to sell that kind of bait and switch.
The movie's framework, two straight guys considering whether or not to have sex with each other for an Art/Porn movie, generates an absurd dialog. Does Art justify a willful, forced, deviation from the norm, or is a willful, forced, deviation from the norm automatically Art? The subtext is about moving out of your comfort zone, and your motivation for doing so.
I went into this not knowing what to expect. As a gay man, I resisted it, finding the plot line forced. But as it went on, I bought into it. I think it was the two main actors who sold it, primarily.
The premise sounds comic and coarse, but the storyline is actually subtle and gentle. Not easy to sell that kind of bait and switch.
Movie about two college friends Andrew (Joshua Leonard) and Ben (Mark Duplass) getting together years after college. Ben has settled down and is happily married to Anna (Alycia Delmore). Andrew is single and somewhat wild. During one drunken night Andrew and Ben said they'll make a film of themselves for a sex film festival--they'll film themselves making love. The next day they regret it but neither one will back down. And who's going to tell Anna?
This sounds like it has the makings of a dirty adult comedy...but it isn't. There are some very funny parts in it but mostly they deal with the situation in a realistic manner. It works because the script is very well-written and refuses to back down or take the easy way out. It's also an adult movie--it doesn't talk down to its audience or dumb it down for teenagers. Add to that three great performances by all the leads--especially Delmore. This is the type of movie that you see with friends and discuss afterwards. I saw it at the Provincetown Film Festival and the reaction was mixed. Some people (like me) loved it. Others thought it backed down at the end (I disagree). A well-done thought-provoking film. It is a little too long but worth catching. Recommended.
This sounds like it has the makings of a dirty adult comedy...but it isn't. There are some very funny parts in it but mostly they deal with the situation in a realistic manner. It works because the script is very well-written and refuses to back down or take the easy way out. It's also an adult movie--it doesn't talk down to its audience or dumb it down for teenagers. Add to that three great performances by all the leads--especially Delmore. This is the type of movie that you see with friends and discuss afterwards. I saw it at the Provincetown Film Festival and the reaction was mixed. Some people (like me) loved it. Others thought it backed down at the end (I disagree). A well-done thought-provoking film. It is a little too long but worth catching. Recommended.
This film is about two guy friends who have to deal with their drunken pledge to make a porn movie with each other.
I think "Humpday" is wrongly marketed as a comedy, which makes viewers expect things which are not in the film. The first half is far too slow to be a comedy, and the second half is far too heavy on words. The pacing and the tone are just not right to be a comedy. It might be entertaining to see two guys trying to work their way out of the awkward situation without having to sacrifice their reputation, but there is simply not enough material to fill 90 minutes. The film stretches for far too long, and it gets quite boring. I think it would have been better marketed as an indie drama.
I think "Humpday" is wrongly marketed as a comedy, which makes viewers expect things which are not in the film. The first half is far too slow to be a comedy, and the second half is far too heavy on words. The pacing and the tone are just not right to be a comedy. It might be entertaining to see two guys trying to work their way out of the awkward situation without having to sacrifice their reputation, but there is simply not enough material to fill 90 minutes. The film stretches for far too long, and it gets quite boring. I think it would have been better marketed as an indie drama.
Você sabia?
- CuriosidadesAs he walks to the hotel room for the final scene, Andrew walks in front of the home of Edith Macefield. Macefield was famous for stubbornly resisting the offers of developers and remaining in her tiny 108-year-old farmhouse while the surrounding properties were turned into a five-story commercial development.
- Erros de gravaçãoAs Ben and Andrew explain to their video camera their story so far, Ben mistakenly refers to Andrew as "Ben".
- ConexõesReferenced in Lobo Adolescente: The Tell (2011)
- Trilhas sonorasDionysus
Written and Performed by Lori Goldston, Jane Hall, Julian Martlew, Janos Mathiesen, Clyde Peterson and Eric Richards
Remixed by Vinny Smith
(c) 2009
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- How long is Humpday?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Humpday
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 407.377
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.737
- 12 de jul. de 2009
- Faturamento bruto mundial
- US$ 473.980
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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