Arthur, o Milionário Irresistível

Let me start this off by saying that I have never seen the original Arthur. There is also no sense in me going over the plot or the differences between this and the original because that is covered in so many different reviews and I am guessing this isn't the only review that you will read. I am 29 years old and I wouldn't even consider myself a Russell Brand fan but after seeing this movie that is starting to change.

I went into Arthur with an open mind. I did not have another movie to compare it to, since I didn't see the original, and I throughly enjoyed the movie. Russell Brand was OK in 'Forgetting Sarah Marshall' and I really didn't enjoy his movie "Get Him to the Greek" but Arthur was a different type of comedy compared to his typical work. The best thing I can compare this movie to is "The Wedding Singer". Not because of the plot or the actors but because "The Wedding Singer" put Adam Sandler in a slightly toned down more caring/romantic version of things had done before. There was less slap stick and I actually ended up liking Adam Sandler more because of it. The same can be said about Arthur. This isn't OVER THE TOP Russell Brand like most of his other movies. I wouldn't say it's 'down to earth' Russell Brand either, more like some place in between.

Even if you have seen the original try to go to see this movie and not compare it to the original. It's the same as The Dark Knight vs Batman with Michael Keaton. Both were good movies but you couldn't really compare them.

What surprised me at the end of the movie was my brother (32 years old) saying he actually liked this better than the original, which he watched last weekend. He said the one liners were better and Russell Brand made a more convincing drunk. My guess is because Russell is probably always this drunk when he isn't filming movies!

Arthur made me laugh out loud, which is something I typically don't do. The story was decent (typical romantic comedy) and even though the movie slowed down about 3/4 of the way in, it had to because of the story. Do yourself a favor and see this movie at some point. It doesn't have to be in the theater since there aren't any eye popping sound effects or state of the art 3D in it...(though the city of New York was a GORGEOUS back drop)

Go see it. Turn your brain off for a bit and enjoy the movie for what it is. Don't compare it to the original but compare it to the other things Russell has done and you will see that he might actually have a great future at comedy ahead of him.

Final Verdict: 8 out of 10

Was this remake horrible? No, but it also wasn't that great. In only a couple of scenes did this film lift itself above mediocrity. In comparing this update to the 1981 version, the original is simply better on every point. Russell Brand is probably the best choice they could make for the lead, but he doesn't measure up to Dudley Moore's Arthur. And the wonderful Helen Mirren does her best, but she just can't match John Gielgud's witty portrayal of Hobson. The writing fell particularly short of the mark. The one bright spot for me was Greta Gerwig, whom I had not previously seen. She did a fine job of making a thinly-written character become real. I look forward to seeing her in the future.

I suspect that Russell Brand is a polarising personality in this world. Some find his idiosyncratic ways quite the put off. I, on the other hand, have always had a soft spot for old Rusty. I find him beguiling and very pleasant to watch.

I am not going to pontificate and deconstruct. This is a remake. I can't remember the Dudley Moore version but all I know is that this film was very charming. Fair enough, there are going to be no big surprises - no epiphanic moments. But what this has in bucket loads is a grand sense of heart.

Russell Brand is silly but underneath the silliness there is real, genuine stuff. You can see his heart break in a crescendo scene and if you let yourself you'll find you become very sympathetic to this lost boy. Jennifer Garner is scarily comfortable in the role of a-grade beyatch! Helen Mirren is just perfect as the man boy's nanny. Look, to be honest I am too lazy to get into nitty gritty stuff but this one is a winner if you are open enough to admit it.

Trust me. It's lovely.

I absolutely despise Russell Brand so naturally I assumed that I would not like this movie one bit. That, however, was not at all the case. Sure, the movie started with Brand's typical ridiculous antics and obnoxiousness but it turned out to be quite entertaining. Brand, for once, was able to actually make the transition from ridiculous idiot to still idiotic but also charming with his humor. Also, Helen Mirren stole the movie. She is truly something else. I don't think I'd be alone in saying she is one of the premier actresses in Hollywood. Her character's dry humor but strength and caring shined through perfectly and was the highlight of the film. Garner and Gerwig's characters are also pretty interesting. Garner doesn't really step outside the box with this performance but it was still solid. I was pleasantly surprised with Gerwig though. I had never seen her in a meaningful role and she was very solid in portraying her emotions. All in all the movie was just a pretty good film and it was definitely worth watching.

"I have very poor and unhappy brains for drinking." Shakespeare's Othello

Russell Brand may not be as convincing a drunk as Dudley Moore in the original Arthur, but Brand makes the titular man-child as endearing as he could be given the premise of the comedy. Writer Peter Baynham brings some of the manic madness and tossed-off lines of Bruno to complement Brand's physicality for a pleasantly witty if not totally amusing satire of the idle rich.

Helen Mirren does well as his butler, Hobson, a middle-aged Mary Poppins, although decidedly darker. (Sir John Gielgud in the original would be tough to imitate.) Their relationship substitutes very nicely, thank you, for the lack of one between Arthur and his real mother (an effectively stiff Geraldine James). Her demand that he marry the social-climbing Susan (Jennifer Garner) or be disinherited is the romantic setup for him falling in love with "nobody" Naomi (Greta Gerwig). "Setup" for such set pieces as a deserted Grand Central Terminal with a "Pez" candy dinner and acrobats, a not terribly funny exhibition of Arthur's childlike charm.

I was greatly amused by the homage to Hitchcock, Rear Window specifically, when Arthur looks from his tub with golden binoculars at pedestrians who remind him of pop cult figures, some wittily chosen to resemble those close to him such as Hobson.

One of the small lessons of the film is that true love should be the reason for marriage, and more importantly AA is an effective solution for drinking problems. The film, after all, is about an immature rich man's discovering his inner man through sobriety. Doesn't sound that romantic, does it? Well, it isn't, even though the characters are enviably happy in the process, as is this movie-going experience.

"A very merry, dancing, drinking, laughing, quaffing, and unthinking time." John Dryden, the Secular Masque