Avaliações do Metacritic

Think more classic Gothic horror than ghastly over-the-top occult. But that’s plenty to keep viewers such as me, who frighten easily, on edge as the story progresses.

The film bizarrely takes what could have been a touching and powerful drama about the traumatic family ties that bind (and occasionally choke) and attempts to refit it as a straightforward, if mostly low-key horror exercise chock-full of scenes involving various things popping up out of the darkness with numbing regularity.

Despite its flaws, Umma is an impressive debut for Shim, the kind of outing that hints at plenty more under the hood or tucked inside a massive suitcase, just bursting with secrets.

Despite Oh’s solid fear-filled performance, Amanda’s inevitable possession seems to take forever in an 87-minute movie, and the inevitable maternal-love-powered dispossession seems rushed.

The most frightening part of Umma is not the ghostly apparition of Amanda’s mother, but Amanda herself. Under Shim’s direction, Oh’s Amanda is haunted and taut, an unpredictable force of nature.

Writer-director Shin’s labored attempts to use genre tropes to explore the complexities of domineering mother-daughter relationships never fully develops.

Oh aces her leading role with customary aplomb, and Stewart makes for a game scene partner, but Shim’s economical-to-a-fault screenplay rarely allows them enough downtime to fully flesh out their characters.

Until we’re a bit further removed from the current wave of anti-Asian hate crimes, Shim’s film underplays the potential nuance that might come from a proper exploration of that idea, instead reinforcing the idea that nonwhite language, imagery, and faces are to be feared—worst of all, to the people bearing them.

Umma isn’t scary, but the themes behind it are terrifying as it deals with generational trauma and guilt. Though the cultural references run deep, it’s overstuffed with symbolic imagery that is never fully explained. Though Oh and Stewart give solid performances, the tone and tension of the story ends up being choppy and underwhelming.

Throughout its slim but slow 83 minutes, Umma piles up missed-opportunity scenes that cry out for a ghoulish sense of humor or an audience-rattling jump.