Três esquiadores ficam presos em teleférico nas montanhas, após serem esquecidos no local. Antes que morram congelados, o trio é forçado a tomar medidas extremas e enfrentar difíceis decisõe... Ler tudoTrês esquiadores ficam presos em teleférico nas montanhas, após serem esquecidos no local. Antes que morram congelados, o trio é forçado a tomar medidas extremas e enfrentar difíceis decisões..Três esquiadores ficam presos em teleférico nas montanhas, após serem esquecidos no local. Antes que morram congelados, o trio é forçado a tomar medidas extremas e enfrentar difíceis decisões..
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 5 indicações no total
- Sullivan
- (não creditado)
- Snowboarder
- (não creditado)
- Guy on Chairlift #1
- (não creditado)
- Guy on Chairlift #2
- (não creditado)
- James
- (não creditado)
- Twisted Sister Fan in Cafeteria
- (não creditado)
- Man who shouts 'Last chair is through'
- (narração)
- (não creditado)
Avaliações em destaque
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
I'm not one of these reviewers that will take you through the entire plot of the film. Especially in this case. This film's simplicity works. Three skiers accidentally get forgotten on a ski lift as the resort closes for the week.
That's it! Yet, this simple formula works better than any horror movie I have seen in a long, LONG time! This opinion may be a little biased and I'll tell you why. Personally, I am petrified of open heights. Adam Green's chosen camera placements are well picked, never once allowing any hints of fiction into the story. That's the beauty of shooting on location, despite how deadly the location can be.
Deadly, indeed! This movie really got under my skin. Not in anyway gore-filled, like "Hatchet" or its sequel. So for all the gore-hounds out there scanning the reviews for bloody details before watching it, make-up effects enthusiasts won't be completely disappointed, but it's no "Hatchtet". However, Adam Green focuses more on his Actor's/Actresses' reactions to the horrors within the film. This works! Lord, does it work! I'm a huge GOREHOUND, I welcome squeamish scenes, but the subtle incidents that happen to these characters while exposed to harsh weather works better than a graphic depiction of a chainsaw to the gut! I'm almost ashamed to admit that I had to turn away and groan at what I witnessed on screen! This is from someone who giggled like a girl-scout throughout "A Serbian Film"! "Frozen" works! In all the right ways! My only complaints about the film are the lack of themes. Usually a survival-horror like this contains some smug theme that ties the film together, a topic the film tries to make aware to its audience. Romero does the aforementioned flawlessly, just to provide one example. "Dawn of the Dead" and its issue of consumerism. For example, one would assume that being trapped with two other people in a situation like that, the throes of "cabin fever" would naturally work its way into the script. Yet, Adam Green chooses to focus on the reality of the situation his characters find themselves in. As a result, the film remains simple. Leaving the audience with no other thought to ponder upon besides their own feelings of fear. To some, this may be a compliment to the film, to others, a weak link.
The dialogue is probably the strongest device in the film. Revolving your film around only three characters, the script better be able to keep the dialogue interesting or your audience is going to give up on these characters. Adam Green's dialogue is just that, interesting. Realizing the situation the characters find themselves in, the conversations that follows feels significant, but above all genuine. Dialogue, outweighs the action, so be prepared for a lot of talking. However, when the action arrives it's like an avalanche; disastrous, yet magnetic. I was, literally, frozen, couldn't take my eyes off the screen.
I've said enough...
To reiterate a few points, I have to say, again, this film really shook me. After it was over I had a deeper appreciation for the bed I was watching it in. I also made a vow never, EVER to go skiing.
The acting is very good, especially as Adam Green, the director, actually tortured the actors so they come across genuinely cold. The direction is claustrophobic and uncomfortable in a good way! There are also some horrible cringe-worthy moments which are genuinely horrific. The special effects and music were also top notch, with the chilly wind effects getting right up your nostril.
Although it did run out of steam in some sections, for the most part it was an engaging and exciting film that was superbly acted and directed. Adam Green is proving himself to be a top notch director and clearly knows his stuff when it comes to making horror. I'd highly recommend watching this on a cold day, or on a hot day if you want a cool down.
Você sabia?
- CuriosidadesThe film was shot entirely practically, meaning no soundstage, nor greenscreen, nor CGI. The actors and actresses were truly suspended over fifty feet in the air on the side of a real mountain in Utah.
- Erros de gravaçãoSki resorts send "liftees" to inspect the lifts at the end of every shift to prevent this very scenario from happening.
- Citações
Parker O'Neil: Okay then, Lynch, what *is* the worst way to die?
Joe Lynch: What...
Parker O'Neil: No, no, no, you have an answer for everything. What is your biggest fear?
Joe Lynch: That's easy. The Sarlacc pit.
Parker O'Neil: I'm sorry, the what?
Joe Lynch: The Sarlacc pit. From "Return of the Jedi". Uh, hello. Being slowly digested over a thousand years - worst death ever.
Dan Walker: [in a mocking whiny voice] Dan, why don't I ever have a girlfriend? Why?
- ConexõesFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- Trilhas sonorasHelicopter Fight Song
Written by Chris Zerby (as Christopher Zerby)
Performed by Helicopter Helicopter
Courtesy of Initial Records
Principais escolhas
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 246.176
- Fim de semana de estreia nos EUA e Canadá
- US$ 131.395
- 7 de fev. de 2010
- Faturamento bruto mundial
- US$ 3.843.774
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1