Exorcismus: A Possessão

I am giving this film 10/10 because I was highly entertained. The background music score is OUTSTANDING! The acting, cinematography, SFX are professionally done.

The plot of the film is based on demonic possession. However this film differs from most exorcism films in the fact that in this film, the person himself performs a satanic rite that allows her body to be possessed.

Plot: Emma Hawkins finds herself doing uncontrollable acts. She often faints and goes into seizures. Her parents are concerned and she is taken to see some specialists. However they find nothing wrong with her.

Later on she has a seizure in front of her family in which she levitates.So Emma calls in the help of her uncle who is a priest to drive out the evil spirits.

Watch this film to see what happens next!

Verdict: this film is in a class of its own. If you enjoyed the Exorcist series of films, than this one is for you. If you decide to buy it, it will make a worthy addition to your DVD collection.

P.S. Doug Bradley(role of Pinhead in Hellraiser series of horror films) makes a cameo at the end of the film!

Emma is a home-schooled teen who one day cuts herself. It's thought that it's because she wants to be in school with her friends. One day she has a seizure and foams out of her mouth. Doctors don't find anything wrong with her. Her secular and modern parents send her to a psychologist who ends up dead. Emma knows that something is wrong with her and visits her uncle who is a priest. He recognizes that she's possessed. Emma is willing to undergo an exorcism. Her parents don't agree until she has another seizure and levitates.

The exorcism will take several session to be performed by the uncle who has been actually kicked out of the church for the death of his previous exorcism patient. Meanwhile, whenever the devil takes over and Emma is with someone else, that other person doesn't end up well. The priest recognizes the he alone won't be able to cast out the devil. He also films the sessions. The parents are still in disbelief until one day the father interrupts a session only to actually see for himself how possessed she is. Things get deadlier for the family and we learn some darker secrets about the priest and Emma.

Exorcismus was produced by Spanish production company Filmax which specializes in high quality, lower budget, good-natured, PG-13 horror movies, where the behavior of the characters is far less believable than the horror. This is their take on the exorcism genre, although the exorcisms aren't all that much at the center of the movie, "Possession" would be a more apt title. It follows the Filmax recipe, it won't offend anyone's sensibilities, is well directed, and has a European/Spanish feel to it.

The first third of the movie is very strong. It has its creepy moments, the hand-held camera-work is great and so is the digital sound. The heavily discolored look of the movie, however, is annoying. It doesn't manage to keep the interest or pace as things become less interesting during the second third for some reason, even though that's when stuff starts happening. The last third improves a bit as we learn why the girl really cut herself at the beginning of the movie. And we learn why the priest is so highly motivated to act. What I liked about it was that everything takes place during the day, even outdoors. This devil isn't scared of the sun or of public places. No lame night scenes, rain, thunder, lights going out and all the clichés that plague every single American horror movie. Exorcismus is enjoyable but it doesn't break any new ground, which is something that this type of movie needs at this point, although Sophie Vavasseur's understated performance is excellent.

Truly terrifiyng story about a fiftten year old teenager, Shophie Varasseu, who is possessed by a malevolent and heinous spirit. At the beginning Emma has an argument with her overprotective mom: Anna Stockham and she cuts herself her wrist. She thinks of being possesed and asks their parents to be submitted an exorcism. She getting sicker by the time, being really possessed, as a demon into a teen gone amok. Emma has a convulsion and their parents : Richard Felix and Anne Stockham, carry her to the hospital. There is something dark and sinister inside Emma, a nasty demon that goes bersek and she wants to eject it. Later on, she is under psychiatric care , suffering from the effects of being possessed by the devil. Family relies on priests who start to visit her every day. A priest : Stephen Billington, investigates the weird happenings, as he attemts to help the possessed lass. There are some things best kept in secret.

Horror picture about a ghastly possession causing creepy, scary and terrible moments. A rare film about exorcism in similar style to The Exorcist 1973 by William Friedkin. This latter movie remains still startling and engrossing with every viewing, it spread countless sequels and imitations, one of them is this one, though, of course, it is far cry from the original Exorcist. Genuinely scary moments overcome some obvious plot devices. This is a juicy terrifying material fashioning an iconic diabolic possession, providing screams, thrills, shocks and chilling scenes .It has an extremely known premise spawns tbe film in ups and downs. All semblance of plausibility is extracted, leaving a cast of little known actors to show their limited skills. There appears briefly Doug Bradley and Brendan Price but they have less than one minute of screen time.

It delivers a creepy and eerie ambient thanks to an expert cameraman, Javier Salmones. As well as a frightening, suspenseful and chilling musical score by Zacarias M. de la Riva. Being efficiently produced by Carlos Fernandez and Julio Fernandez from Fantastic Factory and Filmax. They have produced a lot of hits in terror and thriller genre such as Abandoned, Km 31, The nun, Quarantine, Paintball, Summer camp, Baby room, The returned, Machinist, Transsiberian, Rec saga, Sleep tight, among others. The motion picture was decently directed by Manuel Carballo, though with no originality and has some flaws and gaps. Carballo has directed a few acceptable films such as The returned, El ultimo justo, 13 miedos and Queens or Reinas TV series. Rating 6/10. Decent and passable horror movie. No for squamish.

Exorcismus, not surprisingly, starts off fairly predictable, following in the footsteps of pretty much every other possession film out there, but toward about the midway point things suddenly change course, leading you in an original and disturbing direction. While most films seem only interested in patterning themselves on Friedkin's The Exorcist, Carballo introduces us to a "not-so-innocent" young girl with dark secrets, constantly locking horns with her progressive parents. Instead of jumping right into the possession, the director leads us to wonder whether Emma's malady is nothing more than the calculated tantrum tactics of a conniving teenager. This, of course, keeps us guessing while tension slowly builds and the signs of possession become evident.

The film occasionally has a documentary feel, thanks to the cinematography of Javier (Romasanta) Salmones, successfully bringing you closer to the characters without forcing you to participate, like The Possession of David O'Reilly. Naturally that only works when you're given genuine characters to connect with and in my opinion the actors all did a wonderful job, with 19-year-old Sophie (Resident Evil: Apocalypse) Vavasseur turning in the most impressive, and probably physically exhausting, performance as Emma.

Bottom line, when you watch a possession film you want to see some actual demonic possession, whether that's bending backwards, walking on walls, vomiting pea soup or using foul language. In the case of this film, the director could have kept things ambiguous without ever showing us anything supernatural but, thankfully, he didn't go that route. Exorcismus doesn't depend on wild CGI possession gags but they are used and when they are its to great effect as they're never over-the-top.

Written by David (The Devil's Backbone) Muñoz, Exorcismus features capable actors, solid CGI and some thrilling sequences that ooze tension and terror. This film is definitely worth checking out but be sure to rent first.

The Exorcist stands out as the definitive film about exorcism with priests battling it out with demons in possession of a young girl's body, and to date no film can surpass that brilliance, and I am of the opinion it will stand the tests of time and various interpretations of the horror sub-genre to knock it off its perch. Attempts will come and go and it's up to filmmakers to find certain spins to their stories so that they don't get drowned out. The Last Exorcism by director Daniel Stamm was quite an effort with its documentary styled narrative with those huge twists that came with it, and the Anthony Hopkins starrer The Rite will hit our shores quite soon.

Then there's Exorcismus right now by Spanish director Manuel Carballo, which tells of a young girl Emma (Sophie Vavasseur, the schoolgirl in Resident Evil: Apocalypse) whose family suspects she needs mental help for her recurring fits and behaviour, until an inexplicable levitation opened their minds to engage the services of their relative Christopher (Stephen Billington), a priest with a tainted record in exorcism no less, to try and save their kid from the clutches of whatever demon is possessing her. That's the basic crux of the story, but what the film is about comes from the manipulation that mankind is capable of, and the folly and greed of man's pride, wanting to prove oneself to peers for that one-upmanship, or to exact some unintentional vengeful hatred arising from petty, hissy fits.

As the saying goes, don't push your luck and tempt the devil, because you'll never know the true impact of such an unwarranted pact, that you'll probably live to regret it. The film opens with the persistently angry teenager Emma, whom we learn through the course of the narrative isn't quite the docile, demure girl disciplined through home-schooling and always under the watchful eyes of mom, but one who does not hesitate in dabbling with mushrooms, and oh, the ouija board. All these spell trouble, and trouble does come knocking. Half of the show went to Sophie Vavasseur's performance as Emma, and she plays her role quite well, continuing the legacy of fellow peers who have stepped into the shoes of characters possessed by demons, in providing a fitting rendition with what some may say is the same old usual bag of tricks with bile spewing and eye rolling.

On the other corner of the ring is Stephen Billington as the priest Christopher, who is as eager to assist his niece as he is to laying down some ground rules which are a bit peculiar even for horror fans, such as performing it outside of holy grounds, not engaging more spiritual help from fellow brothers of the cloth, and not arresting the problem on the spot, spreading the exorcism over a number of days, with vast periods of intervals as well. This raises alarm bells of course, but all will be addressed as the film wears on, leaving room for various dastardly deeds to be performed, as if a lesson to be learnt against the dabbling with the occult.

For an audience looking for cheap scares and thrills, this is not that film unfortunately, even though it is steeped in the horror sub-genre of possessions. You don't get to see much since the details of the exorcisms are kept under wraps by way of the narrative, although you do get glimpses of it in the final act that turn out to be nothing quite new from what's already been done, such as the trash talking, sexual come-hithers, and more levitations, together with the Lord's Prayer, use of holy water and other equipment in a priest's arsenal.

Like The Last Exorcism, this film also relied on the final act to differentiate itself in quite radical terms, so it's pretty much hit and miss, and more of the latter if you're expecting something to make you jump at your seat, or linger in your thoughts way after the end credits roll. I bought into the explanation so it didn't turn out too bad, but be warned, if you're not receptive to little creative sparks adopted by the filmmakers, then perhaps this may be quite frustrating to sit through given a number of plot conveniences you have to buy into, and having more talk than to show for it.