Um marido executivo problemático adota um fantoche de castor como sua única forma de comunicação.Um marido executivo problemático adota um fantoche de castor como sua única forma de comunicação.Um marido executivo problemático adota um fantoche de castor como sua única forma de comunicação.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 12 indicações no total
Avaliações em destaque
In general this is not the usual style of film I would watch but I really must say I was most pleasantly surprised at how engaging it was. For me at least, this was down to the Beaver (yes I realise how that sounds) but the remarkable thing is that I forgot it was a puppet controlled and voiced by Mel. I really began to see it as a complete separate character and it just gave the film whole other dimension.
Performances from Gibson and Foster were excellent (as you would expect). Their acting was totally spot on, never once seeming over the top or forced. Jodie Foster has done a sterling job on the directors chair skilfully taking the viewer on a journey in what I would have thought not a particularly easy film to direct. There are some humorous moments but this is not a comedy. You will occasionally laugh, and at times you will tense up during some of Gibsons darker moments. But that is a job well done from all.
This is certainly not a film for everyone but if you like a movie that's choc full to the brim with the human element, excellent acting and directing then I really would recommend it.
back to the movie, I was looking forward to it, because i think Mel Gibson is a really talented actor, and I gotta say, the movie did not disappoint me. the story as most of you might know from the trailers, is that Gibson's character suffers from depression, which has negative impact on him as well as on his family surrounding him. and just as things seem to be looking hopeless, he finds the Beaver, and with it, he finds his voice and his self. A simple yet effective story, executed in a very professional manner, it is a journey into healing and trying to beat that nasty depression. the characters are played to perfection, as Mel Gibson and Jodie Foster, who also directs the film, deliver memorable performances.
It also tackles the family relations and how it is affected by the father's sickness and turmoil, about family supporting each other and an emotional father - son story.
Digging deep into Mel Gibson's character Psyche, and how he escapes his inner depression through the puppet, the beaver, is just so interesting. and they actually made the Beaver, the puppet itself so real, it appeared as a completely independent character, who was funny and at times even freighting. In summary, a highly recommended movie, great acting and a wonderful story. If you are one of those who are still obsessing about Gibson's mistakes, then just go watch Jumping the Broom.
I wish his personal life had not unraveled to such a degree....who would want that for anyone. I wish Hollywood and the press wouldn't have exploited every last second of it, but such is the shallow world of both. I found it particularly fascinating and ironic that he was booted from the cast of The Hangover II because none of the actors wanted to support his woman abusing ways.....and then they brought back Mike Tyson (a wife beater and rapist)for a recurring role. Why would one be surprised by the shallowness of H-town.
Rent this. Besides the fact that everyone deserves a second chance, it's a good movie.
"The Beaver" is a really dark and depressing piece of cinema. As the film continues, you really saw how deep Walter's depression is and that he is in serious need of help. The man is living his life through a stuffed beaver! It's really an original and interesting take on depression, which has never been seen before. The subplot, which was focused around Anton Yelchin was also interesting and kind of played hand and hand as the same situation that Walter was dealing with.
Mel Gibson gives us an extremely powerful and dark performance in this film. This is something that you have never seen him do before and it's extremely scary to watch him portray this character. This is the most unique take on depression that I have currently seen and Gibson nails it. Jodie Foster is good as the dedicated wife and gives an emotional performance. You can tell that Meredith cares deeply for Walter and will stop at nothing to be with him. Anton Yelchin, gives the best performance of his career in this film. He is a kid who hates his father so much that he lives his life through others. He is so focused on hating his father that he doesn't realize he can't live his own life. That is until Jennifer Lawerence's character Norah comes along and helps him find himself. The acting in this film is just ravishing with everyone involved showcasing some of the best performances of their careers.
While I admired the film's creative and unique take on depression as well as everyone's acting, there were a few elements of the film that didn't sit well with me. The first being why the heck didn't anyone have Walter committed to a mental institute? About 30 minutes in, I couldn't suspend belief that an entire company would allow its CEO to run a company through a hand puppet. That just wasn't plausible. I also didn't get how Meredith didn't take more active role in helping Walter out. There is a scene where Meredith and Walter go to dinner and Meredith tells the Beaver that she wants Walter to come out. This scene is quite disturbing as it shows just how much the Beaver has taken control. At this point, however, why Meredith doesn't bring him to counseling is just unbelievable. He has obviously lost his mind at this point. I just didn't get it those two factors of the film. It's like everyone cared yet no one really took the time to guide him to the light so to speak.
Despite those minor hiccups, I really enjoyed the film. I liked that it was about two stories in one. There was Walter living life through depression aka The Beaver and there was Porter living his life through writing about others. Both of these stories were showing how much Walter and Porter were alike and how much Meredith and Norah are alike. It was a very unique way to view living life through others or other things but it worked out perfectly. My favorite thing about the film was the last 30 minutes. The entire third act was remarkable and really overshadowed all my initial dislikes in the film in regards to no one committing Walter. It was a truly powerful and scary because it showed the true side effects of depression and just how deep into the depression Walter really was. I don't want to give anything away but I will let you know that something does happen to Walter in the last 30 minutes that truly impacts his life. It brings the overall tone of the film to a very dark and depressing state but I feel it was an important part of the film. This film wouldn't have worked out to be so good if it wasn't for how deep it got in that last 30 minutes.
In the end, "The Beaver" will definitely not be a film for everyone. If you are going expecting a comedy, I will warn you right now that you should stay far away. This is not a comedy and it's not even a dramedy. While it does have a few light-hearted moments here and there, this is probably one of the darkest mainstream films that I have come across in quite some time. I don't know how well this is going to do, one for the obvious reason of Mel Gibson, but also because of the small niche market for this film. It obviously has great performances, good direction, and a well written story but the subject matter isn't what most people want to see. I think it's great to see a film be as ballsy and real as this one but I also know this isn't what sells tickets. I would be curious to see how this does when it's released. I personally think it's a must see and recommend those who are into really serious dramas to put this on the top of your list. It's a really unique take on depression, as well as a unique piece of cinema.
Você sabia?
- CuriosidadesBefore Summit Entertainment settled for a release date in Spring 2011, this film had been shelved, due to Mel Gibson allegedly assaulting his ex-girlfriend, Oksana Grigorieva.
- Erros de gravaçãoWhen Anton Yelchin's character bangs his head into the wall and it goes through the side of the house, that's impossible as shown. The cedar shake siding is not shown as held to the side of the house with anything, whereas in reality is has to be nailed down. The house would have some cladding such as plywood to nail the shakes to, and then a barrier such as asphalt or homewrap, at the very least. It is not possible to make a small hole in the interior wall and push one shake off the outside of the house in the same location.
- Citações
Walter Black: We reach a point where, in order to go on, we have to wipe the slate clean. We start to see ourselves as a box that we're trapped inside and no matter how we try and escape, self help, therapy, drugs, we just sink further and further down. The only way to truly break out of the box is to get rid of it all together... I mean, you built it in the first place. If the people around you are breaking your spirit, who needs them? Your wife who pretends to love you, your son who can't even stand you. I mean, put them out of their misery. Starting over isn't crazy. Crazy is being miserable and walking around half asleep, numb, day after day after day. Crazy is pretending to be happy. Pretending that the way things are is the way they have to be for the rest of your bleeding life. All the potential, hope, all that joy, feeling, all that passion that life has sucked out of you. Reach out, grab a hold of it and snatch it back from that bloodsucking rabble.
- Cenas durante ou pós-créditosA letter or two from each cast/crew member remains and forms part of the next credit.
- ConexõesFeatured in Trailer Failure: Bieber Meets Beaver (2010)
- Trilhas sonorasKung Fu Underscore
Composed by Jim Helms
Principais escolhas
- How long is The Beaver?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Beaver
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 970.816
- Fim de semana de estreia nos EUA e Canadá
- US$ 107.577
- 8 de mai. de 2011
- Faturamento bruto mundial
- US$ 7.294.800
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1