Um Acordo de Natal: Salvando o Starlight

Despite the fact that the setup for the story was crazy ridiculous, there are still elements of the same old plot lines. Annie marches off in her pajama bottoms to save the family café from being torn down by the evil developer. The irresponsible son of the company's owner needs to grow up. Annie turns out to be brilliant. I had to get over hating the premise, because really it was all just a vehicle to let Kimberley Sustad and Paul Campbell give the audience some delightful sparring and great chemistry.

Campbell is a veteran at the irreverent and carefree male lead. I'm glad to see Sustad is becoming a regular for Hallmark as the leading lady. And as many reviewers have noted, these two have been together before. Both of these stars are involved in writing for the movie.

As I said, there are a lot of the same old plot lines right down to the final scene in the movie. It's all predictable. There's no real surprises and the only tension is that one thing you know will get resolved somehow. But this movie is about the stars (not to be confused with the starlight).

Though this is a Christmas-centric film, it keeps the focus on the central relationship. Like many Hallmark holiday romances, the inevitable resolution can be anticipated early on, but this film has a good energy, driven mainly by Kimberley Sustad's personality. She teamed up with costar Paul Campbell in writing this film, which may explain why they fit so naturally into their roles.

Kimberley plays Annie Park, a Chicago lawyer specializing in family law. When she discovers that her family's restaurant will be demolished to make way for a high-rise, she decides to confront the developer, Holt Enterprises. When she meets the son of the owner---Paul Campbell as William Holt---he hires her for a couple weeks just to assuage his father, who feels that William must constantly be monitored due to his irresponsibility. William promises to save the family restaurant in return, but can he deliver? Will he?

"Christmas by Starlight" is filled with the usual Hallmark touches, like abundant decorations, but it does not rely too heavily on the holiday schmaltz, allowing the character development to be its main focus, which is nice.

The entire cast is enjoyable, so it feels like spending two hours with a group of friends.

The best dialog of any of the Hallmark movies. Reminds me of snappy repertoire from the old classic movies. Good job writers and lead actors.

I like it for the crumbs of humor, nice acting, for fair portrait of maturization and the accent to family history and values. For the fresh ingenuity of story, to. And, not the last, for leading characters, well crafted, wise used. To be honest, exactly the honesty remains the main virtue of this different, in some measure, in inspired way, Hallmark film. Nothing fundamental changed but the story is more rich in nuances than you expect. So, I admitt, I like it.

This movie is genuinely funny, heart-warming, and well-written. I can only hope Paul Campbell and Kimberley Sustad do more writing for Hallmark, specifically because I love the comedic touches put into this film (for all the rom-coms they put out, Hallmark frequently forgets to be funny). Paul Campbell is a force to be reckoned with when humor is in the picture, and I personally feel he thrives in those charmingly funny roles much more than when he plays overly earnest, serious characters (his best performances for me are his roles in Window Wonderland and Surprised by Love, where he plays Shawn-Spencer-like characters that you both want to roll your eyes at and love with all your heart). Even as a businessman, he gets to be authentically funny here, and paired with Kimberley's equally sharp comedic chops (she absolutely nails awkwardness in a way that's super amusing), the movie just works. It moves fluidly, believably, and the scenes are just fun to watch even if you already know how the whole thing will end.

Funny enough, I don't think the chemistry between Paul and Kimberley's characters was particularly strong (nor in their last movie they starred in together), but they're such a great writing team, I'd love to see them work together again.