AVALIAÇÃO DA IMDb
6,1/10
22 mil
SUA AVALIAÇÃO
Uma comédia de humor negro sobre dois ladrões de túmulos do século XIX, que encontram um negócio lucrativo fornecendo cadáveres para uma escola de medicina de Edimburgo.Uma comédia de humor negro sobre dois ladrões de túmulos do século XIX, que encontram um negócio lucrativo fornecendo cadáveres para uma escola de medicina de Edimburgo.Uma comédia de humor negro sobre dois ladrões de túmulos do século XIX, que encontram um negócio lucrativo fornecendo cadáveres para uma escola de medicina de Edimburgo.
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Avaliações em destaque
Burke and Hare is a fast-paced, fun filled riot and the title roles are inhabited brilliantly by Simon Pegg (as William Burke) and Andy Serkis (as William Hare). Harking back to the good old American Werewolf days, Burke and Hare joyfully plays with your expectations, creating characters you like and sympathise with and then making you squirm as they nonchalantly murder their way through Edinburgh. Andy Serkis proves that he is the most easily likable man in the world with his earnest, all or nothing approach to acting, and as he reasons that mankind's fate is sealed the moment they're born, you almost find yourself nodding along happily when he suggests "helping them along the way". Simon Pegg has the straighter role, though not by far, as he gleefully goes from love-struck puppy-eyed romantic to monstrously suffocating old ladies in the blink of an eye, his facial expressions, mostly of dim witted "innocence" perfectly contrast with Serkis (Burke's reaction to Hare's coinage of the term "burking" is hilarious). All in all the duo are a perfect pare, thick as thieves and as funny as, well, horrible murderers.
Burke and Hare is a story of two men in Scotland in the late XIX century barely making a dime when an opportunity comes along to earn hard cash by killing people and selling their bodies to the benefit of science.
This movie may seem morally rotten at its core making a comedy out of murder, but it succeeds at it while quite a lot of comedies with far less harmful plots don't, not to mention that some of the most popular TV shows of today make it fit right in. John Landis comedies much in common with ZAZ productions and sometimes are almost live action cartoons. The title characters are shown as flawed people in a desperate situation which they think justifies their actions - we don't laugh with them, only at them. And that's intentional.
John Landis came back with a surprisingly decent feature. It's as if the MTV-style cinema revolution has passed him by (the one that hit the new Sherlock Holmes square in the face). No camera gymnastics, no forced sensual assault, all the action and physical comedy happens in frame. Burke and Hare is his first 2.35:1 feature and it shows - the frame at first appears a little too wide, like if the characters were taken from a 16:9 movie and arranged accordingly. By the way, "highly entertaining", "very funny" and "packed with the cream of British talent" - those bits on the poster aren't far from the truth.
This movie may seem morally rotten at its core making a comedy out of murder, but it succeeds at it while quite a lot of comedies with far less harmful plots don't, not to mention that some of the most popular TV shows of today make it fit right in. John Landis comedies much in common with ZAZ productions and sometimes are almost live action cartoons. The title characters are shown as flawed people in a desperate situation which they think justifies their actions - we don't laugh with them, only at them. And that's intentional.
John Landis came back with a surprisingly decent feature. It's as if the MTV-style cinema revolution has passed him by (the one that hit the new Sherlock Holmes square in the face). No camera gymnastics, no forced sensual assault, all the action and physical comedy happens in frame. Burke and Hare is his first 2.35:1 feature and it shows - the frame at first appears a little too wide, like if the characters were taken from a 16:9 movie and arranged accordingly. By the way, "highly entertaining", "very funny" and "packed with the cream of British talent" - those bits on the poster aren't far from the truth.
This is a black comedy about two men who makes a fortune by selling bodies to the medical profession for anatomy classes.
The story of "Burke and Hare" is dark and disturbing if you think about it, but it does not feel this way when you watch it. Instead, it appears lighthearted and likable, even though the main characters commit the most heinous crimes. The plot is engaging, and I feel a little sorry for Dr Knox and William Burke for their fate to end like that.
The film has loads of dark humour. It is funny in its own unique way, not the laugh out loud nonsense type of funny. It is worth a watch if you come across this film.
The story of "Burke and Hare" is dark and disturbing if you think about it, but it does not feel this way when you watch it. Instead, it appears lighthearted and likable, even though the main characters commit the most heinous crimes. The plot is engaging, and I feel a little sorry for Dr Knox and William Burke for their fate to end like that.
The film has loads of dark humour. It is funny in its own unique way, not the laugh out loud nonsense type of funny. It is worth a watch if you come across this film.
Burke and Hare is not a masterpiece by any stretch of the imagination, but it is not a bad film either or completely deserving of all the panning it got. It is far from talented director John Landis's best film not like Blues Brothers or An American Werewolf in London, but it is not his worst either as is the case with Blues Brothers 2000 and Beverly Hills Cop III.
Does Burke and Hare completely work? No it doesn't. Is it entertaining? On the most part yes, even with the hits and misses. The film to me was never laugh-out-loud hilarious excepting two or three scenes(Jessica Hynes's eureka moment inventing funeral parlours being one), most of the time it was still amusing. In my view, the sight gags were better than the script. The sight gags range from nicely understated such as the pot shots at Wordsworth, Lister and Greyfriars Bobby to crass slapstick such as chamber pot contents being dropped on heads. There is even a sex scene that raised a laugh, decide for yourself whether it is intentional or not, whether it was or not I personally did find it amusing. The script(the smart black humour kind) varies as well from having a good chuckle, raising a smile to where I found myself rather blank faced.
John Landis does do a credible job directing. He mixes contemporary innovation and social issue with ease, and although he doesn't quite make Burke and Hare the dark, smart, hilarious homage to Ealing comedy it strived to be or the throwback to American Werewolf(the comedy and horror elements are decent on their own but have mixed results together), there is evidence of the effort which is what mattered. The character development is very straight forward, that I do agree with, but the cast do make an effort to make us empathise with them, and I think they succeeded there. The Georgian setting is also convincing, the sets are beautifully evoked and I quite liked the costumes and cinematography too.
I do think all the cast have done better before, but I cannot deny this is a great cast. Simon Pegg and Andy Serkis are a well-matched double act. They work very well together, and both give entertaining performances in the process. I also liked seeing Christopher Lee, Ronnie Corbett, Paul Whitehouse(the scene where he is pushed down the stairs is hilarious) and Bill Bailey even if their appearances are rather brief. Isla Fisher(the love story between her and Pegg though is pretty weak and underdeveloped) and Jessica Hynes are alluring and do show at least some flair for comedy, Hynes actually is very funny, and while they should have had more screen time Tom Wilkinson and Tim Curry are suitably antagonistic and compelling. I do agree about the accents being variable, I had little problem with Pegg and Serkis and Wilkinson's was convincing, Curry just about passes, while Fisher's comes and goes and some of the cameos don't quite make it.
In conclusion, entertaining enough if somewhat hit-and-miss. With a longer length, perhaps more tighter pacing and some more care on the accents it could have been more. But the direction, setting and cast convinced me, so I enjoyed it. 7/10 Bethany Cox
Does Burke and Hare completely work? No it doesn't. Is it entertaining? On the most part yes, even with the hits and misses. The film to me was never laugh-out-loud hilarious excepting two or three scenes(Jessica Hynes's eureka moment inventing funeral parlours being one), most of the time it was still amusing. In my view, the sight gags were better than the script. The sight gags range from nicely understated such as the pot shots at Wordsworth, Lister and Greyfriars Bobby to crass slapstick such as chamber pot contents being dropped on heads. There is even a sex scene that raised a laugh, decide for yourself whether it is intentional or not, whether it was or not I personally did find it amusing. The script(the smart black humour kind) varies as well from having a good chuckle, raising a smile to where I found myself rather blank faced.
John Landis does do a credible job directing. He mixes contemporary innovation and social issue with ease, and although he doesn't quite make Burke and Hare the dark, smart, hilarious homage to Ealing comedy it strived to be or the throwback to American Werewolf(the comedy and horror elements are decent on their own but have mixed results together), there is evidence of the effort which is what mattered. The character development is very straight forward, that I do agree with, but the cast do make an effort to make us empathise with them, and I think they succeeded there. The Georgian setting is also convincing, the sets are beautifully evoked and I quite liked the costumes and cinematography too.
I do think all the cast have done better before, but I cannot deny this is a great cast. Simon Pegg and Andy Serkis are a well-matched double act. They work very well together, and both give entertaining performances in the process. I also liked seeing Christopher Lee, Ronnie Corbett, Paul Whitehouse(the scene where he is pushed down the stairs is hilarious) and Bill Bailey even if their appearances are rather brief. Isla Fisher(the love story between her and Pegg though is pretty weak and underdeveloped) and Jessica Hynes are alluring and do show at least some flair for comedy, Hynes actually is very funny, and while they should have had more screen time Tom Wilkinson and Tim Curry are suitably antagonistic and compelling. I do agree about the accents being variable, I had little problem with Pegg and Serkis and Wilkinson's was convincing, Curry just about passes, while Fisher's comes and goes and some of the cameos don't quite make it.
In conclusion, entertaining enough if somewhat hit-and-miss. With a longer length, perhaps more tighter pacing and some more care on the accents it could have been more. But the direction, setting and cast convinced me, so I enjoyed it. 7/10 Bethany Cox
Released just in time for Halloween is the macabre tale of Burke and Hare! Set in 1820's Edinburgh, two Irish immigrants, William Burke (Simon Pegg) and William Hare (Andy Serkis), try one business venture after the next, and one after the next they fail. Just at the point where they're about to face financial ruin, the duo come up with an ingenious idea when they spot a in the niche in the market for the supply and demand of fresh dead bodies which manages to turn their fortunes around.
The story is inspired by true events which took place in Edinburgh between November 1827 and 31 October 1828 when the real life Bukre and Hare murdered 16 people and sold their bodies to a private anatomy lecturer, Doctor Robert Knox (played by Tom Wilkinson in the film), for dissection at Edinburgh Medical College. Although this is the 8th time their story has been brought to the big screen, this marks the first time that we see them as two likable lead characters.
From a screenplay penned by Nick Moorcroft and Piers Ashworth and directed by the legendary John Landis, Burke And Hare harks back to the days of the old Ealing Studios dark comedies like Kind Hearts and Coronets (1949) and The Ladykillers (1955) which director John Landis is very fond of. It looks at the friendship between these two guys and focuses on the idea of who the bad guys really are. The doctors or the killers themselves? Mixing in a little Shakespeare with an all female production of Macbeth by Isla Fisher's character, Ginny, an aspiring young actress whom Burke falls madly in love with, another layer is added to the story. While Ginny ponders what would drive a man like Macbeth to murder, Burke looks at her and explains the character's motivation; "He did it for love".
By and large, I really enjoyed Bukre and Hare. The biggest challenge the story faced was turning two mass murderers into characters you can follow, laugh with and have empathy for and I think this film does it really well. As Burke is talked into the business with Hare, there's never the slightest feeling that his friend is purposefully leading him down a path to his own downfall, unlike the real Hare who gave Burke up in the end to escape a public hanging. Another element of the movie which was enjoyable was seeing so many familiar faces turning up in smaller roles; Ronnie Corbett decked out in his red and blue uniform as Captain McLintock, Christopher Lee as Old Joseph, one of Buke and Hare's early unfortunates and perhaps the most hilarious scene of all is when they push Paul Whitehouse down a flight of stairs! It's a good one to see if you're after something dark and funny this Halloween.
The story is inspired by true events which took place in Edinburgh between November 1827 and 31 October 1828 when the real life Bukre and Hare murdered 16 people and sold their bodies to a private anatomy lecturer, Doctor Robert Knox (played by Tom Wilkinson in the film), for dissection at Edinburgh Medical College. Although this is the 8th time their story has been brought to the big screen, this marks the first time that we see them as two likable lead characters.
From a screenplay penned by Nick Moorcroft and Piers Ashworth and directed by the legendary John Landis, Burke And Hare harks back to the days of the old Ealing Studios dark comedies like Kind Hearts and Coronets (1949) and The Ladykillers (1955) which director John Landis is very fond of. It looks at the friendship between these two guys and focuses on the idea of who the bad guys really are. The doctors or the killers themselves? Mixing in a little Shakespeare with an all female production of Macbeth by Isla Fisher's character, Ginny, an aspiring young actress whom Burke falls madly in love with, another layer is added to the story. While Ginny ponders what would drive a man like Macbeth to murder, Burke looks at her and explains the character's motivation; "He did it for love".
By and large, I really enjoyed Bukre and Hare. The biggest challenge the story faced was turning two mass murderers into characters you can follow, laugh with and have empathy for and I think this film does it really well. As Burke is talked into the business with Hare, there's never the slightest feeling that his friend is purposefully leading him down a path to his own downfall, unlike the real Hare who gave Burke up in the end to escape a public hanging. Another element of the movie which was enjoyable was seeing so many familiar faces turning up in smaller roles; Ronnie Corbett decked out in his red and blue uniform as Captain McLintock, Christopher Lee as Old Joseph, one of Buke and Hare's early unfortunates and perhaps the most hilarious scene of all is when they push Paul Whitehouse down a flight of stairs! It's a good one to see if you're after something dark and funny this Halloween.
Você sabia?
- CuriosidadesAmongst many cultural and historical jokes interwoven in the plot, one occurs when Dr. Alexander Monro (Tim Curry) says to Dr. Lister (George Potts), "your breath is appalling." Although the timeline is somewhat off, with Lister being of a later generation than that portrayed during the events of this movie, he was nonetheless the pioneer of using carbolic acid for the sterilization of surgical instruments and cleaning of wounds during the 1860s. This effectively revolutionized surgery and saved the lives of countless patients who would otherwise have died of infection or had to have limbs amputated due to gangrene. He is also after whom the famous antiseptic mouthwash product Listerine was named, hence the ironic joke about his breath being appalling.
- Erros de gravaçãoTwo hangings are shown in the film, in the style of a "long drop" designed to break the neck and cause instant death. This style was first introduced in the 1870s by William Marwood as a more humane approach. Before then, and certainly in 1828-1829 when the film was set, the victim was simply suspended by a rope around the neck and choked to death by suffocation.
- Citações
William Burke: I had confidence in a fart once, and I shat all over myself.
- Cenas durante ou pós-créditosThis is a true story. Except for the parts that are not.
- ConexõesFeatured in Breakfast: Episode dated 18 October 2010 (2010)
- Trilhas sonorasScotland the Brave
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Burke and Hare
- Locações de filme
- Stirling Castle, Stirling, Escócia, Reino Unido(Edinburgh streets and other places in several exterior scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 7.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.833
- Fim de semana de estreia nos EUA e Canadá
- US$ 947
- 11 de set. de 2011
- Faturamento bruto mundial
- US$ 4.791.599
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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