Napoleão

Ridley Scott's Napoleon is a high-budget cinematic exercise in "Whatever, man, that'll do." The film, both in terms of what it presents and how it presents, reeks of hollowness. Characters are shadows(not defined enough to even be considered parodies or mockeries of their real-life counterparts as some people like to see them), story is a shadow of a proper story( at times feeling as if written by A. I), atmosphere, with the exception of some of the battle scenes and the Russian segment, sterile and practically non existent(disasterous for Scott who is known to be one of the greatest world builders in history of the artform). Stuff just happens in the film. No significance or weight to anything or anybody... Sure, it's not all bad. The classic Ridley Scott elements are here - battles are engaging, the costumes and set designs very well-done. Something he can't help but always be good at.

Overall, Ridley Scott's Napoleon feels like a simulacrum, a reduced copy of a real film, where, it seems, all life is sucked out . If I had more reverence towards the post-Gladiator Ridley Scott, I'd, perhaps, think of the film as some kind of metajoke, a self-aware self-parody, but, frankly, I think it's just a matter of the filmmaker not caring much. Just another day at work for Ridley, gotta keep working, do one thing, move on to the next one immediately, have fun, try things out, don't overthink it - this seems to be the way to go for the good ol' Ridley these days. Can't blame him, he's 85, for Christ's sake, but the movie's not good, kind of proto A. I-produced entertainment.

Ridley Scott's Napoleon is more hysterical than historical. History is like an uninvited guest in this movie. Stunning battle visuals don't make up for gross historical approximations.

If you want to watch a masterpiece then see Waterloo, with Rod Steiger and Christopher Plummer. And if you want a historical enumeration then watch the Napoleon series with Christian Clavier, Isabella Rossalini, John Malkovich and Gerard Depardieu.

This movie was made for Apple streaming. Then they made a butchered version for cinema to be able to compete for the Oscars. The original Apple streaming version will be at least 2 hours longer. This cut version for cinema is somewhat rushed, disjointed and, as a result, confusing.

We never really learn why Napoleon was so powerful and won the admiration of so many. Here it's almost as if he stumbles through greatness. He was a great politician in reality, over here he's shown as a childish brute. The focus was more on set pieces and his relationship with Josephine.

Joaquin Phoenix can play odd or troubled characters well. Here he barely succeeds in persuading the viewers that he is Napoleon. He's too old for this role (Napoleon was 24 when Marie Antoinette was guillotined) and made the character seem bizarre than a charismatic leader. Vanessa Kirby as Josephine gets more traction.

The cinematography by Dariusz Wolski is of a very high order. The battle scenes are filmed well. Ridley Scott knows how to make action scenes slick and impressive. But overall it's a below average movie. Napoleon deserves better than this shambolic movie.

I will not get in to the historical inaccuracies, as in a lot of historical movies history is adapted for dramatic purposes. It is Hollywood after all and especially for big budget movies the goal is to make a lot of money. Beautiful Trailer.

My main criticism is the portrayal of Napoleon. Of course all who knew him are long gone and many accounts are subjective, so we have to make do with that information.

But I can not imagine that a man who ends up on top after all the chaos of the French Revolution, whose generals and soldiers stay loyal to him after all the battles and blood, wasn't an enormous charismatic man.

And that's where the film completely fails for me. You can hate him, admire him, love him, belittle him as Wellington, but the film makes him, and his relationship with Josephine, uninteresting and dull, and as the title is Napoleon, that was my feeling leaving the cinema. A bit more effort of Mr Scott and Mr. Phoenix to know the character and history would probably have added value.

History is an undesired guest taking the backseat in Mr Scott's sprawling epic on Napoleon's life.

Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.

I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.

Ridley Scott directed one of the best movies ever made set during the Napoleonic Wars: unfortunately, that movie is not Napoleon but his cinematic debut, The Duellists, forty years ago.

Unsurprisingly, The Duellists had a strong source material (it was based on a novel by Joseph Conrad which it often followed almost verbatim), while Napoleon has an uneven screenplay by David Scarpa.

Even past the age of eighty Sir Ridley can still shoot pretty and energetic pictures but his hits and misses depend on the scripts he picks, and he hasn't always shown the best discernment.

The elephant in the room is the large amount of historical inaccuracies. Even as a history buff I can forgive many of those: cutting or simplifying events for the sake of narrative, or even some overdramatization like the meeting between Napoleon and Wellington (it never happened) or Napoleon being present at Marie Antoinette's execution (he wasn't); however, stuff like Napoleon charging with his troops at Waterloo is absolute cringe, a kid's (or a lout's) idea of history.

Still, the big problems here are characterization and pacing.

The movie is a demythologization (some would say emasculation) of Napoleon. If you want to take this route then fair enough, but the character here fails to be consistent. I can buy a Napoleon who is an egomaniac and an overrated tactician (like in Tolstoy's War and Peace). I do not buy one who is an anxious, insecure, uncharismatic cold fish but also a stern tactical genius and an effective leader of men, one who flees from Egypt because Josephine is unfaithful but is also an unflappable military mastermind.

Phoenix is a great actor and does what he can but the two sides of the character just don't gel with each other. You can't have parodic moments like Napoleon rolling down the stairs during his coup against the Directory, despondently pouting as he waits for the rain to stop at Waterloo or awkwardly climbing on a box to stand face to face with a pharaoh's mummy (with his diminutive stature becoming a not-too-subtle metaphor of his overall mediocrity)... AND THEN have him magnetically charm the French soldiers into obedience after the Elba. This gawky Napoleon would have been shot to pieces there.

The other problem is pacing. A single movie about the whole life of Napoleon is in itself absurd, like making "a movie about World War 2". There is material in Napoleon's life for a VERY dense miniseries (which Steven Spielberg is reportedly planning).

Napoleon's first wife Josephine (Vanessa Kirby) plays a huge role here but I would argue the movie has either too little or way too much of her. This needed to be either focused mostly on Napoleon's personal life or to drastically reduce the (fairly repetitive after a while) moments where Napoleon is obsessed with his wife.

As it is now, it tries to tell - but rushes through - twenty very eventful years of European history and yet devotes more time to Napoleon visiting Josephine after their divorce than to his Russian campaign.

It's like making a D-Day movie which keeps cutting back and forth from the Normandy landings to Hitler spending time with Eva Braun. You can have either The Longest Day or Der Untergang, not both.

Still, it's not worthless. There are some interesting moments and set-pieces and, while Phoenix is saddled with a contradictory character, Kirby at least is excellent.

6/10.