Camaleões

This movie is a testament to Benicio Del Toro's return to form, reminding me of his stellar performance in "Sicario." It maintains a perfect pace, is skillfully directed, and boasts impressive performances by the lead actors. The storyline is intricately developed, and while it does have some predictable moments, it offers plenty of unexpected twists and turns that kept me captivated throughout its over two-hour runtime. It's a refreshing addition to Netflix's lineup, and I eagerly anticipate more films of this genre in the future. Not sure where some of the 1 star reviews come from, but this is definitely one of the standout crime thrillers of recent times, in my view.

A real estate developer is considered the prime suspect after he finds his realtor girlfriend murdered at a vacant property. The initial police investigation stalls when it's revealed he has an alibi and the victim had a bitter ex-husband.

All this is just the opening passage, after which homicide detective Tom Nichols sets to work and finds a tangled web of additional complications as the case gets murkier. With the plot unfolding at an unhurried pace, Nichols' nuanced relationship with his wife Judy is given unusual prominence for a neo-noir mystery movie. The rest of the excellent cast is well up to the task of portraying individuals being hostile and devious as Nichols ruffles the feathers of his suspects and colleagues. 'Reptile' is a thoroughly professional debut by a first time director which offers several modest innovations to the genre.

This slow-burner of a murder yarn may just turn out to be the best thriller of the year. A realtor is found dead by her colleague and partner who naturally becomes a suspect but then there are a few other men in her life who are also suspects; so far, so common-place but Grant Singer's "Reptile" is as much about the police investigating the killing as it is about the investigation. These are a close-knit bunch of cops who both work and play together and who may not be as clean as they should be.

A sterling cast, (Benicio Del Torro, Alicia Silverstone, Justin Timberlake, Eric Bogosian, Michael Pitt, Frances Fisher), add a further touch of class to an already classy thriller and one that is as far from conventional multiplex fare as you are likely to get. It may not always be that easy to follow and midway through the killing seems to fade into the background but it's always highly intelligent and while it may not appeal to a mass audience I think it has cult status written all over it.

Would you like to see some action, shooting, car chases, killings and have a lot of fun? If so, watch something else. This is not for you.

I enjoy action movies as described above, nothing wrong with that. REPTILE is different though. This is a very good crime thriller, easily the best crime thriller since WIND RIVER (2017, Taylor Sheridan). When i say "crime thriller", i mean movies with officers/detectives trying to catch killers, murder investigations etc. For some reason, this genre is dying. I don't remember many crime thrillers recently except THE PALE BLUE EYE/TO CATCH A KILLER/Abgeschnitten (2018)/ONLY THE ANIMALS (2019). Some of them were good, some were not. REPTILE is undeniably better than all of them.

Beware, this is a slow burn. There are some twists and turns but this is not a movie that will blow your mind with surprising events. It takes its time to unfold, i mean, a lot of time. And it's superb regarding acting and character study. No words to describe Del Toro's performance, this is indeed mindblowing. I could watch him for 10 minutes straight even if he didn't do anything, just thinking about his next move. I'll be honest, some people may find it boring, i don't agree with that but i respect it. No way though i could respect a bad opinion about this performance. The way he conveys his feeling without saying a word, it's out of this world. Of course, i helps if your face is so much expressive.

There are some reviews criticizing this because there are not many straight answers but enough plot holes. I hear it but i disagree. Almost every question is being answered here, as long as you think it through. This definitely ain't an ambiguous movie. Not plot holes, almost everything is crystal clear. At times, answers might not be so specific but these particular questions are kinda insignificant if you look at the great picture. Now, if you like a bit spoon feeding in your movies, sure you shouldn't watch this.

In conclusion, this is intelligent, realistic, well acted, intense at times and the ending is satisfying. It's flawed, not groundbreaking, definitely not a masterpiece, definitely won't stay in your mind for long. But if you miss this genre, you are gonna like it.

PS I don't remember Timberlake being that good in any of his movies. Actually, i always thought he's a bad actor. He is good here. Silverstone too. Bogosian is excellent.

Set in the town of Scarborough, Detective Tom Nichols (Benecio del Toro) and his partner Dan Cleary (Ato Essandoh) investigate the murder of real-estate broker Summer Elswick (Matilda Lutz). As the two run down possible suspects including Summer's boyfriend Will Grady (Justin Timberlake), her ex-husband Sam Gifford (Karl Glusman), and a man with a grudge against the Gradys named Eli Phillips (Michael Pitt), the case goes from a simple murder to something of larger scale implications.

Reptile is the feature film debut of music video director Grant Singer who also co-wrote the script alongside Benjamin Brewer and the film's star and executive producer Benicio Del Toro. Singer and Brewer wrote the initial draft of the film in 2018 where it was acquired by Black Label Media who'd previously worked with Del Toro on the Sicario films and upon showing it to him he became a huge proponent of the project. With a gritty noir story, an all star cast, and an Autumn adjacent release date you can tell Netflix wants this to be their equivalent of Gone Baby Gone or Prisoners as that dark horse crime thriller that scores some Oscar nominations, and while it doesn't reach those heights unfortunately it's an ultimately decent detective thriller with a strong sense of style and some committed performances.

Despite being the debut feature of Grant Singer, he shows a strong grasp on filmmaking from a stylistic and technical sense with the film given some solid shots that capture the environments in which Nichols investigates. With a predominantly suburban setting that often uses the states of various homes like McMansion Grady is trying to sell having signs of vermin infestation or a neglected swimming pool with stagnant water, you get the sense Singer is trying to capture that underlying sense of rot within these seemingly idyllic homes. While Tom Nichols isn't given the greatest depth as a protagonist, del Toro who serves as a co-writer on the film does add some humanity to the role especially in regards to his relationship with his wife Judy played by Alicia Silverstone who takes what could've been an underwritten character and makes her more of a confidant who actually assists Tom on several occasions and the two have some solid chemistry together. Where the movie faulters for me unfortunately is in the mystery aspect of the film especially in how it establishes its array of suspects only for us to switch gears at the one hour mark where we begin another decidedly different investigation. The writing in the film while fine most of the time is perfectly fine (if not exceptional) but it does lead to some groanworthy dialogue exchanges and a fake-out dream sequence that I didn't really care for.

For those who like dramatic procedural thrillers of this kind you will find some good elements to appreciate here especially in how it relates to the acting and visuals on display. The movie itself as a mystery I'm sorry to say fell somewhat flat for me despite seemingly having all the right pieces in play. A slight stumble out the gate for Grant Singer, but one that shows promise if given refinement.