Pathonpatham Noottandu
- 2022
- 2 h 38 min
AVALIAÇÃO DA IMDb
6,8/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaArattupuzha Velayudha Panicker, a 19th century fiery social reformer and his unswerving fight against the dominant caste oppressions by the upper classes.Arattupuzha Velayudha Panicker, a 19th century fiery social reformer and his unswerving fight against the dominant caste oppressions by the upper classes.Arattupuzha Velayudha Panicker, a 19th century fiery social reformer and his unswerving fight against the dominant caste oppressions by the upper classes.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias no total
Senthil Krishna
- Chirukandan
- (as Senthil Rajamani)
Avaliações em destaque
This could have been an epic, landmark movie ! In terms of production and costumes the movie might be one, but had the storytelling be tighter, editing a bit more crispier, some insights into main character's origin or struggles or "thoughts" (we only see his final actions and repercussions of those actions.
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
I am kinda confused as to why I found this one to be surprisingly the best one among the recent lot of period dramas that came and went without any real engaging experience.
It doesn't do anything better than the period dramas that came before but idk it maybe coz it didn't have that kind of elevations like them too.
The sets weren't very striking except for a few ones like the ones put up for the port? The others looked good but at the same time the artificiality could also be easily seen.
The performances were decent enough and i guess I found it engaging and entertaining coz of the narrative and major plot points, which I felt were delivered neatly and with needed seriousness in it..... which I didn't find effective in those other malayalam period dramas (if being honest MAMANGAM did have a partially effective one though but it faltered on most of the other stuff) of recent times.
Siju Wilson delivers in a good if not exceptional way and the other supporting cast members too contributed decent performances.
The script was missing with good and striking character elevations and dialogues and the action sequences too weren't anything gripping.
Everything felt really grounded from the get go but the climatic action sequences was the one that finally did the very much needed character elevation and stylish(even if with a bit overused slowmotion effect)and engaging and the whole of it even made me root for AVP :)
Overall even with the lack of good and memorable character expositions, quality compressions and lack of tightness in script I really found it to be an engaging and enjoyable period action drama fr.
PS the voiceover from ikka at the end. Lit af
6.5/10.
It doesn't do anything better than the period dramas that came before but idk it maybe coz it didn't have that kind of elevations like them too.
The sets weren't very striking except for a few ones like the ones put up for the port? The others looked good but at the same time the artificiality could also be easily seen.
The performances were decent enough and i guess I found it engaging and entertaining coz of the narrative and major plot points, which I felt were delivered neatly and with needed seriousness in it..... which I didn't find effective in those other malayalam period dramas (if being honest MAMANGAM did have a partially effective one though but it faltered on most of the other stuff) of recent times.
Siju Wilson delivers in a good if not exceptional way and the other supporting cast members too contributed decent performances.
The script was missing with good and striking character elevations and dialogues and the action sequences too weren't anything gripping.
Everything felt really grounded from the get go but the climatic action sequences was the one that finally did the very much needed character elevation and stylish(even if with a bit overused slowmotion effect)and engaging and the whole of it even made me root for AVP :)
Overall even with the lack of good and memorable character expositions, quality compressions and lack of tightness in script I really found it to be an engaging and enjoyable period action drama fr.
PS the voiceover from ikka at the end. Lit af
6.5/10.
I like the way the mytho-historic genre is treated in this film. There is an element of 'larger than life' persona of a historic figure and also important chapter in the fight of the subalterns against the dominant upper casts who had proclaimed insulting rules such as 'breast tax'. To think that such a 'tax' even existed is shocking these days. One had to fight to even restore the basic human dignity of covering oneself itself will be an eye opener to many in modern India. How much resistance from the upper cast men who wanted to legitimize 'letching' or more way to keep the subalterns humiliated. Definitely an important film to watch for its portrayal of modern social equality movement in India. At the same time the film narrative and visualisation is in the heroic mode, with stylised fight sequence and other 'hero' cinema tropes. On the whole an enjoyable as well as an enlightening watch.
Pathonpatham Noottandu is an episodic re-telling of certain events that took place in the 19th century with extreme cinematic liberties taken by writer-director Vinayan. For sure, the visuals by Shaji Kumar, Ajayan Chalissery's production design, Supreme Sundar's stunt choreography, and Santhosh Narayanan's score give the film a strong technical backing but the script lacks the emotional punch required in a film like this. Siju Wilson's presence is imposing and he totally shines in the set-pieces as Ezhava spice merchant turned activist Aarattupuzha Velayudha Panicker. Kayadu Lohar's portrayal of Nangeli is also quite impressive. Chemban Vinod, who plays (a different version of) Kayamkulam Kochunni, is decent. The cast is huge, with prominent names filling up important roles.
For a relatively smaller budget period film, Pathonpatham Noottandu scores better than some of the other entries in this genre in recent memory (i.e. In the Malayalam language). Yet, most characters are uni-dimensional and fail to register as anything beyond good/bad. The melodrama, which is usually on the higher side in Vinayan films, is thankfully balanced out with the action blocks and sub-plots. He reserves it exclusively for the climax, which recalls a folklore we've all read or heard somewhere. There is a very chapter-by-chapter feeling to the film, be it in the way it introduces (and re-introduces) characters or major plot developments. This adds to the emotional disconnect between us viewers and the film's protagonists.
For a relatively smaller budget period film, Pathonpatham Noottandu scores better than some of the other entries in this genre in recent memory (i.e. In the Malayalam language). Yet, most characters are uni-dimensional and fail to register as anything beyond good/bad. The melodrama, which is usually on the higher side in Vinayan films, is thankfully balanced out with the action blocks and sub-plots. He reserves it exclusively for the climax, which recalls a folklore we've all read or heard somewhere. There is a very chapter-by-chapter feeling to the film, be it in the way it introduces (and re-introduces) characters or major plot developments. This adds to the emotional disconnect between us viewers and the film's protagonists.
First of all I would like to appreciate the effort that has been put into making this film.
Positives.. 1. Good performance from The Nangleli actress. She did her best.
2. The BGM is nice even though there are places where its overdone.
3. The overall direction, art and choreography did well.
4. The film did bring those old era feels.
Now onto some criticism.. 1. Siju Wilson performance is just average, I mean the acting part.
2. Storyline is bit boring here and there. Not a totally compelling tale.
3. Gokulam Gopalan's casting as the lead actor's grandfather is terrible (cringe fest).
4. Also the Kannan kurup guy is below average.
5. Expected a more intense screenplay.
The film is better than Marakkar or Mamangam but no way close to Vadakkan Veeragatha or Pazhassiraja.
Positives.. 1. Good performance from The Nangleli actress. She did her best.
2. The BGM is nice even though there are places where its overdone.
3. The overall direction, art and choreography did well.
4. The film did bring those old era feels.
Now onto some criticism.. 1. Siju Wilson performance is just average, I mean the acting part.
2. Storyline is bit boring here and there. Not a totally compelling tale.
3. Gokulam Gopalan's casting as the lead actor's grandfather is terrible (cringe fest).
4. Also the Kannan kurup guy is below average.
5. Expected a more intense screenplay.
The film is better than Marakkar or Mamangam but no way close to Vadakkan Veeragatha or Pazhassiraja.
Você sabia?
- Trilhas sonorasKarumbaninningu Varumo Kaare
Written by Rafeeq Ahammed
Produced by M. Jayachandran
Performed by Nikhil Raj, Narayani Gopan, Arun Gopan, Unni Elayaraja, Poornasree Haridas, Anna Baby and Neethu Naduvathettu
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- How long is Pathonpatham Noottandu?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Puli the 19th Century
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 250.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 220.699
- Tempo de duração2 horas 38 minutos
- Cor
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