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Lighter in tone than most British gangster type thrillers, there are some real giggles to be had in this.

Helps that the acting is a cut above too, and there seems to be real chemistry between the two leads Tamar Hussain and Danny Dyer.

There's a couple of plot holes, but nothing major.

It's also stylishly filmed and directed, and moves along at a fast pace, and gets a definite thumbs up from me.

I didn't know what to expect from this film except that the poster made it look like an honest-to-goodness thriller that could've been made any time in the past 40 years, and that appealed to me. In the event, it's a well-played noir mostly set in London (though you get no real sense of the city, and it's a shame they had to show Big Ben) in which Nick (engagingly played by Tamer Hassan) has 24 hours to find £100,000 or he, and his mother (as always, a superb performance from Brenda Blethyn) will be 'buried in a shallow grave'. Well-paced, with a reasonable twist, it's only a shame that most of the dialogue is quite lame, and everything has a second-hand feel, but that's deliberate, I feel, and we need more movies like this that have a heart of noir while only seeking to entertain. The audience I saw it with, in Wandsworth, were thoroughly entertained.

I wasn't expecting great things from this movie and I wasn't disappointed. The plot is very two-dimensional but done reasonably well, the film is well-paced and directed competently with a fair bit going on in its 90-ish minute runtime. It's never going to trouble the Academy but it pretty much does what it says on the tin as a run-of-the-mill UK gangster flick.

The performances leave a little bit to be desired, however. Danny Dyer, who now seems hopelessly typecast, really phones in his performance and it would be nice to see him given a role which might stretch him. If he keeps taking roles like this one, though, it ain't going to happen. Here Dyer is reunited with his co-star from 'The Business' (ten times the film that 'Dead Man Running' is, by the way) Tamer Hassan. Hassan, again, means well but again he's given very little to work with. It's a shame as both he and Dyer have, I feel, more to offer than this formulaic 'good-guys-gone-a-little-bad' buddy-buddy nonsense.

The chief baddie is 'played' by Curtis 'fifty pence' Jackson and it's not good, people. I'm not a fan of his music but he undeniably has talent, just not on the boards. His performance is borderline embarrassing but thankfully he doesn't take up much screen time.

Not a great movie, not a disaster either. Just average.

I did chuckle when I saw the name of footballer Rio Ferdinand in the credits as an 'executive producer' and the Jar-Jar Binks lookalike even gets a dedicated (and very clunky) line in the script. Rio's got his insipid 'Number 5' online magazine going on and now fancies himself as a mover and shaker in the film world but someone really ought to take the big man to one side and quietly explain to him that he is not in any way 'cool', nor will he ever be. Stick to football, Rio, you're quite good at that (recent performances aside).

The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.

Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.

It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.

Well I enjoyed it. It was just good fun and made me smile several times. I'm unfamiliar with the two leads so I'm not fed up of them. Brenda Blethyn was terrific as usual.

The soundtrack was quite good too and I enjoyed the contrast when the classical piece took over.

Not sure the 'kill' would have been so clean with a sawn off shotgun. I thought they made a bigger mess than that.

"This movie even has big football movie connections it was funded by non other than Rio Ferdinand...that's right I said that huge football star Rio ferdanando..or something like that." He's England Captain and plays for One of the World's Biggest clubs. I think that qualifies as pretty big.