AVALIAÇÃO DA IMDb
5,9/10
4,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaNick's borrowed money from Thigo (a loan shark) and he's behind with his payments. Thigo gives him 24-hours to repay the $100,000 he owes and takes his mother hostage as an extra incentive f... Ler tudoNick's borrowed money from Thigo (a loan shark) and he's behind with his payments. Thigo gives him 24-hours to repay the $100,000 he owes and takes his mother hostage as an extra incentive for Nick to come up with the money.Nick's borrowed money from Thigo (a loan shark) and he's behind with his payments. Thigo gives him 24-hours to repay the $100,000 he owes and takes his mother hostage as an extra incentive for Nick to come up with the money.
Clint Koroan
- Calvin
- (as Clint 'C1' Koroan)
Fredi Nwaka
- Rude Boy 1
- (as Freddie Kruga)
Andrew Harrison
- Brick Wall
- (as Tiny Iron)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Lighter in tone than most British gangster type thrillers, there are some real giggles to be had in this.
Helps that the acting is a cut above too, and there seems to be real chemistry between the two leads Tamar Hussain and Danny Dyer.
There's a couple of plot holes, but nothing major.
It's also stylishly filmed and directed, and moves along at a fast pace, and gets a definite thumbs up from me.
Helps that the acting is a cut above too, and there seems to be real chemistry between the two leads Tamar Hussain and Danny Dyer.
There's a couple of plot holes, but nothing major.
It's also stylishly filmed and directed, and moves along at a fast pace, and gets a definite thumbs up from me.
I didn't know what to expect from this film except that the poster made it look like an honest-to-goodness thriller that could've been made any time in the past 40 years, and that appealed to me. In the event, it's a well-played noir mostly set in London (though you get no real sense of the city, and it's a shame they had to show Big Ben) in which Nick (engagingly played by Tamer Hassan) has 24 hours to find £100,000 or he, and his mother (as always, a superb performance from Brenda Blethyn) will be 'buried in a shallow grave'. Well-paced, with a reasonable twist, it's only a shame that most of the dialogue is quite lame, and everything has a second-hand feel, but that's deliberate, I feel, and we need more movies like this that have a heart of noir while only seeking to entertain. The audience I saw it with, in Wandsworth, were thoroughly entertained.
The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.
Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.
It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.
Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.
It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.
A classic british ganster film with the usual faces in the cast (Dany Dyer Tamer Hussan etc ) quite fast paced with humour.
All in all a decent film, being a woman i love any Danny dyer and he was the films main pull for me and the girls to go watch a typical guys film,A bit lack lustre at times but Danny kept me trans fixed, plenty of action one for the guys and the girls. I noticed a mixed reception from fellow cinema goers, and maybe a tad cheesy in parts but compared with other movies at the moment it was not that bad, British film too so it's a bonus.But would recommend full on action , not a bad story and a good cast, a bit unsure about 50 cent though maybe he should have stayed in the music industry, Other characters put in a good performance and Danny and Tamear teamed up again always seems to work and do the business.
Você sabia?
- Curiosidades50 Cent and Omid Djalili worked together on the video game "50 Cent: Blood on the Sand".
- Erros de gravaçãoNick only just makes the train from Manchester to London before it leaves, but the man following him is already on the train waiting for him. There was no way for the man to know Nick would get that exact train beforehand, and in fact he very nearly did miss it.
- ConexõesEdited into The Paul O'Grady Show: Episode dated 11 November 2009 (2009)
- Trilhas sonorasBreath
Performed by The Prodigy
Written by Liam Howlett (as Howlett) / Keith Flint (as Flont) / Maxim Reality (as Maxim)
Published by EMI / Virgin Music Publishing, EMI Music Universal / MCA Music
Licensed Courtesy of XL Recordings Ltd
(P) 1997 XL Recordings Limited
ISRC No: GB-BKS-97-00074
Also available on the album 'Their Law The Singles 1990-2005' XLCD 190
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- How long is Dead Man Running?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dead Man Running
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 735.875
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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